Gaffurius, Franchinus

Cycle details

Reference source: 
I-Mfd 1, ff. 64v-67r
Cycle rubric: 
-
Identified as a cycle based on: 
GASSER 2001, 343-354 (see Further notes)
Number of voices: 
3
Signature: 
b
Clefs: 
c1c4f4
c1c4f4
c1c3c4
Final: 
G/G/F
Devotional / liturgical association: 
BVM
Nativity of Mary?, other Marian feasts
Modern editions: 
AMMM 5, 20-25
Further notes: 

WARD 1986 listed the first two motets of this cycle (cited only by their foliation, ff. 64v-66r) among the “possibile motetti missales cycles in the Gafurius codices” (p. 523, footnote 56). GASSER 2001 was the first to propose a larger, three-motet cycle. As the same author admits, however, the third motet has a different tonal type (p. 347). While this “may seem to throw out the possibility of a unified, tri-partite cycle”, Gasser observes that all three motets “share the same hexachordal identity of cantus mollis” and feature “similar musical techniques and a consistent approach to composition, including some potential thematic connections” (ibid.).

Content (motets): 
M001 M002 M003

Cycle details

Reference source: 
I-Mfd 1, ff. 68v-71r
Cycle rubric: 
-
Identified as a cycle based on: 
WARD 1986, 523 n.56; GASSER 2001, 354-368
Number of voices: 
4
Signature: 
b
Clefs: 
c1c2c3c4
Final: 
G
Devotional / liturgical association: 
BVM
Modern editions: 
AMMM 5, 28-37
Content (motets): 
M004 M005 M006

Cycle details

Reference source: 
I-Mfd 1, ff. 72v-74r
Cycle rubric: 
-
Identified as a cycle based on: 
GASSER 2001, 331
Number of voices: 
4
Signature: 
b
Clefs: 
c1c3c4f4
Final: 
G
Devotional / liturgical association: 
Christ, Holy Spirit, Holy Trinity, the Blessed Sacrament
Modern editions: 
AMMM 5, 42-48
Content (motets): 
M007 M008

Cycle details

Reference source: 
I-Mfd 1, ff. 75v-80r
Cycle rubric: 
-
Identified as a cycle based on: 
WARD 1986, 523 n.56; GASSER 2001, 369-383
Number of voices: 
4
Signature: 
-
Clefs: 
c1c3c4f3
Final: 
D
Devotional / liturgical association: 
Christ, St. Joseph, BVM, Incarnation
Christmas, Christmastide, St. Joseph
Modern editions: 
AMMM 5, 52-63
Content (motets): 
M009 M010 M011

Cycle details

Reference source: 
I-Mfd 1, ff. 84v-93r
Cycle rubric: 
listed under "Motetti missales consequentes" as "Salve mater salvatoris gaffori | cum tota missa" (I-Mfd 1, index)
Identified as a cycle based on: 
index of I-Mfd 1 (see Cycle rubric); consensus in the "motetti missales" literature
Number of voices: 
4
Signature: 
-
Clefs: 
c1c3c4c4
Final: 
G
Devotional / liturgical association: 
BVM
Modern editions: 
AMMM 5, 75-104
Further notes: 

All the component motets are in more than one pars. Second/third partes are not listed in I-Mfd 1, index (except for the 3a pars of Imperatrix gloriosa), do not have separate attributions, and are linked with “verte folium” and/or “custodes”.

Content (motets): 
M012 M014 M015 M016

Cycle details

Reference source: 
I-Mfd 1, ff. 99v-103r
Cycle rubric: 
-
Identified as a cycle based on: 
GASSER 2001, 384-393; see also Further notes
Number of voices: 
4
Signature: 
b
Clefs: 
c1c3c3c4
c1c3c3c4
c1c3c4c4
c1c3c3c4
Final: 
G
Devotional / liturgical association: 
BVM
Modern editions: 
AMMM 5, 119-124 (without "Eia mater"); GASSER 2001, 543-545 (for "Eia mater").
Further notes: 

GASSER 2001 was the first to include Eia mater in this cycle.

