Motets

Displaying 51 - 100 of 200

Motet details

Reference source: 
I-Mfd 1, ff. 163v-164r
Mensuration: 
 
Pre-existing melodies (Cantus prius facti): 

This motet possibly quotes pre-existing material, but it can not be linked to any Cantus prius factus with a corresponding text.

Number of voices: 
4
Length: 
36
Signature: 
b
Clefs: 
c1c4c4f4
Final: 
F
Music incipit: 
fgaagfed
cabcafga
fefgabaf
ffbfbfcf
Modern editions: 
CMM 15.2; AMMM 13, 18-20
Further notes: 

Two-part motet (2a pars: Visio pacis deitas integra)

Motet details

Reference source: 
I-Mfd 1, ff. 164v-165r
Mensuration: 
 
Pre-existing melodies (Cantus prius facti): 

This motet possibly quotes pre-existing material, but it can not be linked to any Cantus prius factus with a corresponding text.

Number of voices: 
4
Length: 
37
Signature: 
b
Clefs: 
c1c4c4f4
Final: 
F
Music incipit: 
ffededde
cccffagc
fafgabca
ffcbbafc
Modern editions: 
CMM 15.2; AMMM 13, 21-23

Motet details

Reference source: 
I-Mfd 1, ff. 165v-166r
Mensuration: 
Pre-existing melodies (Cantus prius facti): 

A typical melodic formula commonly used for litanies is quoted in T1, T2, B and C in the passage "Sancte Augustine ... ora pro nobis"

1--k--k--k--l--j-----j--h--j--k--k---4

"Sancta Maria, ora pro nobis." (LU 836)

Number of voices: 
5
Length: 
47
Signature: 
b
Clefs: 
c1c4c4c4f4
Final: 
F
Music incipit: 
........
ffagfacb
...abcdc
...fefec
Modern editions: 
CMM 15.2; AMMM 13, 24-28

Motet details

Reference source: 
I-Mfd 1, ff. 166v-167r
Mensuration: 
Pre-existing melodies (Cantus prius facti): 

This motet possibly quotes pre-existing material, but it can not be linked to any Cantus prius factus with a corresponding text.

Number of voices: 
4
Length: 
34
Signature: 
b
Clefs: 
c1c3c4f4
Final: 
F
Music incipit: 
ffgagefe
cccccfff
ffefgaab
ffcfcddb
Modern editions: 
CMM 15.2; AMMM 13, 29-32
Text reference: 

Motet details

Reference source: 
I-Mfd 1, ff. 167v-168r
Mensuration: 
Pre-existing melodies (Cantus prius facti): 

This motet possibly quotes pre-existing material, but it can not be linked to any Cantus prius factus with a corresponding text.

Number of voices: 
4
Length: 
32
Signature: 
b
Clefs: 
c1c4c4f4
Final: 
F
Music incipit: 
fddcefea
affegfga
cbbgcbcc
fbbccdcf
Modern editions: 
CMM 15.2; AMMM 13, 33-35
Further notes: 

Elevation motet.

Text reference: 

Motet details

Reference source: 
I-Mfd 1, ff. 168v-169r
Mensuration: 
Number of voices: 
4
Length: 
45
Signature: 
b
Clefs: 
c1c4c4f4
Final: 
F
Music incipit: 
fgaaagfe
caffadca
fefgabac
ffbfbcdc
Modern editions: 
CMM 15.2; AMMM 13, 36-39
Text reference: 

Motet details

Reference source: 
I-Mfd 1, ff. 169v-170r
Mensuration: 
Pre-existing melodies (Cantus prius facti): 

The incipit of the antiphon Da pacem domine (Cantus ID 002090) quoted in transposition in C and T1 (opening):

1--d--c--d--f--g--f---e--f--g--fe---d---d---4

"Da pacem domine in diebus nostris" (http://cantusindex.org/id/002090)

Typical recitation formula used in the passage "Ecce ancilla domini fiat mihi secundum verbum tuum", quote distributed between T1 and T2:

1--k--k--k--k--k---h----k--k--k--k--k--k---h---4

"Dominus vobiscum. Et cum spiritu tuo." (GT 820)

The incipit of verse 1 of the sequence Sospitati reddit aegros (whose melody likely was used for In honore matris dei) quoted in T1 (text passage "in honorem matris dei"):

1--d--h--h--g--f--e--g--h--d--f--e--d--c--d--d--

"Sospitati reddit aegros olei perfusio" (http://cantus.uwaterloo.ca/chant/403479)

Number of voices: 
5
Length: 
39
Signature: 
b
Clefs: 
c1c4c4c4f4
Final: 
F
Music incipit: 
.fefgagc
........
fefgagcb
....fefg
.....fef
Modern editions: 
CMM 15.2; AMMM 13, 40-43
Text reference: 

Motet details

Reference source: 
I-Mfd 1, ff. 171v-172r
Mensuration: 
Pre-existing melodies (Cantus prius facti): 

This motet possibly quotes pre-existing material, but it can not be linked to any Cantus prius factus with a corresponding text.

