Source layout: "verte folium" between motets

Displaying 1 - 9 of 9 related items.

Cycle details

Reference source:

I-Mfd 1, ff. 171v-179r

Cycle rubric:

listed under "Motetti missales consequentes" (I-Mfd 1, index)

Identified as a cycle based on:

index of I-Mfd 1 (see Cycle rubric); presence of “loco” rubrics; consensus in the "motetti missales" literature

Number of voices:

Signature:

Clefs:

c1c3c4f4

Final:

Devotional / liturgical association:

Christ, BVM, Incarnation

Christmas, Christmastide

Modern editions:

AMMM 13, 45-73; CMM 15.2; MCE 1

Discography:

Loyset Compère: Mass, Motets, Songs. Orlando Consort, Metronome 1002

Content (motets):

M059 M060 M061 M062 M063 M064 M065 M066

C17 Hodie nobis de virgine

Compère, Loyset

Cycle details

Reference source:

MotettiLQ, ff. 29v-30v (S) 92v-94r (A) 60r-61v (T) 124v-126r (B)

Cycle rubric:

"in honorem sancti spiritus" (MotettiLQ, index)

Number of voices:

Signature:

Clefs:

c1c3c4f4

Final:

Devotional / liturgical association:

Holy Spirit

Pentecost

Modern editions:

CMM 106.3

Further notes:

Attribution reproduced in CMM 106.3, Plate 5; see also the historical register.

WARD 1986, 507-508 proposes the reconstruction of a “virtual” seven-motet cycle combining motets from the present cycle and C37a.

See also information on this cycle as part of the Gaspar van Weerbeke Project.

Content (motets):

M136 M137 M138 M139 M238 M239

C37b Spiritus domini replevit orbem (MotettiLQ)

Weerbeke, Gaspar van

Cycle details

Reference source:

MotettiB, No. 2, ff. 2v-7r

Cycle rubric:

"Officium de passione" (MotettiB, index)

Identified as a cycle based on:

index; presence of a cycle rubric; consensus in the literature

Number of voices:

Signature:

b/-

Clefs:

c2c4c4f4

Final:

D/A/A/F/D

Devotional / liturgical association:

Christ, Passion, Holy Cross

Modern editions:

DRAKE 2002; NJE 22 (No.1)

Further notes:

See information on this cycle as part of The Josquin Research Project.

Content (motets):

M152 M153 M154 M155 M156

C41 O domine Iesu Christe / Officium de passione

Josquin des Prez

Cycle details

Reference source:

MotettiB, No. 3, ff. 7v-14r

Cycle rubric:

Number of voices:

Signature:

Clefs:

c2c3c4f4

c2c4c4f4/c2c3c4f4

c2c4c4f4

c2c3c4f4

Final:

E/E/A/E/E/E

Devotional / liturgical association:

Christ, Passion, Holy Cross

Modern editions:

DRAKE 2002; NJE 22 (No. 3)

Further notes:

See information on this cycle as part of The Josquin Research Project.

Content (motets):

M157 M158 M159 M160 M161 M162

C42 Qui velatus facie fuisti

Josquin des Prez

Cycle details

Reference source:

MotettiB, No. 21, ff. 46v-55r

Cycle rubric:

"Officium de cruce" (MotettiB, index)

Number of voices:

Signature:

Clefs:

c2c4c4f4

Final:

Devotional / liturgical association:

Christ, Passion, Holy Cross

Modern editions:

CMM 15.4

Further notes:

The source Rhau 1538 includes two motets at the beginning of the cycle, not present in the other sources: Crux triumphans and Jesus nomen dignum.

Additional concordances in mss. that do not transmit motet cycles: M176 and M177 in CH-SGs MS 462 (“Heer Liederbuch”).