Content (motets): 
M017 M018 M019 M020

Cycle details

Reference source: 
I-Mfd 1, ff. 103v-105r
Cycle rubric: 
-
Identified as a cycle based on: 
GASSER 2001, 331
Number of voices: 
4
Signature: 
b
Clefs: 
c1c3c3c4
Final: 
G
Devotional / liturgical association: 
Christ, the Blessed Sacrament
Corpus Christi ?
Modern editions: 
-
Content (motets): 
M021 M022

Cycle details

Reference source: 
I-Mfd 1, ff. 106v-108r
Cycle rubric: 
-
Identified as a cycle based on: 
WARD 1986, 523 n.56; GASSER 2001, 396-408
Number of voices: 
4
Signature: 
b
Clefs: 
c1c3c4f4
Final: 
G
Devotional / liturgical association: 
BVM, Christ, Incarnation
Christmas, Christmastide
Modern editions: 
AMMM 5, 8-12 (for "Promissa mundo gaudia"); GASSER 2001, 546-552 (for "Ave cella").
Content (motets): 
M023 M024

Cycle details

Reference source: 
I-Mfd 2, ff. 54v-56r
Cycle rubric: 
-
Identified as a cycle based on: 
GASSER 2001, 331
Number of voices: 
5
Signature: 
b
Clefs: 
c1c3c3c3c5
Final: 
F
Devotional / liturgical association: 
Christ, the Blessed Sacrament
Modern editions: 
AMMM 5, 13-16
Content (motets): 
M067 M068

Cycle details

Reference source: 
I-Mfd 2, ff. 100v-110r
Cycle rubric: 
"Missa Sanctae Caterinae v. et m." (I-Mfd 2, f. 100v); "Quarti toni" (I-Mfd 2, f. 101v)
Identified as a cycle based on: 
presence of a cycle rubric and of one "loco" rubric
Number of voices: 
4
Signature: 
-
Clefs: 
c1c3c4f3
Final: 
A
Devotional / liturgical association: 
St. Catherine of Alexandria
Modern editions: 
AMMM 3
Further notes: 

Hac in die and Virgo constans are copied as one motet in two partes in I-Mfd 3, ff. 183v-185r.

Content (motets): 
M069 M070

Cycle details

Reference source: 
I-Mfd 3, ff. 205v-208r
Cycle rubric: 
-
Identified as a cycle based on: 
GASSER 2001, 331; 475-487
Number of voices: 
4
Signature: 
b
Clefs: 
c1c3c4f4
Final: 
G
Devotional / liturgical association: 
BVM
Modern editions: 
GASSER 2001, 604-617
Further notes: 

C24 and C25 share the same three motets, but in C25 (from I-Mfd [4]) they surround a Mass and the order is M089-M090-M091, whereas C24 (from I-Mfd 3) is a “standalone” cycle, and the order is M090-M089-M091. There is no attribution in either book, nor in ANNALI 1885 (the Imperatrix gloriosa attributed to Gaffurius there at 169 is not M089 but M016). As for the catalogue BERWIN-HIRSCHFELD 1892, 91, it is unclear whether the Mass in included in the attribution to Gaffurius, or M089 only is intended. EITNER 1900-04, IV, 122 indicates, however, that the Mass is indeed a Missa [super] Imperatrix gloriosa; WARD 1986, 497 seems to accept the attribution and extends it to the other two motets, followed by Bonnie J. Blackburn, "Gaffurius, Franchinus," Grove Music Online. Oxford Music Online (Oxford University Press), http://www.oxfordmusiconline.com/subscriber/article/grove/music/10477.

Content (motets): 
M090 M089 M091

Cycle details

Reference source: 
I-Mfd [4], ff. 12v-24r
Cycle rubric: 
-
Identified as a cycle based on: 
WARD 1986, 497; GASSER 2001, 332; 475-487
Number of voices: 
4
Signature: 
b
Clefs: 
<c1c3>c4f4
Final: 
<G>
Devotional / liturgical association: 
BVM
Modern editions: 
GASSER 2001, 604-617 (motets only)
Further notes: 

C24 and C25 share the same three motets, but in C25 (from I-Mfd [4]) they surround a Mass and the order is M089-M090-M091, whereas C24 (from I-Mfd 3) is a “standalone” cycle, and the order is M090-M089-M091. There is no attribution in either book, nor in ANNALI 1885 (the Imperatrix gloriosa attributed to Gaffurius there at 169 is not M089 but M016). As for the catalogue BERWIN-HIRSCHFELD 1892, 91, it is unclear whether the Mass is included in the attribution to Gaffurius, or M089 only is intended. EITNER 1900-04, IV, 122 indicates, however, that the Mass is indeed a Missa [super] Imperatrix gloriosa; WARD 1986, 497 seems to accept the attribution and extends it to the other two motets, followed by Bonnie J. BLACKBURN, "Gaffurius, Franchinus," Grove Music Online. Oxford Music Online (Oxford University Press), http://www.oxfordmusiconline.com/subscriber/article/grove/music/10477.