Number of voices: 
4
Discography: 

Loyset Compère: Mass, Motets, Songs, Orlando Consort, Metronome 1002

Length: 
37
Signature: 
b
Clefs: 
c1c3c4f4
Final: 
G
Music incipit: 
gfgagaba
dfffdfed
gabcdcbc
gdgfbfgf
Modern editions: 
CMM 15.2; AMMM 13, 45-47

Motet details

Reference source: 
I-Mfd 1, ff. 172v-173r
Mensuration: 
Pre-existing melodies (Cantus prius facti): 

This motet possibly quotes pre-existing material, but it can not be linked to any Cantus prius factus with a corresponding text.

Number of voices: 
4
Discography: 

Loyset Compère: Mass, Motets, Songs, Orlando Consort, Metronome 1002

Length: 
31
Signature: 
b
Clefs: 
c1c3c4f4
Final: 
G
Music incipit: 
ggagfagf
dbdefddc
ggcbabcd
ggfgdefd
Modern editions: 
CMM 15.2; AMMM 13, 48-50
Text reference: 

Motet details

Reference source: 
I-Mfd 1, ff. 173v-174r
Mensuration: 
Pre-existing melodies (Cantus prius facti): 

This motet possibly quotes pre-existing material, but it can not be linked to any Cantus prius factus with a corresponding text.

Number of voices: 
4
Discography: 

Loyset Compère: Mass, Motets, Songs, Orlando Consort, Metronome 1002

Length: 
64
Signature: 
b
Clefs: 
c1c3c4f4
Final: 
G
Music incipit: 
.ggaagfe
.ccdefbc
..ggaagg
ggaagfde
Modern editions: 
CMM 15.2; AMMM 13, 51-54

Motet details

Reference source: 
I-Mfd 1, ff. 174v-175r
Mensuration: 
Pre-existing melodies (Cantus prius facti): 

This motet possibly quotes pre-existing material, but it can not be linked to any Cantus prius factus with a corresponding text.

Number of voices: 
4
Discography: 

Loyset Compère: Mass, Motets, Songs, Orlando Consort, Metronome 1002

Length: 
49
Signature: 
b
Clefs: 
c1c3c4f4
Final: 
G
Music incipit: 
ggffgbcd
dbgabcbc
gbcdcbag
ged..gga
Modern editions: 
CMM 15.2; AMMM 13, 55-59

Motet details

Reference source: 
I-Mfd 1, ff. 175v-176r
Mensuration: 
 
Pre-existing melodies (Cantus prius facti): 

This motet possibly quotes pre-existing material, but it can not be linked to any Cantus prius factus with a corresponding text.

Number of voices: 
4
Discography: 

Loyset Compère: Mass, Motets, Songs, Orlando Consort, Metronome 1002

Length: 
79
Signature: 
b
Clefs: 
c1c3c4f4
Final: 
D / G
Music incipit: 
.....gfg
....ddef
.gabcdcb
gabcdefg
Modern editions: 
CMM 15.2; AMMM 13, 60-62
Further notes: 

Elevation motet (2a pars).

This motet is connected to the following (Memento salutis auctor) with a “Verte folium”.

Motet details

Reference source: 
I-Mfd 1, ff. 176v-177r
Mensuration: 
 
Pre-existing melodies (Cantus prius facti): 

This motet possibly quotes pre-existing material, but it can not be linked to any Cantus prius factus with a corresponding text.

Number of voices: 
4
Discography: 

Loyset Compère: Mass, Motets, Songs, Orlando Consort, Metronome 1002

Length: 
40
Signature: 
b
Clefs: 
c1c3c4f4
Final: 
G
Music incipit: 
.......g
.gggbcdg
...bgbcd
gggbcded
Modern editions: 
CMM 15.2; AMMM 13, 63-65

Motet details

Reference source: 
I-Mfd 1, ff. 177v-178r
Mensuration: 
Pre-existing melodies (Cantus prius facti): 

This motet possibly quotes pre-existing material, but it can not be linked to any Cantus prius factus with a corresponding text.

Number of voices: 
4
Discography: 

Loyset Compère: Mass, Motets, Songs, Orlando Consort, Metronome 1002

Length: 
43
Signature: 
b
Clefs: 
c1c3c4f4
Final: 
G
Music incipit: 
ggfgabac
dcbadcde
ggdbcdca
gdgfbfgd
Modern editions: 
CMM 15.2; AMMM 13, 66-69

Motet details

Reference source: 
I-Mfd 1, ff. 178v-179r
Mensuration: 
Pre-existing melodies (Cantus prius facti): 

This motet possibly quotes pre-existing material, but it can not be linked to any Cantus prius factus with a corresponding text.

Number of voices: 
4
Discography: 

Loyset Compère: Mass, Motets, Songs, Orlando Consort, Metronome 1002

Length: 
37
Signature: 
b
Clefs: 
c1c3c4f4
Final: 
G
Music incipit: 
ggfabcbg
gbcdfedc
ggaabbag
gfedfedb
Modern editions: 
CMM 15.2; AMMM 13, 70-73
Further notes: 

M101 O admirabile commercium is not a concordance.

Motet details

Reference source: 
I-Mfd 2, ff. 54v-55r
Mensuration: 
Pre-existing melodies (Cantus prius facti): 

This motet possibly quotes pre-existing material, but it can not be linked to any Cantus prius factus with a corresponding text.

Number of voices: 
5
Length: 
37
Signature: 
b
Clefs: 
c1c3c3c3c5
Final: 
F
Music incipit: 
...cbaba
fedcfede
fgabcba.
..fgabcb
..fgagfe
Modern editions: 
AMMM 5, 13-14
Further notes: 

Not a musical concordance with the motet from I-Mfd 1 from Gaffurius with the same name.

