Motets share musical material

Displaying 1 - 8 of 8 related items.

Cycle details

Reference source:

I-Mfd 1, ff. 68v-71r

Cycle rubric:

Identified as a cycle based on:

WARD 1986, 523 n.56; GASSER 2001, 354-368

Number of voices:

Signature:

Clefs:

c1c2c3c4

Final:

Devotional / liturgical association:

BVM

Modern editions:

AMMM 5, 28-37; MM 1 (see the records of the individual motets)

Content (motets):

M004 M005 M006

C03 Hortus conclusus

Gaffurius, Franchinus

Cycle details

Reference source:

I-Mfd 1, ff. 72v-74r

Cycle rubric:

Identified as a cycle based on:

GASSER 2001, 331

Number of voices:

Signature:

Clefs:

c1c3c4f4

Final:

Devotional / liturgical association:

Christ, Holy Spirit, Holy Trinity, the Blessed Sacrament

Modern editions:

AMMM 5, 42-48; MM 1 (see the records of the individual motets)

Content (motets):

M007 M008

C04 O sacrum convivium (I-Mfd 1)

Gaffurius, Franchinus

Cycle details

Reference source:

I-Mfd 1, ff. 75v-80r

Cycle rubric:

Identified as a cycle based on:

WARD 1986, 523 n.56; GASSER 2001, 369-383

Number of voices:

Signature:

Clefs:

c1c3c4f3

Final:

Devotional / liturgical association:

Christ, St. Joseph, BVM, Incarnation

Christmas, Christmastide, St. Joseph

Modern editions:

AMMM 5, 52-63; MM 1 (see the records of the individual motets)

Content (motets):

M009 M010 M011

C05 Prodiit puer de puella

Gaffurius, Franchinus

Cycle details

Reference source:

I-Mfd 3, ff. 125v-135r

Cycle rubric:

"Galeazescha" (I-Mfd 3)

Identified as a cycle based on:

presence of a cycle rubric and of "loco" rubrics; consensus in the "motetti missales" literature

Number of voices:

Signature:

Clefs:

c1c4c4c4f4

Final:

Devotional / liturgical association:

BVM

Modern editions:

AMMM 13, 75-112; CMM 15.2; MCE 3

Discography:

Compère: Missa Galeazescha: Music for the Duke of Milan. Odhecaton, Paolo Da Col, Arcana-Outhere, 2017.

Further notes:

See also the cognate shorter cycle C14a.

GASSER 2001, 304-305, considers the cycle to consist of seven motets, instead of eight: see the notes to M075 and M076.

The version of M074 in I-Mfd 3 is longer than the one in I-Mfd 1.

Content (motets):

M071 M072 M073 M074 M075 M076 M077 M078

C14b Ave virgo gloriosa caeli iubar / ‹Missa› Galeazescha

[Compère, Loyset]

Cycle details

Reference source:

I-Mfd 1, ff. 158v-162r

Cycle rubric:

Identified as a cycle based on:

GASSER 2001, 331

Number of voices:

Signature:

Clefs:

c2c4c4f4

Final:

Devotional / liturgical association:

All Saints

All Saints’ Day

Modern editions:

Content (motets):

M047 M048 M049 M050

C15 Exultabit cor meum

Anonymous

Cycle details

Reference source:

I-Mfd 1, ff. 171v-179r

Cycle rubric:

listed under "Motetti missales consequentes" (I-Mfd 1, index)

Identified as a cycle based on:

index of I-Mfd 1 (see Cycle rubric); presence of “loco” rubrics; consensus in the "motetti missales" literature

Number of voices:

Signature:

Clefs:

c1c3c4f4

Final:

Devotional / liturgical association:

Christ, BVM, Incarnation

Christmas, Christmastide

Modern editions:

AMMM 13, 45-73; CMM 15.2; MCE 1

Discography:

Loyset Compère: Mass, Motets, Songs. Orlando Consort, Metronome 1002

Content (motets):

M059 M060 M061 M062 M063 M064 M065 M066

C17 Hodie nobis de virgine

Compère, Loyset

Cycle details

Reference source:

I-Mfd 3, ff. 205v-208r

Cycle rubric:

Identified as a cycle based on:

GASSER 2001, 331; 475-487

Number of voices:

Signature:

Clefs:

c1c3c4f4

Final:

Devotional / liturgical association:

BVM

Modern editions:

GASSER 2001, 604-617; MM 1 (see the records of the individual motets)

Further notes:

C24 and C25 share the same three motets, but in C25 (from I-Mfd [4]) they surround a Mass and the order is M089-M090-M091, whereas C24 (from I-Mfd 3) is a “standalone” cycle, and the order is M090-M089-M091. There is no attribution in either book, nor in ANNALI 1885 (the Imperatrix gloriosa attributed to Gaffurius there at 169 is not M089 but M016). As for the catalogue BERWIN-HIRSCHFELD 1892, 91, it is unclear whether the Mass in included in the attribution to Gaffurius, or M089 only is intended. EITNER 1900-04, IV, 122 indicates, however, that the Mass is indeed a Missa [super] Imperatrix gloriosa; WARD 1986, 497 seems to accept the attribution and extends it to the other two motets, followed by Bonnie J. Blackburn, "Gaffurius, Franchinus," Grove Music Online. Oxford Music Online (Oxford University Press), http://www.oxfordmusiconline.com/subscriber/article/grove/music/10477.

Content (motets):

M090 M089 M091