Content (motets): 
M089 M090 Kyrie Gloria Credo Sanctus Agnus M091

Cycle details

Reference source: 
I-Mfd [4], ff. 26v-38r
Cycle rubric: 
-
Identified as a cycle based on: 
WARD 1986, 497
Number of voices: 
4
Signature: 
-
Clefs: 
<c1>c3c4f3
Final: 
<D>
Devotional / liturgical association: 
BVM
Assumption of the BVM
Modern editions: 
-
Content (motets): 
M092 M093 Kyrie Gloria Credo Sanctus Agnus

Cycle details

Reference source: 
I-Mfd [4], ff. 40v-48r
Cycle rubric: 
-
Identified as a cycle based on: 
WARD 1986, 498; GASSER 2001
Number of voices: 
4
Signature: 
-
Clefs: 
c1c3c3c4
Final: 
C
Devotional / liturgical association: 
BVM
Nativity of the BVM
Modern editions: 
-
Content (motets): 
M094 Kyrie Gloria Credo Sanctus Agnus M095

Cycle details

Reference source: 
I-Mfd [4], ff. 95v-99r
Cycle rubric: 
-
Identified as a cycle based on: 
WARD 1986, 500; GASSER 2001, 332
Number of voices: 
5
Signature: 
b
Clefs: 
c1c3c3c3c5
Final: 
F
Devotional / liturgical association: 
Christ, Incarnation, the Blessed Sacrament
Modern editions: 
AMMM 5, 13-14; 125-129 ("O Iesu dulcissime" missing)
Further notes: 

WARD 1986, 506 proposes a “virtual” five-motet cycle including also M068 Accepta Christi munera.

Content (motets): 
M118 M119 M067 M121

Cycle details

Reference source: 
I-Mfd 2, ff. 130v-135r
Cycle rubric: 
"Missa brevis octavi toni" (I-Mfd 2, index)
Number of voices: 
4
Signature: 
-
Clefs: 
c1c3c4c4
Final: 
G/G/D/G
Devotional / liturgical association: 
Christ, the Blessed Sacrament, BVM
Modern editions: 
-
Content (motets): 
Gloria Credo Sanctus M275

Motet details

In cycle(s): 
Reference source: 
I-Mfd 1, ff. 64v-65r
Mensuration: 
Number of voices: 
3
Length: 
25
Signature: 
b
Clefs: 
c1c4f4
Final: 
G
Music incipit: 
gabcdcba
.gabcdcb
gfedg.gf
Modern editions: 
AMMM 5, 20-21
Text reference: 

Motet details

In cycle(s): 
Reference source: 
I-Mfd 1, ff. 65v-66r
Mensuration: 
Number of voices: 
3
Length: 
51
Signature: 
b
Clefs: 
c1c4f4
Final: 
G
Music incipit: 
..gfefgb
..gfefgb
gfefgbag
Modern editions: 
AMMM 5, 22-23
Further notes: 

I-Mfd [4], ff. 47v-48r Gloriosae virginis Mariae is not a musical concordance.

Motet details

In cycle(s): 
Reference source: 
I-Mfd 1, ff. 66v-67r
Mensuration: 
Number of voices: 
3
Length: 
30
Signature: 
b
Clefs: 
c1c3c4
Final: 
F
Music incipit: 
fedc.gag
fgagf.bc
fdcfc.cd
Modern editions: 
AMMM 5, 24-25

Motet details

In cycle(s): 
Reference source: 
I-Mfd 1, ff. 68v-69r
Mensuration: 
Pre-existing melodies (Cantus prius facti): 

Incipit of the antiphon Hortus conclusus es dei genetrix (Cantus ID 003137) quoted in C (opening):