Text reference: 

Motet details

Reference source: 
I-Mfd 2, ff. 55v-56r
Mensuration: 
Number of voices: 
5
Length: 
25
Signature: 
b
Clefs: 
c1c3c3c3c5
Final: 
F
Music incipit: 
..cccccc
fccfefga
.cabcacb
ffgacbba
ffedcdef
Modern editions: 
AMMM 5, 15-16
Further notes: 

Listed as “secunda pars” of M067 by JEPPESEN 1931, 22.

Motet details

Reference source: 
I-Mfd 2, ff. 100v-101r
Mensuration: 
Pre-existing melodies (Cantus prius facti): 

This motet possibly quotes pre-existing material, but it can not be linked to any Cantus prius factus with a corresponding text.

Number of voices: 
4
Length: 
45
Signature: 
-
Clefs: 
c1c3c4f3
Final: 
A
Music incipit: 
aagabacb
ecdedcba
aabadcbc
agfefgag
Modern editions: 
AMMM 3
Further notes: 

Copied together with M070 as one motet in two partes in I-Mfd 3, ff. 183v-185r (with "verte folium").

Text reference: 

Motet details

Reference source: 
I-Mfd 2, ff. 109v-110r
Mensuration: 
Number of voices: 
4
Length: 
40
Signature: 
-
Clefs: 
c1c3c4f3
Final: 
A
Music incipit: 
..aaaeef
..aabcde
aaaeefga
aabcdecb
Modern editions: 
AMMM 3
Further notes: 

Copied as “secunda pars” of M069 in I-Mfd 3. I-Mfd 2 has the rubric “finis” after the end of the bassus part (f. 110r).

Text reference: 

Motet details

Reference source: 
I-Mfd 1, ff. 143v-145r
Mensuration: 
 
Pre-existing melodies (Cantus prius facti): 

Gasser sees a connection between the 4th phrase of Kyrie IX (Cum Jubilo) and the melody in T1 (text passage "florens ... gratus"):

1--h--k-l---l-k-l--h---g-h-i-j-h---g---g----f---g-i-j--g---h----4

"Kyrie eleison" (GASSER 2001, 319)

Last phrase of verse 4 of the sequence Veni sancte spiritus (Cantus ID ah54153) quoted in T1 (text passage "dans fluenta gratiae"):

1--e---g---h---g---k----j-h----h----4

"sana quod est saucium" (http://manuscrit.ville-laon.fr/_app/visualisation.php?cote=Ms263&vue=192)

Verse 5 of the sequence Veni sancte spiritus (Cantus ID ah54153) quoted in T1 and T2 (text passage "quae regina diceris...mater gratiae"):

1--l---l---g---h---k---j---h---h---i-j----hg----h----g--f---g---f---e---g---h---d-c---f---e-d--d----4

"Da virtutis meritum / da salutis exitum / da perhenne gaudium" (http://manuscrit.ville-laon.fr/_app/visualisation.php?cote=Ms263&vue=192). See MACEY 1996, 169-170.

(A contrafactum of this sequence exists (Veni virgo virginum) which uses the same text as the motet for this melodic phrase: "quae regina diceris / miserere miseris / virgo mater gratiae" http://daten.digitale-sammlungen.de/~db/0003/bsb00034686/images/index.html?id=00034686&groesser=&fip=ewqeayaeayaeneayasdaseneayaeayaw&no=&seite=577)

Number of voices: 
5
Length: 
43
Signature: 
-
Clefs: 
c1c4c4c4f4
Final: 
D
Music incipit: 
dfedcfge
addef.ca
dfgagfed
...dfgag
dbbadecd
Modern editions: 
CMM 15.2; AMMM 75-78
Further notes: 

Seemingly presented as a two-part motet on two openings in I-Mfd 1 (with “verte cito” and “custodes”).

Motet details

Reference source: 
I-Mfd 1, ff. 145v-147r
Mensuration: 
 
Pre-existing melodies (Cantus prius facti): 

Verse 2 and verse 3 of the sequence Veni sancte spiritus (Cantus ID ah54153) quoted in T1 and T2 alternatively (passage "Virgo carens simili ... possimus in gloria"):

1--h--k--l--l--kj--k--l---kj--h--kj--g--fe--d--dc----g--f--gh--f--ed--c--d----4

"Consolator optime / dulcis hospes anime / dulce refrigerium." (http://manuscrit.ville-laon.fr/_app/visualisation.php?cote=Ms263&vue=192) See MACEY 1996, 170-171.

1--l--l--kj---k--lk--j--h---f--ed--c--de--f--g--f----g--h--ij--h--g--f--ed---d---4

"O lux beatissima / reple cordis intima / tuorum fidelium" (http://manuscrit.ville-laon.fr/_app/visualisation.php?cote=Ms263&vue=192)

Number of voices: 
5
Length: 
47
Signature: 
-
Clefs: 
c1c4c4c4f4
Final: 
D
Music incipit: 
ddegfefg
abcdcdbc
dggagfed
...dggag
dgcedade
Modern editions: 
CMM 15.2; AMMM 13, 79-83
Further notes: 

Seemingly presented as a two-part motet on two openings in I-Mfd 1 (with “verte cito” and “custodes”).