Content (motets):

M176 M177 M178 M179 M180 M181 M182 M183 M184

C44 In nomine Iesu / Officium de cruce

Compère, Loyset

Cycle details

Reference source:

I-Rvat CS 15, ff. 231v-235r

Cycle rubric:

Number of voices:

Signature:

Clefs:

c1c3c4f4

Final:

Devotional / liturgical association:

BVM

Modern editions:

SCM 2

Discography:

The cognate cycle C47b (see Further notes) has been recorded by Cappella pratensis: http://searchworks.stanford.edu/view/3971223. Fragments online at https://www.muziekweb.nl/Link/EAX0513.

Content (motets):

M191 M192 M193 M194 M195

C47a Virgo praecellens (5 motets)

Anonymous

Cycle details

Reference source:

MotettiLQ, ff. 27r-28v (S), 90v-92r (A), 57v-59r (T), 122v-124r (B)

Cycle rubric:

Identified as a cycle based on:

(see Further notes)

Number of voices:

Signature:

Clefs:

c1c3c3f3

c1c3c4f3

c1c3c3f3

c1c2c3f3

g2c2c3f3

c1c3c3f3

Final:

Devotional / liturgical association:

BVM, Christ

Modern editions:

NJE 25 (No. 14)

Discography:

Josquin des Pres: Missa Pange lingua, Vultum tuum, Planxit autem David. Wenstminster Cathedral Choir, James O'Donnell, Hyperion CDA 66614, 1992 (cycle extended and reorganised following Macey's suggestions).

Further notes:

Compare the shorter cognate cycles C53b Ora pro nobis virgo and C53c Sancta dei genitrix.

MACEY 1989 proposed an extended and partially reordered cycle, including Josquin’s “little” Ave Maria and his Tu lumen, tu splendor patris. Elders discusses the hypothesis in the critical notes to the edition of the work in NJE (CC) 25.

See information on this cycle as part of The Josquin Research Project.

Content (motets):

M226 M227 M228 M229 M230 M231

C53a Vultum tuum

Josquin des Prez

Cycle details

Reference source:

GB-Lcm 1070, ff. 117v-121r

Cycle rubric:

Identified as a cycle based on:

SCHMIDT 2017, 30-31

Number of voices:

Signature:

Clefs:

c2c4c4f4

Final:

C/D/C/D/D

Devotional / liturgical association:

Good Friday

Veneration of the cross

Modern editions:

URKEVICH 1997, 347-360

Further notes:

SCHMIDT 2017, 31 underlines that the three concordances of this cycle transmit it following Compère's cycle C44 In nomine Iesu / Officium de cruce, also linked to the Holy Week. According to him, the two cycles are stylistically similar and Compère's authorship of the cycle Popule meus has to be considered seriously.

Content (motets):

M276 M277 M278 M279 M280

C59 Popule meus quid feci tibi

[Compère, Loyset (?)]

Cycle details

Reference source:

I-Mfd 2, ff. 35v-37r

Cycle rubric:

Identified as a cycle based on:

WARD 1986, 506 (see Further notes)

Number of voices:

Signature:

Clefs:

g2c2c3c4

g2c3c3c4

Final:

Devotional / liturgical association:

BVM

Modern editions:

AMMM 6, 12-19; AMMM 13, 145-147 (motet only); CMM 15.4, 30-31 (motet only)

Further notes:

Only the motet Ave virgo gloriosa Maria mater gratiae is clearly attributed to Compère in a concordant source (I-Rvat CS 46). For the attribution of the Sanctus see M281.

According to WARD 1986, 506, Sanctus and Ave virgo gloriosa Maria mater gratiae are parts of a five-pieces cycle, whose components are dispersed in the four Libroni. In WARD’s hypothetical cycle, however, the motet O genitrix gloriosa M292 is placed between the Sanctus and Ave virgo gloriosa Maria mater gratiae.

C60 Sanctus + Ave virgo gloriosa Maria mater gratiae

[Compère, Loyset (?)]

Source layout: "verte folium" between motets

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