1--d---c---d---f---f---ed---e---d--4

"Hortus conclusus es dei" (http://cantus.uwaterloo.ca/chant/402467)

Number of voices: 
4
Length: 
46
Signature: 
b
Clefs: 
c1c2c3c4
Final: 
G
Music incipit: 
gfefgbag
gagfedgf
.gabcded
...gfded
Modern editions: 
AMMM 5, 28-30
Text reference: 

Motet details

In cycle(s): 
Reference source: 
I-Mfd 1, ff. 69v-70r
Mensuration: 
Number of voices: 
4
Length: 
48
Signature: 
b
Clefs: 
c1c2c3c4
Final: 
G
Music incipit: 
gfefgaba
gagfdefg
..gfefgf
Modern editions: 
AMMM 5, 31-33

Motet details

In cycle(s): 
Reference source: 
I-Mfd 1, ff. 70v-71r
Mensuration: 
Number of voices: 
4
Length: 
55
Signature: 
b
Clefs: 
c1c2c3c4
Final: 
G
Music incipit: 
gabgaggf
..defded
...gbcdb
gbcdbcba
Modern editions: 
AMMM 5, 34-37
Text reference: 

Motet details

Reference source: 
I-Mfd 1, ff. 72v-73r
Mensuration: 
Pre-existing melodies (Cantus prius facti): 

The passage "O quam suavis est, domine, spiritus tuus" possibly quotes pre-existing material, but it can not be linked to any Cantus prius factus with a corresponding text.

Number of voices: 
4
Length: 
65
Signature: 
b
Clefs: 
c1c3c4f4
Final: 
D / D / G
Music incipit: 
gbagfgfa
gfedcdef
.....gba
.....gfe
Modern editions: 
AMMM 5, 42-45
Text reference: 

Motet details

Reference source: 
I-Mfd 1, ff. 73v-74r
Mensuration: 
Pre-existing melodies (Cantus prius facti): 

The passage "Te summa dei trinitas ... regens per saecula" possibly quotes pre-existing material, but it can not be linked to any Cantus prius factus with a corresponding text.

Number of voices: 
4
Length: 
53
Signature: 
b
Clefs: 
c1c3c4f4
Final: 
G
Music incipit: 
gbagfefg
...gbagf
..gbagfe
..gbagfe
Modern editions: 
AMMM 5, 46-48

Motet details

Reference source: 
I-Mfd 1, ff. 75v-77r
Mensuration: 
Number of voices: 
4
Length: 
71
Signature: 
-
Clefs: 
c1c3c4f3
Final: 
C / D
Music incipit: 
..acbaea
.dfedadc
.dfedaga
dfedadcd
Modern editions: 
AMMM 5, 52-56

Motet details

Reference source: 
I-Mfd 1, ff. 77v-78r
Mensuration: 
Number of voices: 
4
Length: 
28
Signature: 
-
Clefs: 
c1c3c4f3
Final: 
D
Music incipit: 
dfedagfg
..acbaed
.dfedafe
..acbaec
Modern editions: 
AMMM 5, 57-58

Motet details

Reference source: 
I-Mfd 1, ff. 78v-80r
Mensuration: 
Number of voices: 
4
Length: 
70
Signature: 
-
Clefs: 
c1c3c4f3
Final: 
D
Music incipit: 
.dfedagf
...aabcd
dfedabcd
daafedc.
Modern editions: 
AMMM 5, 59-63
Text reference: 

Motet details

Reference source: 
I-Mfd 1, ff. 84v-85r
Mensuration: 
Pre-existing melodies (Cantus prius facti): 

This motet possibly quotes pre-existing material, but it can not be linked to any Cantus prius factus with a corresponding text.