Text reference: 

Motet details

Reference source: 
I-Mfd 3, ff. 127v-128r
Mensuration: 
 
 
Pre-existing melodies (Cantus prius facti): 

This motet possibly quotes pre-existing material, but it can not be linked to any Cantus prius factus with a corresponding text.

Number of voices: 
5
Length: 
57
Signature: 
-
Clefs: 
c1c4c4c4f4
Final: 
D
Music incipit: 
..acafgf
.acafcdc
..acafag
......ac
acdafffd
Modern editions: 
CMM 15.2; AMMM 13, 84-88
Further notes: 

The shorter cycle C14a, whose three component motets (M071, M072 and M074) are concordant with motets in the present cycle, is attributed to "Loyset" in I-Mfd 1, index (see the record for fuller details). Therefore, the present motet has been unanimously attributed to Compère as part of C14b: see for instance FINSCHER 1964, 92.

Text reference: 

Motet details

Reference source: 
I-Mfd 3, ff. 128v-130r
Mensuration: 
Pre-existing melodies (Cantus prius facti): 

1st phrase of the hymn Ave maris stella (Cantus ID 008272) quoted in T1 (passage "gaude virgo salutata" ... end of folium):

1--d--h---g---hj---l---k--j--h--g----4

"Ave Maris stella" (http://cantus.simssa.ca/manuscript/133/?folio=135v)

2nd phrase of the hymn Ave maris stella (Cantus ID 008272) quoted in T2 (passage "gaude mater iocundata...puerperio"):

1--h--h--d-e--g--f-e--d----4

"dei mater alma" (http://cantus.simssa.ca/manuscript/133/?folio=135v)

3rd phrase of the hymn Ave maris stella (Cantus ID 008272) quoted in T1 (passage "gaude mundi domina...omnia"):

1--f--e--g--h--h--dd-c----4

"atque semper virgo" (http://cantus.simssa.ca/manuscript/133/?folio=135v)

4th phrase of the hymn Ave maris stella (Cantus ID 008272) quoted in T2 (passage "gaude caeli regina...tollens vitia"):

1--e--g--e--f--e-d-c---d---4

"felix caeli porta" (http://cantus.simssa.ca/manuscript/133/?folio=135v)

1st phrase of the hymn Ave maris stella (Cantus ID 008272) quoted in T1 (passage "o plena praeceteris...divina"):

1--d--h---g---hj---l---k--j--h--g----4

"Ave Maris stella" (http://cantus.simssa.ca/manuscript/133/?folio=135v)

Number of voices: 
5
Length: 
58
Signature: 
-
Clefs: 
c1c4c4c4f4
Final: 
D
Music incipit: 
.aagfgaa
.aagfgab
..aagfga
....aabc
aagfgafd
Modern editions: 
CMM 15.2; AMMM 13, 89-93
Further notes: 

The version of I-Mfd 1 is shorter than the one in I-Mfd 3 (the section starting with "Gaude virgo fruens delitiis" is missing).
The motet is presented on two openings in the sources, connected by "custodes" and by the rubric "verte cito": in I-Mfd 1 the second opening starts with "Gaude mundi domina", in I-Mfd 3 with "Gaude virgo fruens delitiis".

Motet details

Reference source: 
I-Mfd 3, ff. 130v-131r
Mensuration: 

Pre-existing melodies (Cantus prius facti): 

This motet possibly quotes pre-existing material, but it can not be linked to any Cantus prius factus with a corresponding text.

Number of voices: 
5
Length: 
40
Signature: 
-
Clefs: 
c1c4c4c4f4
Final: 
A
Music incipit: 
dddcffga
addedcba
dfgaaagf
dfga...a
dbbaddgd
Modern editions: 
CMM 15.2; AMMM 13, 94-97
Further notes: 

Cycle C14a, whose three component motets (M071, M072 and M074) are concordant with motets in C14b, is attributed to "Loyset" in I-Mfd 1, index (see the record for fuller details). The present motet has been unanimously attributed to Compère as part of C14b: see for instance FINSCHER 1964, 92.

At the end of the bass part there is a "verte folium" rubric pointing to the next motet (M076); moreover, the present motet ends with breves, whereas all the other motets in the cycle end with longae: GASSER 2001, 310 therefore considers M075 and M076 as one motet for the Sanctus-ad elevationem-post elevationem complex.

Motet details

Reference source: 
I-Mfd 3, ff. 131v-132r
Mensuration: 

 
Pre-existing melodies (Cantus prius facti): 

1st phrase of verse 1 of the sequence Mane prima sabbati (Cantus ID ah54143) quoted in T2 (passage "ave virgo virginum"):

1--d--d--c--d--e--f--g---4

"Mane prima sabbati" (http://daten.digitale-sammlungen.de/~db/0003/bsb00035323/images/index.html?id=00035323&groesser=&fip=93.1.38.235&no=3&seite=504)

2nd phrase of verse 1 of the sequence Mane prima sabbati (Cantus ID ah54143) quoted in T1 (passage "ave lumen luminum"):

1--f--d--f--c--f--e--d--4

"surgens dei filius" (ibid.)

3rd phrase of verse 1 of the sequence Mane prima sabbati (Cantus ID ah54143) quoted in T2 (passage "ave stella praevia"):

1--f--g--h--g--f--e--d--4

"nostra spes et gloria" (ibid.)

1st phrase of verse 2a of the sequence Mane prima sabbati (Cantus ID ah54143) quoted in T1 (passage "castitatis lilium"):

1--h--g--f-e--d--g--g--a---4

"Victo rege sceleris" (ibid.)

2nd phrase of verse 2a of the sequence Mane prima sabbati (Cantus ID ah54143) quoted in T2 (passage "consolatrix omnium"):

1--h--g--fe--de--f--e--c---4

"rediit ab inferis" (ibid.)

3rd phrase of verse 2a of the sequence Mane prima sabbati (Cantus ID ah54143) quoted in T1 (passage "peccatorum venia"):

1--e--f--d--e--c--d--d----4

"cum summa victoria" (ibid.)

Number of voices: 
5
Length: 
53
Signature: 
-
Clefs: 
c1c4c4c4f4
Final: 
D/D
Music incipit: 
fegfgfff
fgddcdda
acbagaaf
acbagaa.
dcgdeddd
Modern editions: 
CMM 15.2; AMMM 13, 98-103
Further notes: 

Cycle C14a, whose three component motets (M071, M072 and M074) are concordant with motets in C14b, is attributed to "Loyset" in I-Mfd 1, index (see the record for fuller details). The present motet has been unanimously attributed to Compère as part of C14b: see for instance FINSCHER 1964, 92.

At the end of the bass part in the previous motet (M075) there is a "verte folium" rubric pointing to the present motet; moreover, M075 ends with breves, whereas all the other motets in the cycle end with longae: GASSER 2001, 310 therefore considers M075 and M076 as one motet for the Sanctus-ad elevationem-post elevationem complex.

Text reference: 

Motet details

Reference source: 
I-Mfd 3, ff. 132v-133r
Mensuration: 
Pre-existing melodies (Cantus prius facti): 

1st phrase of verse 1 of the sequence Salve mater salvatoris (Cantus ID unsure) is loosely quoted in the first phrase of T1:

1---d--h--h--g--h--fed--c--d----4

"Salve mater salvatoris" (MOBERG 1927, No. 10)

last phrase of verse 4 of the sequence Veni sancte spiritus (Cantus ID ah54153) is quoted in T1 (passage "vas caelestis gratiae"):

1--e---g--h--g--k---jh---h-----4

"sana quod est saucium" (http://manuscrit.ville-laon.fr/_app/visualisation.php?cote=Ms263&vue=192)

1st phrase of verse 4 of the sequence Veni sancte spiritus (Cantus ID ah54153) is quoted in T2 (passage "tu nostrum refugium"):

1--k---k---j-h--j--k-j---h---g---4

"Flecte quod est rigidum" (ibid.) See MACEY 1996, 171.

2nd phrase of verse 4 of the sequence Veni sancte spiritus (Cantus ID ah54153) is quoted in T1 (passage "da reis remedium"):

1--h---h---fe--f--gf--e--d---4

"riga quod est aridum" (ibid.)

last phrase of verse 4 of the sequence Veni sancte spiritus (Cantus ID ah54153) is quoted in T2 (passage "procul pelle vitia"):

1--e---g--h--g--k---jh---h-----4

"sana quod est saucium" (ibid.)

Number of voices: 
5
Length: 
44
Signature: 
-
Clefs: 
c1c4c4c4f4
Final: 
D
Music incipit: 
.dafegfe
dcbadcbc
..daagac
...ccafg
dagfdaed
Modern editions: 
CMM 15.2; AMMM 13, 104-107
Further notes: 

Cycle C14a, whose three component motets (M071, M072 and M074) are concordant with motets in C14b, is attributed to “Loyset” in I-Mfd 1, index (see the record for fuller details). The present motet has been unanimously attributed to Compère as part of C14b: see for instance FINSCHER 1964, 92.

Motet details

Reference source: 
I-Mfd 3, ff. 133v-135r
Mensuration: 
Pre-existing melodies (Cantus prius facti): 

First half of verse 1 of the sequence Virginis Mariae laudes (Cantus ID 850309) quoted in T1(opening):

1--dd--c--d--f--g--f--e--d---4

"Virginis Mariae laudes"
(GOEDE 1965, No. 73)

Second half of verse 1 of the sequence Virginis Mariae laudes (Cantus ID 850309) quoted in T2(opening):

1--h--g--f--g--f--e--d---4

"intonent christiani."
(GOEDE 1965, No. 73)

First part of verse 2a of the sequence Virginis Mariae laudes (Cantus ID 850309) quoted in T1 (second phrase):

1--h--k--l--h--g--h--h---4

"Eva tristis abstulit"
(GOEDE 1965, No. 73)

Second part of verse 2a of the sequence Virginis Mariae laudes (Cantus ID 850309) quoted in T2 (second phrase):

1--h--g--h--g--f--e--d---4

"sed Maria protulit"
(GOEDE 1965, No. 73)

Last part of verse 2a of the sequence Virginis Mariae laudes (Cantus ID 850309) quoted in T1 (third phrase):

1--f--g--d--f--d--c--f--f--e--d----4

"natum, qui redemit peccatores."
(GOEDE 1965, No. 73)

Number of voices: 
5
Length: 
65
Signature: 
-
Clefs: 
c1c4c4c4f4
Final: 
D
Music incipit: 
dedfgagf
abcbagfe
dcdfgfed
...agfgf
dadgcdab
Modern editions: 
CMM 15.2; AMMM 13, 108-112
Further notes: 

Cycle C14a, whose three component motets (M071, M072 and M074) are concordant with motets in C14b, is attributed to "Loyset" in I-Mfd 1, index (see the record for fuller details). The present motet has been unanimously attributed to Compère as part of C14b: see for instance FINSCHER 1964, 92.

Motet details

Reference source: 
I-Mfd 3, ff. 162v-163r
Mensuration: 
Number of voices: 
4
Length: 
75
Signature: 
b
Clefs: 
c1c3c4f4
Final: 
G / G
Music incipit: 
..gfefga
.dcbabcd
gfefgagf
..gefdca
Modern editions: 
GASSER 2001, 564-569

Motet details

Reference source: 
I-Mfd 3, ff. 163v-164r
Mensuration: 
Number of voices: 
4
Length: 
48
Signature: 
b
Clefs: 
c1c3c4f4
Final: 
G
Music incipit: 
ggaabagf
defedcbc
.ggaabag
ggffgfed
Modern editions: 
GASSER 2001, 570-573
Text reference: 

Motet details

Reference source: 
I-Mfd 3, ff. 164v-165r
Mensuration: 
Number of voices: 
4
Length: 
44
Signature: 
b
Clefs: 
c1c3c4f4
Final: 
G
Music incipit: 
....gefg
.gefgagf
..gabcba
gefgagfd
Modern editions: 
GASSER 2001, 574-576

Motet details

Reference source: 
I-Mfd 3, ff. 165v-166r
Mensuration: 
Pre-existing melodies (Cantus prius facti): 

This motet possibly quotes pre-existing material, but it can not be linked to any Cantus prius factus with a corresponding text.

Number of voices: 
4
Length: 
46
Signature: 
b
Clefs: 
c1c3c4f4
Final: 
G
Music incipit: 
gabcdbag
defgfdef
gbcdcbcd
gfegfedd
Modern editions: 
GASSER 2001, 577-580

Motet details

Reference source: 
I-Mfd 3, ff. 166v-167r
Mensuration: 
Number of voices: 
4
Length: 
56
Signature: 
b
Clefs: 
c1c3c4f4
Final: 
G
Music incipit: 
gdgfgfed
..dbcdef
..gdgfgf
gbagfedg
Modern editions: 
GASSER 2001, 581-584

Motet details

Reference source: 
I-Mfd 3, ff. 167v-168r
Mensuration: 
Number of voices: 
4
Length: 
64
Signature: 
-
Clefs: 
c1c3c3c4
Final: 
C / C
Music incipit: 
cbagacbc
cdedefge
.cbagacb
..cbageg
Modern editions: 
GASSER 2001, 585-589

Motet details

Reference source: 
I-Mfd 3, ff. 168v-169r
Mensuration: 
Number of voices: 
4
Length: 
53
Signature: 
-
Clefs: 
c1c3c3c4
Final: 
C
Music incipit: 
.gcbcde.
..gafegg
gcbcdedg
gefgefdc
Modern editions: 
GASSER 2001, 590-593

Motet details

Reference source: 
I-Mfd 3, ff. 169v-170r
Mensuration: 
Number of voices: 
4
Length: 
40
Signature: 
-
Clefs: 
c1c3c3c4
Final: 
C
Music incipit: 
cccbcaga
cdefg.ed
cccdefge
cbagbagf
Modern editions: 
GASSER 2001, 594-596
Text reference: 

Motet details

Reference source: 
I-Mfd 3, ff. 170v-171r
Mensuration: 
Number of voices: 
4
Length: 
42
Signature: 
-
Clefs: 
c1c3c3c4
Final: 
C
Music incipit: 
cccdedcb
cdefgfed
..cdedcb
cbagcbag
Modern editions: 
GASSER 2001, 597-599

Motet details

Reference source: 
I-Mfd 3, ff. 172v-173r
Mensuration: 
Number of voices: 
4
Length: 
58
Signature: 
-
Clefs: 
c1c3c3c4
Final: 
C
Music incipit: 
cbagggab
cdedeefd
..edcbbb
..cdefgf
Modern editions: 
GASSER 2001, 600-603
Further notes: 

Between this motet and the previous ones are two empty folio-sides.

Motet details

Reference source: 
I-Mfd 3, ff. 206v-207r
Mensuration: 
Number of voices: 
4
Length: 
68
Signature: 
b
Clefs: 
c1c3c4f4
Final: 
G
Music incipit: 
...gabgc
..gabgcb
..gabgcb
defdgfgf
Modern editions: 
GASSER 2001, 608-612
Further notes: 

Not a concordance to M016.

Text reference: 

Motet details

Reference source: 
I-Mfd 3, ff. 205v-206r
Mensuration: 
Number of voices: 
4
Length: 
50
Signature: 
b
Clefs: 
c1c3c4f4
Final: 
G
Music incipit: 
..fgafba
..cdecfe
gabgcbcb
gfefdcbc
Modern editions: 
GASSER 2001, 604-607

Motet details

Reference source: 
I-Mfd 3, ff. 207v-208r
Mensuration: 
Number of voices: 
4
Length: 
65
Signature: 
b
Clefs: 
c1c3c4f4
Final: 
G
Music incipit: 
...dcbcd
gfefgfgd
gbagab..
.gfefgfg
Modern editions: 
GASSER 2001, 613-617
Further notes: 

Text concordance in I-Mfd 1

Motet details

Reference source: 
I-Mfd [4], ff. 26v-27r
Mensuration: 
Number of voices: 
4
Signature: 
-
Clefs: 
<c1>c3c4f3
Final: 
[D]
Music incipit: 
-
-
.aaaeded
..fedcde
Modern editions: 
-
Further notes: 

This motet is transmitted as a fragment.

The Mass [La Bassadanza]  (which follows M092 and M093 in I-Mfd [4]) is attributed to Franchino Gaffurio in ANNALI 1885, 168; WARD 1986, 497 extends the attribution to M092 and M093.

Text reference: 

Motet details

Reference source: 
I-Mfd [4], ff. 27v-28r
Mensuration: 
Number of voices: 
4
Signature: 
-
Clefs: 
<c1>c3c4f3
Final: 
[D]
Music incipit: 
-
-
aaefgfed
.eebcdcb
Modern editions: 
-
Further notes: 

This motet is transmitted as a fragment.

The Mass [La Bassadanza]  (which follows M092 and M093 in I-Mfd [4]) is attributed to Franchino Gaffurio in ANNALI 1885, 168; WARD 1986, 497 extends the attribution to M092 and M093.

Text reference: 

Motet details

Reference source: 
I-Mfd [4], ff. 40v-41r
Mensuration: 
Number of voices: 
4
Signature: 
-
Clefs: 
<c1>c3c3c4
Final: 
[C]
Music incipit: 
-
-
..ggafg.
gfefgefd
Modern editions: 
-
Further notes: 

This motet is transmitted as a fragment. The motet Nativitas tua in I-Mfd 1, ff. 154v-155r is a textual but not a musical concordance.

Motet details

Reference source: 
I-Mfd [4], ff. 47v-48r
Mensuration: 
Number of voices: 
4
Signature: 
-
Clefs: 
c1c3c3c4
Final: 
C
Music incipit: 
-
-
ggcbagac
gecefef
Modern editions: 
-
Further notes: 

This motet is transmitted as a fragment.

The Gloriosae virginis Mariae a3 in I-Mfd 1, ff. 65v-66r is a textual but not a musical concordance.

Motet details

Reference source: 
I-Mfd [4], ff. 60v-61r
Mensuration: 
Pre-existing melodies (Cantus prius facti): 

Verse 1 of the sequence Sancti spiritus assit nobis gratia (Cantus ID ah53070) quoted in T (opening):

1--fg--g--h--g--k--j--k--h--g--f--g--g--4

"Sancti spiritus assit nobis gratia"
(GOEDE 1965, No. 25)

Verse 2a of the sequence Sancti spiritus assit nobis gratia (Cantus ID ah53070) quoted in T (2nd phrase)

1--k--kj--h--k--l--k--g--k--j--k--h--g--f--g--g--4

"Quae corda nostra sibi faciat habitaculum."
(GOEDE 1965, No. 25)

Verse 9b of the sequence Sancti spiritus assit nobis gratia (Cantus ID ah53070), similar melodic line, transposed, in T (3rd phrase)

1--dg--f--e--f--d--dg--f--e--f--g--h--g--f--g--g--4

"Tu aspirando das spiritales esse homines"
(GOEDE 1965, No. 25)

Lines 2-4 of the first stanza of the hymn Veni creator spiritus (Cantus ID 008407) quoted in T (4th phrase to end)

1--k--g--h--k--lk--l--m--l--k--lm--kj--hg--kl--g--h---k--jk---h---gf---h--hjh---g--fg--g--4

"mentes tuorum visita / imple superna gratia / quae tu creasti, pectora."
(LH 90)

Number of voices: 
4
Signature: 
b
Clefs: 
c1c3c4f4
Final: 
G
Music incipit: 
-
-
ggagcbca
ge-cfgag
Modern editions: 
-
Further notes: 

This motet is transmitted as a fragment.

Not a concordance for M140.

Motet details

Reference source: 
I-Mfd [4], ff. 61v-62r
Mensuration: 
Pre-existing melodies (Cantus prius facti): 

Quotes from the sequence Victimae paschali laudes and the sequence Veni sancte spiritus in all voices, most prominent in the T in the following excerpts:

Verse 1 of the sequence Victimae paschali laudes (Cantus ID 508002), T opening:

1--dd--c--d--f--g--f--ed--d--h--g--f--g--f--e--d---4

"Victimae paschali laudes immolent christiani"
(GOEDE 1965, No. 21)

Opening of verse 2a of the sequence Victimae paschali laudes (Cantus ID 508002), T second phrase (transposed):

1--h--k--l--h--g--h--h--4

"Agnus redemit oves"
(GOEDE 1965, No. 21)

Second part of verse 2a of the sequence Victimae paschali laudes (Cantus ID 508002), T second phrase:

1---h--g--h--g--f--ee--d---4

"Christus innocens patri"
(GOEDE 1965, No. 21)

Third part of verse 2a of the sequence Victimae paschali laudes (Cantus ID 508002), T second phrase, approximate, partially transposed:

1--f--g--d--f--d--c--f--f--ee--d----4

"reconciliavit peccatores."
(GOEDE 1965, No. 21)

First part of verse 1a of the sequence Veni sancte spiritus (Cantus ID ah54153), T third phrase, approximate, partially transposed:

1--c--d--ef--e---ed--c--d---4

"Veni sancte spiritus"
(GOEDE 1965, No. 27)

Second part of verse 1a of the sequence Veni sancte spiritus (Cantus ID ah54153), T third phrase:

1--f--g--hij--h--hgf---g---h--c--d--fg---fed--c--d--d----4

"et emitte caelitus lucis tuae radium."
(GOEDE 1965, No. 27)

First part of verse 1b of the sequence Veni sancte spiritus (Cantus ID ah54153), T fourth phrase, approximate, partially transposed:

1--c--d--ef--e---ed--c--d---4

"Veni pater pauperum"
(GOEDE 1965, No. 27)

Second part of verse 2b of the sequence Veni sancte spiritus (Cantus ID ah54153), T fourth phrase:

1--f--g--hij--h--hgf---g---h--c--d--fg---fed--c--d--d----4

"veni dator munerum, veni lumen cordium."
(GOEDE 1965, No. 27)

Number of voices: 
4
Signature: 
b
Clefs: 
c1c3c4f4
Final: 
G
Music incipit: 
-
-
gfgbcbga
gfedcbdc
Modern editions: 
-
Further notes: 

This motet is transmitted as a fragment.

Motet details

Reference source: 
I-Mfd [4], ff. 62v-63r
Mensuration: 
Pre-existing melodies (Cantus prius facti): 

Verse 10a and verse 10b of the sequence Sancti spiritus assit nobis gratia (Cantus ID ah53070) quoted in T first and second phrase:

1--g--ij--g--f--j--j--h--g--f--h--f--h--g--j--h--g--f--g--g----4

"Tu divisum per linguas mundum et ritus adunasti domine.
Idolatras ad cultum dei revocans magistrorum optime."
(GOEDE 1965, No. 25)

Some melodic gestures of verse 2a of the sequence Veni sancte spiritus (Cantus ID 850303) are paraphrased, but no complete line is quoted.

Number of voices: 
4
Signature: 
b
Clefs: 
c1c3c4f4
Final: 
[G]
Music incipit: 
-
-
...gagfa
gagfedf.
Modern editions: 
-
Further notes: 

This motet is transmitted as a fragment.

Motet details

Reference source: 
I-Mfd [4], ff. 63v-64r
Mensuration: 
Pre-existing melodies (Cantus prius facti): 

Verse 5a of the sequence Sancti spiritus assit nobis gratia (Cantus ID ah53070) quoted in T (opening):

1--g--gg--f--g--h--g--kj--h--g--k--j--k--h--g--f--g--g----4

"Tu purificator omnium flagitiorum spiritus"
(GOEDE 1965, No. 25)

Number of voices: 
4
Signature: 
b
Clefs: 
<c1>c3<c4>f4
Final: 
[G]
Music incipit: 
-
-
-
ggdedacb
Modern editions: 
-
Further notes: 

This motet is transmitted as a fragment.

Motet details

Reference source: 
I-Mfd [4], ff. 64v-65r
Mensuration: 
Pre-existing melodies (Cantus prius facti): 

Verse 3a and 3b of the sequence Sancti spiritus assit nobis gratia (Cantus ID ah53070) T, first and second phrase:

1--g---f---e---fe---d--f--g--h--g--f--g--g----4

"Spiritus alme illustrator hominum
horridas nostrae mentis purga tenebras."
(GOEDE 1965, No. 25)

Verse 6a of the sequence Sancti spiritus assit nobis gratia (Cantus ID ah53070) T, third phrase:

1--k--l--k--h--h--k--l--k--j--g--h--g--g--f--g----4

"Ut videri supremus genitor possit a nobis."
(GOEDE 1965, No. 25)

Number of voices: 
4
Signature: 
b
Clefs: 
c1c3c4f4
Final: 
G
Music incipit: 
-
-
gfefdfga
gcdcbbbe
Modern editions: 
-
Further notes: 

This motet is transmitted as a fragment.

Motet details

Reference source: 
I-Mfd [4], ff. 65v-66r
Mensuration: 

Pre-existing melodies (Cantus prius facti): 

The incipit of the antiphon Germinavit radix Jesse (Cantus ID 002941) quoted in C and T (opening of the passage "Germinavit radix Jesse.."):

1--d---ef---g---g----4

"Germinavit" (http://cantusindex.org/id/002941)

Number of voices: 
4
Discography: 

Medieval Christmas - Noël médiévaux: Tenth- to Sixteenth-Century secular & liturgical music for Feasts days, Orlando consort, Harmonia Mundi HMU 90 7418

Length: 
85
Signature: 
b
Clefs: 
g2c2c3c4
Final: 
G
Music incipit: 
ggfgabab
ddegfgfd
gbabcddb
ggdgcgdg
Modern editions: 
CMM 15.4 (edition after concordance in I-Mfd 1); AMMM 13, 151-156
Further notes: 

The concordance in I-Mfd 1 is not part of a cycle, but it does contain the ascription.

The transcription in AMMM 13 contains an error in the last chord; it gives a d instead of a g in the contratenor bassus.

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