Number of voices: 
4
Length: 
63
Signature: 
-
Clefs: 
c1c3c4c4
Final: 
G / G
Music incipit: 
gagfgaba
defdcdfe
.gagfgfg
gfgfedef
Modern editions: 
AMMM 5, 75-77

Motet details

Reference source: 
I-Mfd 1, ff. 85v-87r
Mensuration: 

Pre-existing melodies (Cantus prius facti): 

Incipit of stanza 1a of the sequence Salve mater salvatoris loosely quoted in C and T (opening):

1--g--g--h--g--k--kjh---j--j---4

"Salve mater salvatoris" (NOBLITT 1963, 162)

Number of voices: 
4
Length: 
100
Signature: 
-
Clefs: 
c1c3c4c4
Final: 
D / G
Music incipit: 
gagcdcba
gfedc.dc
.gagcdcb
..gagfgf
Modern editions: 
AMMM 5, 78-82
Text reference: 

Motet details

Reference source: 
I-Mfd 1, ff. 87v-90r
Mensuration: 
Number of voices: 
4
Length: 
217
Signature: 
-
Clefs: 
c1c3c4c4
Final: 
D / D / G
Music incipit: 
gagcbga.
gfedcdef
.gagcbga
.gfgbagf
Modern editions: 
AMMM 5, 83-93
Further notes: 

The third pars of this motet includes an Elevation passage.

Motet details

Reference source: 
I-Mfd 1, ff. 90v-93r
Mensuration: 
Number of voices: 
4
Length: 
216
Signature: 
-
Clefs: 
c1c3c4c4
Final: 
F / G / G
Music incipit: 
gggaaabc
..fffggg
.cccdddc
.gggaaag
Modern editions: 
AMMM 5, 94-104
Further notes: 

The last pars of this motet (Res miranda) is listed separately in I-Mfd 1, index.
Not a concordance for M089.

Text reference: 

Motet details

Reference source: 
I-Mfd 1, ff. 99v-100r
Mensuration: 
Number of voices: 
4
Length: 
24
Signature: 
b
Clefs: 
c1c3c3c4
Final: 
G
Music incipit: 
.agfeagg
..cbagab
.dcbabcd
gfedefga
Modern editions: 
AMMM 5, 119-120

Motet details

Reference source: 
I-Mfd 1, ff. 100v-101r
Mensuration: 
Number of voices: 
4
Length: 
29
Signature: 
b
Clefs: 
c1c3c3c4
Final: 
G
Music incipit: 
gfefgagf
....dedg
.cbabcdg
.gfefgad
Modern editions: 
AMMM 5, 121-122
Further notes: 

Spelled as Horas laetas in ANNALI 1885, 169.

Text reference: 

Motet details

Reference source: 
I-Mfd 1, ff. 101v-102r
Mensuration: 
Number of voices: 
4
Length: 
32
Signature: 
b
Clefs: 
c1c3c4c4
Final: 
G
Music incipit: 
.gfeedge
..feddc.
cbaagcab
.gfeed.d
Modern editions: 
AMMM 5, 123-124
Text reference: 

Motet details

Reference source: 
I-Mfd 1, ff. 102v-103r
Mensuration: 
Number of voices: 
4
Length: 
36
Signature: 
b
Clefs: 
c1c3c3c4
Final: 
G
Music incipit: 
gabacbag
....dfed
.gagcbag
....gbag
Modern editions: 
GASSER 2001, 543-545.
Further notes: 

Although ANNALI 1885 list this motet after the other three motets of cycle C07 among Gaffurius' works, it is excluded from AMMM 05 and it is often considered anonymous in the literature.
GASSER 2001, 384, was the first to include this motet in cycle C07.

Text reference: 

Motet details

Reference source: 
I-Mfd 1, ff. 103v-104r
Mensuration: 
Number of voices: 
4
Length: 
62
Signature: 
b
Clefs: 
c1c3c3c4
Final: 
G
Music incipit: 
...ddcbc
..ggfefg
.ddcbcdg
aagfgadf
Modern editions: 
-
Further notes: 

“Custodes” to next motet (M022).

Motet details

Reference source: 
I-Mfd 1, ff. 104v-105r
Mensuration: 
_
   
Pre-existing melodies (Cantus prius facti): 

This motet possibly quotes pre-existing material, but it can not be linked to any Cantus prius factus with a corresponding text.

Number of voices: 
4
Discography: 

Recordings on YouTube.

Length: 
34
Signature: 
b
Clefs: 
c1c3c3c4
Final: 
G
Music incipit: 
gbagafe.
dgfdffg.
bddbabc.
ggdgfdc.
Modern editions: 
-
Further notes: 

Elevation motet.

The previous motet in I-Mfd 1, Vox iocunda cum favore, is attributed to Gaffurio in ANNALI 1885, 169, and has "custodes" pointing to the present motet.

M121 O Iesu dulcissime is a different motet.

Text reference: 

Motet details

Reference source: 
I-Mfd 1, ff. 106v-107r
Mensuration: 
Pre-existing melodies (Cantus prius facti): 

This motet possibly quotes pre-existing material (see GASSER 2001, 400), but it can not be linked to any Cantus prius factus with a corresponding text.

Number of voices: 
4
Length: 
82
Signature: 
b
Clefs: 
c1c3c4f4
Final: 
G
Music incipit: 
..ggagba
gfefdcde
gagbagfg
gdg.gdga
Modern editions: 
GASSER 2001, 546-552
Further notes: 

Attributed to Gaffurius by GASSER 2001, 296, on account of the strong textual and musical connections to M024 Promissa mundo gaudia, which is attributed to Gaffurius in I-Mfd 2.

Motet details

Reference source: 
I-Mfd 1, ff. 107v-108r
Mensuration: 
Number of voices: 
4
Length: 
85
Signature: 
b
Clefs: 
c1c3c4f4
Final: 
G
Music incipit: 
gggagbag
defbabcd
..gggagb
gfedegfe
Modern editions: 
AMMM 5, 8-12

Motet details

Reference source: 
I-Mfd 2, ff. 54v-55r
Mensuration: 
Pre-existing melodies (Cantus prius facti): 

This motet possibly quotes pre-existing material, but it can not be linked to any Cantus prius factus with a corresponding text.

Number of voices: 
5
Length: 
37
Signature: 
b
Clefs: 
c1c3c3c3c5
Final: 
F
Music incipit: 
...cbaba
fedcfede
fgabcba.
..fgabcb
..fgagfe
Modern editions: 
AMMM 5, 13-14
Further notes: 

Not a musical concordance with the motet from I-Mfd 1 from Gaffurius with the same name.

Text reference: 

Motet details

Reference source: 
I-Mfd 2, ff. 55v-56r
Mensuration: 
Number of voices: 
5
Length: 
25
Signature: 
b
Clefs: 
c1c3c3c3c5
Final: 
F
Music incipit: 
..cccccc
fccfefga
.cabcacb
ffgacbba
ffedcdef
Modern editions: 
AMMM 5, 15-16
Further notes: 

Listed as “secunda pars” of M067 by JEPPESEN 1931, 22.

Motet details

Reference source: 
I-Mfd 2, ff. 100v-101r
Mensuration: 
Pre-existing melodies (Cantus prius facti): 

This motet possibly quotes pre-existing material, but it can not be linked to any Cantus prius factus with a corresponding text.

Number of voices: 
4
Length: 
45
Signature: 
-
Clefs: 
c1c3c4f3
Final: 
A
Music incipit: 
aagabacb
ecdedcba
aabadcbc
agfefgag
Modern editions: 
AMMM 3
Further notes: 

Copied together with M070 as one motet in two partes in I-Mfd 3, ff. 183v-185r (with "verte folium").

Text reference: 

Motet details

Reference source: 
I-Mfd 2, ff. 109v-110r
Mensuration: 
Number of voices: 
4
Length: 
40
Signature: 
-
Clefs: 
c1c3c4f3
Final: 
A
Music incipit: 
..aaaeef
..aabcde
aaaeefga
aabcdecb
Modern editions: 
AMMM 3
Further notes: 

Copied as “secunda pars” of M069 in I-Mfd 3. I-Mfd 2 has the rubric “finis” after the end of the bassus part (f. 110r).

Text reference: 

Motet details

Reference source: 
I-Mfd 3, ff. 206v-207r
Mensuration: 
Number of voices: 
4
Length: 
68
Signature: 
b
Clefs: 
c1c3c4f4
Final: 
G
Music incipit: 
...gabgc
..gabgcb
..gabgcb
defdgfgf
Modern editions: 
GASSER 2001, 608-612
Further notes: 

Not a concordance to M016.

Text reference: 

Motet details

Reference source: 
I-Mfd 3, ff. 205v-206r
Mensuration: 
Number of voices: 
4
Length: 
50
Signature: 
b
Clefs: 
c1c3c4f4
Final: 
G
Music incipit: 
..fgafba
..cdecfe
gabgcbcb
gfefdcbc
Modern editions: 
GASSER 2001, 604-607

Motet details

Reference source: 
I-Mfd 3, ff. 207v-208r
Mensuration: 
Number of voices: 
4
Length: 
65
Signature: 
b
Clefs: 
c1c3c4f4
Final: 
G
Music incipit: 
...dcbcd
gfefgfgd
gbagab..
.gfefgfg
Modern editions: 
GASSER 2001, 613-617
Further notes: 

Text concordance in I-Mfd 1

Motet details

Reference source: 
I-Mfd [4], ff. 26v-27r
Mensuration: 
Number of voices: 
4
Signature: 
-
Clefs: 
<c1>c3c4f3
Final: 
[D]
Music incipit: 
-
-
.aaaeded
..fedcde
Modern editions: 
-
Further notes: 

This motet is transmitted as a fragment.

The Mass [La Bassadanza]  (which follows M092 and M093 in I-Mfd [4]) is attributed to Franchino Gaffurio in ANNALI 1885, 168; WARD 1986, 497 extends the attribution to M092 and M093.

Text reference: 

Motet details

Reference source: 
I-Mfd [4], ff. 27v-28r
Mensuration: 
Number of voices: 
4
Signature: 
-
Clefs: 
<c1>c3c4f3
Final: 
[D]
Music incipit: 
-
-
aaefgfed
.eebcdcb
Modern editions: 
-
Further notes: 

This motet is transmitted as a fragment.

The Mass [La Bassadanza]  (which follows M092 and M093 in I-Mfd [4]) is attributed to Franchino Gaffurio in ANNALI 1885, 168; WARD 1986, 497 extends the attribution to M092 and M093.

Text reference: 

Motet details

Reference source: 
I-Mfd [4], ff. 40v-41r
Mensuration: 
Number of voices: 
4
Signature: 
-
Clefs: 
<c1>c3c3c4
Final: 
[C]
Music incipit: 
-
-
..ggafg.
gfefgefd
Modern editions: 
-
Further notes: 

This motet is transmitted as a fragment. The motet Nativitas tua in I-Mfd 1, ff. 154v-155r is a textual but not a musical concordance.

Motet details

Reference source: 
I-Mfd [4], ff. 47v-48r
Mensuration: 
Number of voices: 
4
Signature: 
-
Clefs: 
c1c3c3c4
Final: 
C
Music incipit: 
-
-
ggcbagac
gecefef
Modern editions: 
-
Further notes: 

This motet is transmitted as a fragment.

The Gloriosae virginis Mariae a3 in I-Mfd 1, ff. 65v-66r is a textual but not a musical concordance.

Motet details

Reference source: 
I-Mfd [4], ff. 95v-96r
Mensuration: 
  
Number of voices: 
5
Length: 
34
Signature: 
b
Clefs: 
c1c3c3c3c5
Final: 
F
Music incipit: 
cccabcdc
cdefefef
cacbagf.
gfabccdg
cfcfcfbb
Modern editions: 
AMMM 5, 125-126
Text reference: 

Motet details

Reference source: 
I-Mfd [4], ff. 96v-97r
Mensuration: 
Number of voices: 
5
Length: 
46
Signature: 
b
Clefs: 
c1c3c3c3c5
Final: 
F
Music incipit: 
......cc
......cd
fgafcbca
..cdecfe
......fe
Modern editions: 
AMMM 5, 127-129

Motet details

Reference source: 
I-Mfd [4], ff. 98v-99r
Mensuration: 
Number of voices: 
5
Length: 
49
Signature: 
b
Clefs: 
c1c3c3c3c5
Final: 
F
Music incipit: 
......ag
...fefga
...cccba
cccba.cb
fefgagag
Modern editions: 
-
Further notes: 

M022 O Iesu dulcissime is not a concordance.

Text reference: 

Motet details

Reference source: 
I-Mfd 2, ff. 134v-135r
Mensuration: 
Pre-existing melodies (Cantus prius facti): 

This motet possibly quotes pre-existing material, but it can not be linked to any Cantus prius factus with a corresponding text.

Number of voices: 
4
Length: 
129
Signature: 
-
Clefs: 
c1c3c4c4
Final: 
G
Music incipit: 
ffgfaagf
ddcdaacd
aagaffga
dfedfded
Modern editions: 
-
Further notes: