Motet Cycles Database

T054 Ave domine Iesu Christe vita dulcis

Reference source:

I-Mfd 1, ff. 165v-166r

Mensuration:





Pre-existing melodies (Cantus prius facti):

A typical melodic formula commonly used for litanies is quoted in T1, T2, B and C in the passage "Sancte Augustine ... ora pro nobis"

1--k--k--k--l--j-----j--h--j--k--k---4

"Sancta Maria, ora pro nobis." (LU 836)

Number of voices:

Length:

Signature:

Clefs:

c1c4c4c4f4

Final:

Music incipit:

........

ffagfacb

...abcdc

...fefec

Modern editions:

AMMM 13, 24-28; CMM 15.2; MCE 2.4

Text reference:

M054 Ave domine Iesu Christe vita dulcis

Motet details

In cycle(s):

T055 Salve salvator mundi

Reference source:

I-Mfd 1, ff. 166v-167r

Mensuration:





Pre-existing melodies (Cantus prius facti):

This motet possibly quotes pre-existing material, but it can not be linked to any Cantus prius factus with a corresponding text.

Number of voices:

Length:

Signature:

Clefs:

c1c3c4f4

Final:

Music incipit:

ffgagefe

cccccfff

ffefgaab

ffcfcddb

Modern editions:

AMMM 13, 29-32; CMM 15.2; MCE 2.5

Text reference:

M055 Salve salvator mundi

Motet details

In cycle(s):

Reference source:

I-Mfd 1, ff. 167v-168r

Mensuration:





Pre-existing melodies (Cantus prius facti):

This motet possibly quotes pre-existing material, but it can not be linked to any Cantus prius factus with a corresponding text.

Number of voices:

Length:

Signature:

Clefs:

c1c4c4f4

Final:

Music incipit:

fddcefea

affegfga

cbbgcbcc

fbbccdcf

Modern editions:

AMMM 13, 33-35; CMM 15.2; MCE 2.6

Further notes:

Elevation motet.

Text reference:

T056 Adoramus te Christe

M056 Adoramus te Christe

Motet details

In cycle(s):

Reference source:

I-Mfd 1, ff. 168v-169r

Mensuration:







Number of voices:

Length:

Signature:

Clefs:

c1c4c4f4

Final:

Music incipit:

fgaaagfe

caffadca

fefgabac

ffbfbcdc

Modern editions:

AMMM 13, 36-39; CMM 15.2; MCE 2.7

Text reference:

T057 Parce domine

M057 Parce domine

Motet details

In cycle(s):

Reference source:

I-Mfd 1, ff. 169v-170r

Mensuration:





Pre-existing melodies (Cantus prius facti):

Incipit of the antiphon Da pacem domine (Cantus ID 002090) quoted in transposition in C and T1 (opening):

1--d--c--d--f--g--f---e--f--g--fe--d--d---4

"Da pacem domine in diebus nostris" (http://cantusindex.org/id/002090)

Verse 1a and 1b of the sequence Ave Maria, gratia plena (Cantus ID 850309) quoted in transposition in the corresponding passages of T1 and T2 (alternating):

1--g--g--g--hj--g----g--e--d--eg--g---4

"Ave Maria, gratia plena
dominus tecum, virgo serena"
(GOEDE 1965, No. 38)

Typical recitation formula used in the passage "Ecce ancilla domini fiat mihi secundum verbum tuum", quote distributed between T1 and T2:

1--k--k--k--k--k--h----k--k--k--k--k--k--h---4

E.g. "Dominus vobiscum. Et cum spiritu tuo." (GT 820)

Verse 1a and 1b of the sequence In honore matris dei (which was sung on the tune of Sospitati reddit aegros) quoted in transposition in the corresponding passages of T1 and T2 (alternating):

1--d--h--h--g--f--e--g--h----d--f--e--d--c--d--d---4

"In honore matris dei / Et eius memoria
Decantemus omnes ei: / Ave, plena gratia."
(from Sospitati, http://cantus.uwaterloo.ca/chant/403479)

Number of voices:

Length:

Signature:

Clefs:

c1c4c4c4f4

Final:

Music incipit:

.fefgagc

........

fefgagcb

....fefg

.....fef

Modern editions:

AMMM 13, 40-43; CMM 15.2; MCE 2.8

Text reference:

T058 Da pacem domine

M058 Da pacem domine

Motet details

In cycle(s):

T059 Hodie nobis de virgine

Reference source:

I-Mfd 1, ff. 171v-172r

Mensuration:





Pre-existing melodies (Cantus prius facti):

This motet possibly quotes pre-existing material, but it can not be linked to any Cantus prius factus with a corresponding text.

Number of voices:

Discography:

Loyset Compère: Mass, Motets, Songs, Orlando Consort, Metronome 1002

Length:

Signature:

Clefs:

c1c3c4f4

Final:

Music incipit:

gfgagaba

dfffdfed

gabcdcbc

gdgfbfgf

Modern editions:

AMMM 13, 45-47;CMM 15.2; MCE 1.1

Text reference:

M059 Hodie nobis de virgine

Motet details

In cycle(s):

Reference source:

I-Mfd 1, ff. 172v-173r

Mensuration:





Pre-existing melodies (Cantus prius facti):

This motet possibly quotes pre-existing material, but it can not be linked to any Cantus prius factus with a corresponding text.

Number of voices:

Discography:

Loyset Compère: Mass, Motets, Songs, Orlando Consort, Metronome 1002

Length:

Signature:

Clefs:

c1c3c4f4

Final:

Music incipit:

ggagfagf

dbdefddc

ggcbabcd

ggfgdefd

Modern editions:

AMMM 13, 48-50; CMM 15.2; MCE 1.2

Text reference:

T060 Beata dei genitrix

M060 Beata dei genitrix

Motet details

In cycle(s):

T061 Hodie nobis Christus natus est

Reference source:

I-Mfd 1, ff. 173v-174r

Mensuration:





Pre-existing melodies (Cantus prius facti):

This motet possibly quotes pre-existing material, but it can not be linked to any Cantus prius factus with a corresponding text.

Number of voices:

Discography:

Loyset Compère: Mass, Motets, Songs, Orlando Consort, Metronome 1002

Length:

Signature:

Clefs:

c1c3c4f4

Final:

Music incipit:

.ggaagfe

.ccdefbc

..ggaagg

ggaagfde

Modern editions:

AMMM 13, 51-54; CMM 15.2; MCE 1.3

Text reference:

M061 Hodie nobis Christus natus est

Motet details

In cycle(s):

T062 Genuit puerpera regem

Reference source:

I-Mfd 1, ff. 174v-175r

Mensuration:





Pre-existing melodies (Cantus prius facti):

This motet possibly quotes pre-existing material, but it can not be linked to any Cantus prius factus with a corresponding text.

Number of voices:

Discography:

Loyset Compère: Mass, Motets, Songs, Orlando Consort, Metronome 1002

Length:

Signature:

Clefs:

c1c3c4f4

Final:

Music incipit:

ggffgbcd

dbgabcbc

gbcdcbag

ged..gga

Modern editions:

AMMM 13, 55-59; CMM 15.2; MCE 1.4

Text reference:

M062 Genuit puerpera regem

Motet details

In cycle(s):

T063 Sanctus : Verbum caro factum est

Reference source:

I-Mfd 1, ff. 175v-176r

Mensuration:

 

Pre-existing melodies (Cantus prius facti):

This motet possibly quotes pre-existing material, but it can not be linked to any Cantus prius factus with a corresponding text.

Number of voices:

Discography:

Loyset Compère: Mass, Motets, Songs, Orlando Consort, Metronome 1002

Length:

Signature:

Clefs:

c1c3c4f4

Final:

D / G

Music incipit:

.....gfg

....ddef

.gabcdcb

gabcdefg

Modern editions:

AMMM 13, 60-62; CMM 15.2; MCE 1.5

Further notes:

Elevation motet (2a pars).

This motet is connected to the following (Memento salutis auctor) with a “Verte folium”.

Text reference:

M063 Sanctus : Verbum caro factum est

Motet details

In cycle(s):

T064 Memento salutis auctor

Reference source:

I-Mfd 1, ff. 176v-177r

Mensuration:

 

Pre-existing melodies (Cantus prius facti):

This motet possibly quotes pre-existing material, but it can not be linked to any Cantus prius factus with a corresponding text.

Number of voices:

Discography:

Loyset Compère: Mass, Motets, Songs, Orlando Consort, Metronome 1002

Length:

Signature:

Clefs:

c1c3c4f4

Final:

Music incipit:

.......g

.gggbcdg

...bgbcd

gggbcded

Modern editions:

AMMM 13, 63-65; CMM 15.2; MCE 1.6

Text reference:

M064 Memento salutis auctor

Motet details

In cycle(s):

T065 Quem vidistis pastores

Reference source:

I-Mfd 1, ff. 177v-178r

Mensuration:





Pre-existing melodies (Cantus prius facti):

This motet possibly quotes pre-existing material, but it can not be linked to any Cantus prius factus with a corresponding text.

Number of voices:

Discography:

Loyset Compère: Mass, Motets, Songs, Orlando Consort, Metronome 1002

Length:

Signature:

Clefs:

c1c3c4f4

Final:

Music incipit:

ggfgabac

dcbadcde

ggdbcdca

gdgfbfgd

Modern editions:

AMMM 13, 66-69; CMM 15.2; MCE 1.7

Text reference:

M065 Quem vidistis pastores

Motet details

In cycle(s):

T066 O admirabile commercium

Reference source:

I-Mfd 1, ff. 178v-179r

Mensuration:





Pre-existing melodies (Cantus prius facti):

This motet possibly quotes pre-existing material, but it can not be linked to any Cantus prius factus with a corresponding text.

Number of voices:

Discography:

Loyset Compère: Mass, Motets, Songs, Orlando Consort, Metronome 1002

Length:

Signature:

Clefs:

c1c3c4f4

Final:

Music incipit:

ggfabcbg

gbcdfedc

ggaabbag

gfedfedb

Modern editions:

AMMM 13, 70-73; CMM 15.2; MCE 1.8

Further notes:

M101 O admirabile commercium is not a concordance.

Text reference:

M066 O admirabile commercium

C19 O sacrum convivium (I-Mfd 2)

Motet details

In cycle(s):

C33b Magnum nomen domini (4 motets)

Reference source:

I-Mfd 2, ff. 54v-55r

Mensuration:



Pre-existing melodies (Cantus prius facti):

This motet possibly quotes pre-existing material, but it can not be linked to any Cantus prius factus with a corresponding text.

Number of voices:

Length:

Signature:

Clefs:

c1c3c3c3c5

Final:

Music incipit:

...cbaba

fedcfede

fgabcba.

..fgabcb

..fgagfe

Modern editions:

AMMM 5, 13-14; MM 1, 245-247

Further notes:

Not a musical concordance with the motet from I-Mfd 1 from Gaffurius with the same name.

Text reference:

T067 O sacrum convivium

M067 O sacrum convivium

Gaffurius, Franchinus

Motet details

In cycle(s):

C19 O sacrum convivium (I-Mfd 2)

Reference source:

I-Mfd 2, ff. 55v-56r

Mensuration:



Number of voices:

Length:

Signature:

Clefs:

c1c3c3c3c5

Final:

Music incipit:

..cccccc

fccfefga

.cabcacb

ffgacbba

ffedcdef

Modern editions:

AMMM 5, 15-16; MM 1, 232-233

Further notes:

Listed as “secunda pars” of M067 by JEPPESEN 1931, 22.

Text reference:

T068 Accepta Christi munera

M068 Accepta Christi munera

[Gaffurius, Franchinus]

Motet details

In cycle(s):

C20 Hac in die / Missa sanctae Caterinae v. et m.

Reference source:

I-Mfd 2, ff. 100v-101r

Mensuration:



Pre-existing melodies (Cantus prius facti):

This motet possibly quotes pre-existing material, but it can not be linked to any Cantus prius factus with a corresponding text.

Number of voices:

Length:

Signature:

Clefs:

c1c3c4f3

Final:

Music incipit:

aagabacb

ecdedcba

aabadcbc

agfefgag

Modern editions:

AMMM 3, 1-3; MM 1, 58-61

Further notes:

Copied together with M070 as one motet in two partes in I-Mfd 3, ff. 183v-185r (with "verte folium").

Text reference:

T069 Hac in die

M069 Hac in die

Gaffurius, Franchinus

Motet details

In cycle(s):

C20 Hac in die / Missa sanctae Caterinae v. et m.

Reference source:

I-Mfd 2, ff. 109v-110r

Mensuration:



Number of voices:

Length:

Signature:

Clefs:

c1c3c4f3

Final:

Music incipit:

..aaaeef

..aabcde

aaaeefga

aabcdecb

Modern editions:

AMMM 3, 28-30; MM 1, 62-65

Further notes:

Copied as “secunda pars” of M069 in I-Mfd 3. I-Mfd 2 has the rubric “finis” after the end of the bassus part (f. 110r).

Text reference:

T070 Virgo constans

M070 Virgo constans

[Gaffurius, Franchinus]

Motet details

In cycle(s):

C14a Ave virgo gloriosa caeli iubar

C14b Ave virgo gloriosa caeli iubar / ‹Missa› Galeazescha

Reference source:

I-Mfd 1, ff. 143v-145r

Mensuration:



 

Pre-existing melodies (Cantus prius facti):

Gasser sees a connection between the 4th phrase of Kyrie IX (Cum Jubilo) and the melody in T1 (text passage "florens ... gratus"):

1--h--k-l---l-k-l--h---g-h-i-j-h---g---g----f---g-i-j--g---h----4

"Kyrie eleison" (GASSER 2001, 319)

Last phrase of verse 4 of the sequence Veni sancte spiritus (Cantus ID ah54153) quoted in T1 (text passage "dans fluenta gratiae"):

1--e---g---h---g---k----j-h----h----4

"sana quod est saucium" (http://manuscrit.ville-laon.fr/_app/visualisation.php?cote=Ms263&vue=192)

Verse 5 of the sequence Veni sancte spiritus (Cantus ID ah54153) quoted in T1 and T2 (text passage "quae regina diceris...mater gratiae"):

1--l---l---g---h---k---j---h---h---i-j----hg----h----g--f---g---f---e---g---h---d-c---f---e-d--d----4

"Da virtutis meritum / da salutis exitum / da perhenne gaudium" (http://manuscrit.ville-laon.fr/_app/visualisation.php?cote=Ms263&vue=192). See MACEY 1996, 169-170.

(A contrafactum of this sequence exists (Veni virgo virginum) which uses the same text as the motet for this melodic phrase: "quae regina diceris / miserere miseris / virgo mater gratiae" http://daten.digitale-sammlungen.de/~db/0003/bsb00034686/images/index.html?id=00034686&groesser=&fip=ewqeayaeayaeneayasdaseneayaeayaw&no=&seite=577)

Number of voices:

Length:

Signature:

Clefs:

c1c4c4c4f4

Final:

Music incipit:

dfedcfge

addef.ca

dfgagfed

...dfgag

dbbadecd

Modern editions:

AMMM 13, 75-78; CMM 15.2; MCE 3.1

Further notes:

Seemingly presented as a two-part motet on two openings in I-Mfd 1 (with “verte cito” and “custodes”).

Text reference:

T071 Ave virgo gloriosa caeli iubar

M071 Ave virgo gloriosa caeli iubar

C14a Ave virgo gloriosa caeli iubar

Motet details

In cycle(s):

C14b Ave virgo gloriosa caeli iubar / ‹Missa› Galeazescha

Reference source:

I-Mfd 1, ff. 145v-147r

Mensuration:



 

Pre-existing melodies (Cantus prius facti):

Verse 2 and verse 3 of the sequence Veni sancte spiritus (Cantus ID ah54153) quoted in T1 and T2 alternatively (passage "Virgo carens simili ... possimus in gloria"):

1--h--k--l--l--kj--k--l---kj--h--kj--g--fe--d--dc----g--f--gh--f--ed--c--d----4

"Consolator optime / dulcis hospes anime / dulce refrigerium." (http://manuscrit.ville-laon.fr/_app/visualisation.php?cote=Ms263&vue=192) See MACEY 1996, 170-171.

1--l--l--kj---k--lk--j--h---f--ed--c--de--f--g--f----g--h--ij--h--g--f--ed---d---4

"O lux beatissima / reple cordis intima / tuorum fidelium" (http://manuscrit.ville-laon.fr/_app/visualisation.php?cote=Ms263&vue=192)

Number of voices:

Length:

Signature:

Clefs:

c1c4c4c4f4

Final:

Music incipit:

ddegfefg

abcdcdbc

dggagfed

...dggag

dgcedade

Modern editions:

AMMM 13, 79-83; CMM 15.2; MCE 3.2

Further notes:

Seemingly presented as a two-part motet on two openings in I-Mfd 1 (with “verte cito” and “custodes”).

Text reference:

T072 Ave salus infirmorum

M072 Ave salus infirmorum

C14b Ave virgo gloriosa caeli iubar / ‹Missa› Galeazescha

Motet details

In cycle(s):

Reference source:

I-Mfd 3, ff. 127v-128r

Mensuration:

 



 



Pre-existing melodies (Cantus prius facti):

This motet possibly quotes pre-existing material, but it can not be linked to any Cantus prius factus with a corresponding text.

Number of voices:

Length:

Signature:

Clefs:

c1c4c4c4f4

Final:

Music incipit:

..acafgf

.acafcdc

..acafag

......ac

acdafffd

Modern editions:

AMMM 13, 84-88; CMM 15.2; MCE 3.3

Further notes:

The shorter cycle C14a, whose three component motets (M071, M072 and M074) are concordant with motets in the present cycle, is attributed to "Loyset" in I-Mfd 1, index (see the record for fuller details). Therefore, the present motet has been unanimously attributed to Compère as part of C14b: see for instance FINSCHER 1964, 92.

Text reference:

T073 Ave decus virginale

M073 Ave decus virginale

C14a Ave virgo gloriosa caeli iubar

Motet details

In cycle(s):

C14b Ave virgo gloriosa caeli iubar / ‹Missa› Galeazescha

Reference source:

I-Mfd 3, ff. 128v-130r

Mensuration:









Pre-existing melodies (Cantus prius facti):

According to MACEY 1996, 171-73 and 208:
1st phrase of the hymn Ave maris stella (Cantus ID 008272) quoted in T1 (passage "gaude virgo salutata" ... end of folium):

1--d--h---g---hj---l---k--j--h--g----4

"Ave Maris stella" (http://cantus.simssa.ca/manuscript/133/?folio=135v)

2nd phrase of the hymn Ave maris stella (Cantus ID 008272) quoted in T2 (passage "gaude mater iocundata...puerperio"):

1--h--h--d-e--g--f-e--d----4

"dei mater alma" (http://cantus.simssa.ca/manuscript/133/?folio=135v)

3rd phrase of the hymn Ave maris stella (Cantus ID 008272) quoted in T1 (passage "gaude mundi domina...omnia"):

1--f--e--g--h--h--dd-c----4

"atque semper virgo" (http://cantus.simssa.ca/manuscript/133/?folio=135v)

4th phrase of the hymn Ave maris stella (Cantus ID 008272) quoted in T2 (passage "gaude caeli regina...tollens vitia"):

1--e--g--e--f--e-d-c---d---4

"felix caeli porta" (http://cantus.simssa.ca/manuscript/133/?folio=135v)

1st phrase of the hymn Ave maris stella (Cantus ID 008272) quoted in T1 (passage "o plena praeceteris...divina"):

1--d--h---g---hj---l---k--j--h--g----4

"Ave Maris stella" (http://cantus.simssa.ca/manuscript/133/?folio=135v)

Number of voices:

Length:

Signature:

Clefs:

c1c4c4c4f4

Final:

Music incipit:

.aagfgaa

.aagfgab

..aagfga

....aabc

aagfgafd

Modern editions:

AMMM 13, 89-93; CMM 15.2; MCE 3.4

Further notes:

The version of I-Mfd 1 is shorter than the one in I-Mfd 3 (the section starting with "Gaude virgo fruens delitiis" is missing).
The motet is presented on two openings in the sources, connected by "custodes" and by the rubric "verte cito": in I-Mfd 1 the second opening starts with "Gaude mundi domina", in I-Mfd 3 with "Gaude virgo fruens delitiis".

Text reference:

T074 Ave sponsa verbi summi

M074 Ave sponsa verbi summi

C14b Ave virgo gloriosa caeli iubar / ‹Missa› Galeazescha

Motet details

In cycle(s):

Reference source:

I-Mfd 3, ff. 130v-131r

Mensuration:









Pre-existing melodies (Cantus prius facti):

This motet possibly quotes pre-existing material, but it can not be linked to any Cantus prius factus with a corresponding text.

Number of voices:

Length:

Signature:

Clefs:

c1c4c4c4f4

Final:

Music incipit:

dddcffga

addedcba

dfgaaagf

dfga...a

dbbaddgd

Modern editions:

AMMM 13, 94-97; CMM 15.2; MCE 3.5

Further notes:

Cycle C14a, whose three component motets (M071, M072 and M074) are concordant with motets in C14b, is attributed to "Loyset" in I-Mfd 1, index (see the record for fuller details). The present motet has been unanimously attributed to Compère as part of C14b: see for instance FINSCHER 1964, 92.

At the end of the bass part there is a "verte folium" rubric pointing to the next motet (M076); moreover, the present motet ends with breves, whereas all the other motets in the cycle end with longae: GASSER 2001, 310 therefore considers M075 and M076 as one motet for the Sanctus-ad elevationem-post elevationem complex.

Text reference:

T075 O Maria In supremo sita poli

M075 O Maria in supremo sita poli

C14b Ave virgo gloriosa caeli iubar / ‹Missa› Galeazescha

Motet details

In cycle(s):

Reference source:

I-Mfd 3, ff. 131v-132r

Mensuration:





 



Pre-existing melodies (Cantus prius facti):

1st phrase of verse 1 of the sequence Mane prima sabbati (Cantus ID ah54143) quoted in T2 (passage "ave virgo virginum"):

1--d--d--c--d--e--f--g---4

"Mane prima sabbati" (http://daten.digitale-sammlungen.de/~db/0003/bsb00035323/images/index.html?id=00035323&groesser=&fip=93.1.38.235&no=3&seite=504)

2nd phrase of verse 1 of the sequence Mane prima sabbati (Cantus ID ah54143) quoted in T1 (passage "ave lumen luminum"):

1--f--d--f--c--f--e--d--4

"surgens dei filius" (ibid.)

3rd phrase of verse 1 of the sequence Mane prima sabbati (Cantus ID ah54143) quoted in T2 (passage "ave stella praevia"):

1--f--g--h--g--f--e--d--4

"nostra spes et gloria" (ibid.)

1st phrase of verse 2a of the sequence Mane prima sabbati (Cantus ID ah54143) quoted in T1 (passage "castitatis lilium"):

1--h--g--f-e--d--g--g--a---4

"Victo rege sceleris" (ibid.)

2nd phrase of verse 2a of the sequence Mane prima sabbati (Cantus ID ah54143) quoted in T2 (passage "consolatrix omnium"):

1--h--g--fe--de--f--e--c---4

"rediit ab inferis" (ibid.)

3rd phrase of verse 2a of the sequence Mane prima sabbati (Cantus ID ah54143) quoted in T1 (passage "peccatorum venia"):

1--e--f--d--e--c--d--d----4

"cum summa victoria" (ibid.)

Number of voices:

Length:

Signature:

Clefs:

c1c4c4c4f4

Final:

D/D

Music incipit:

fegfgfff

fgddcdda

acbagaaf

acbagaa.

dcgdeddd

Modern editions:

AMMM 13, 98-103; CMM 15.2; MCE 3.6

Further notes:

At the end of the bass part in the previous motet (M075) there is a "verte folium" rubric pointing to the present motet; moreover, M075 ends with breves, whereas all the other motets in the cycle end with longae: GASSER 2001, 310 therefore considers M075 and M076 as one motet for the Sanctus-ad elevationem-post elevationem complex.

Text reference:

T076 Adoramus te Christe

M076 Adoramus te Christe : Virgo mitis

C14b Ave virgo gloriosa caeli iubar / ‹Missa› Galeazescha

Motet details

In cycle(s):

Reference source:

I-Mfd 3, ff. 132v-133r

Mensuration:









Pre-existing melodies (Cantus prius facti):

1st phrase of verse 1 of the sequence Salve mater salvatoris (Cantus ID unsure) is loosely quoted in the first phrase of T1:

1---d--h--h--g--h--fed--c--d----4

"Salve mater salvatoris" (MOBERG 1927, No. 10)

last phrase of verse 4 of the sequence Veni sancte spiritus (Cantus ID ah54153) is quoted in T1 (passage "vas caelestis gratiae"):

1--e---g--h--g--k---jh---h-----4

"sana quod est saucium" (http://manuscrit.ville-laon.fr/_app/visualisation.php?cote=Ms263&vue=192)

1st phrase of verse 4 of the sequence Veni sancte spiritus (Cantus ID ah54153) is quoted in T2 (passage "tu nostrum refugium"):

1--k---k---j-h--j--k-j---h---g---4

"Flecte quod est rigidum" (ibid.) See MACEY 1996, 171.

2nd phrase of verse 4 of the sequence Veni sancte spiritus (Cantus ID ah54153) is quoted in T1 (passage "da reis remedium"):

1--h---h---fe--f--gf--e--d---4

"riga quod est aridum" (ibid.)

last phrase of verse 4 of the sequence Veni sancte spiritus (Cantus ID ah54153) is quoted in T2 (passage "procul pelle vitia"):

1--e---g--h--g--k---jh---h-----4

"sana quod est saucium" (ibid.)

Number of voices:

Length:

Signature:

Clefs:

c1c4c4c4f4

Final:

Music incipit:

.dafegfe

dcbadcbc

..daagac

...ccafg

dagfdaed

Modern editions:

AMMM 13, 104-107; CMM 15.2; MCE 3.8

Further notes:

Cycle C14a, whose three component motets (M071, M072 and M074) are concordant with motets in C14b, is attributed to “Loyset” in I-Mfd 1, index (see the record for fuller details). The present motet has been unanimously attributed to Compère as part of C14b: see for instance FINSCHER 1964, 92.

Text reference:

T077 Salve mater salvatoris

M077 Salve mater salvatoris

C14b Ave virgo gloriosa caeli iubar / ‹Missa› Galeazescha

Motet details

In cycle(s):

Reference source:

I-Mfd 3, ff. 133v-135r

Mensuration:









Pre-existing melodies (Cantus prius facti):

First half of verse 1 of the sequence Virginis Mariae laudes (Cantus ID 850309) quoted in T1 (opening):

1--dd--c--d--f--g--f--e--d---4

"Virginis Mariae laudes"
(GOEDE 1965, No. 73)

Second half of verse 1 of the sequence Virginis Mariae laudes (Cantus ID 850309) quoted in T2 (opening):

1--h--g--f--g--f--e--d---4

"intonent christiani."
(GOEDE 1965, No. 73)

First part of verse 2a of the sequence Virginis Mariae laudes (Cantus ID 850309) quoted in T1 (second phrase):

1--h--k--l--h--g--h--h---4

"Eva tristis abstulit"
(GOEDE 1965, No. 73)

Second part of verse 2a of the sequence Virginis Mariae laudes (Cantus ID 850309) quoted in T2 (second phrase):

1--h--g--h--g--f--e--d---4

"sed Maria protulit"
(GOEDE 1965, No. 73)

Last part of verse 2a of the sequence Virginis Mariae laudes (Cantus ID 850309) quoted in T1 (third phrase):

1--f--g--d--f--d--c--f--f--e--d----4

"natum, qui redemit peccatores."
(GOEDE 1965, No. 73)

Number of voices:

Length:

Signature:

Clefs:

c1c4c4c4f4

Final:

Music incipit:

dedfgagf

abcbagfe

dcdfgfed

...agfgf

dadgcdab

Modern editions:

CMM 15.2; AMMM 13, 108-112

Further notes:

Text reference:

T078 Virginis Mariae laudes

M078 Virginis Mariae laudes

Motet details

In cycle(s):

T079 Beata et venerabilis virgo : Caeli terraeque maris

Reference source:

I-Mfd 3, ff. 162v-163r

Mensuration:



Number of voices:

Length:

Signature:

Clefs:

c1c3c4f4

Final:

G / G

Music incipit:

..gfefga

.dcbabcd

gfefgagf

..gefdca

Modern editions:

GASSER 2001, 564-569

Text reference:

M079 Beata et venerabilis virgo : Caeli terraeque maris

Motet details

In cycle(s):

Reference source:

I-Mfd 3, ff. 163v-164r

Mensuration:



Number of voices:

Length:

Signature:

Clefs:

c1c3c4f4

Final:

Music incipit:

ggaabagf

defedcbc

.ggaabag

ggffgfed

Modern editions:

GASSER 2001, 570-573

Text reference:

T080 Beatus ille venter

M080 Beatus ille venter

Motet details

In cycle(s):

T081 Magnificamus te dei genitrix

Reference source:

I-Mfd 3, ff. 164v-165r

Mensuration:



Number of voices:

Length:

Signature:

Clefs:

c1c3c4f4

Final:

Music incipit:

....gefg

.gefgagf

..gabcba

gefgagfd

Modern editions:

GASSER 2001, 574-576

Text reference:

M081 Magnificamus te dei genitrix

Motet details

In cycle(s):

T082 Virgo verbum concepit

Reference source:

I-Mfd 3, ff. 165v-166r

Mensuration:



Pre-existing melodies (Cantus prius facti):

This motet possibly quotes pre-existing material, but it can not be linked to any Cantus prius factus with a corresponding text.

Number of voices:

Length:

Signature:

Clefs:

c1c3c4f4

Final:

Music incipit:

gabcdbag

defgfdef

gbcdcbcd

gfegfedd

Modern editions:

GASSER 2001, 577-580

Text reference:

M082 Virgo verbum concepit

Motet details

In cycle(s):

T083 Felix namque es sacra virgo Maria

Reference source:

I-Mfd 3, ff. 166v-167r

Mensuration:



Number of voices:

Length:

Signature:

Clefs:

c1c3c4f4

Final:

Music incipit:

gdgfgfed

..dbcdef

..gdgfgf

gbagfedg

Modern editions:

GASSER 2001, 581-584

Text reference:

M083 Felix namque es sacra virgo Maria

Motet details

In cycle(s):

T084 Ave regina caelorum mater

Reference source:

I-Mfd 3, ff. 167v-168r

Mensuration:



Number of voices:

Length:

Signature:

Clefs:

c1c3c3c4

Final:

C / C

Music incipit:

cbagacbc

cdedefge

.cbagacb

..cbageg

Modern editions:

GASSER 2001, 585-589

Text reference:

M084 Ave regina caelorum mater : Funde preces

Motet details

In cycle(s):

T085 O admirabile commercium

Reference source:

I-Mfd 3, ff. 168v-169r

Mensuration:



Number of voices:

Length:

Signature:

Clefs:

c1c3c3c4

Final:

Music incipit:

.gcbcde.

..gafegg

gcbcdedg

gefgefdc

Modern editions:

GASSER 2001, 590-593

Text reference:

M085 O admirabile commercium

Motet details

In cycle(s):

Reference source:

I-Mfd 3, ff. 169v-170r

Mensuration:



Number of voices:

Length:

Signature:

Clefs:

c1c3c3c4

Final:

Music incipit:

cccbcaga

cdefg.ed

cccdefge

cbagbagf

Modern editions:

GASSER 2001, 594-596

Text reference:

T086a Quando natus es

M086 Quando natus es

Motet details

In cycle(s):

T087 Germinavit radix Iesse

Reference source:

I-Mfd 3, ff. 170v-171r

Mensuration:



Number of voices:

Length:

Signature:

Clefs:

c1c3c3c4

Final:

Music incipit:

cccdedcb

cdefgfed

..cdedcb

cbagcbag

Modern editions:

GASSER 2001, 597-599

Text reference:

M087 Germinavit radix Iesse

Motet details

In cycle(s):

T088 Magnum hereditatis mysterium

Reference source:

I-Mfd 3, ff. 172v-173r

Mensuration:



Number of voices:

Length:

Signature:

Clefs:

c1c3c3c4

Final:

Music incipit:

cbagggab

cdedeefd

..edcbbb

..cdefgf

Modern editions:

GASSER 2001, 600-603

Further notes:

Between this motet and the previous ones are two empty folio-sides.

Text reference:

M088 Magnum hereditatis mysterium

C24 Caeli quondam roraverunt

Motet details

In cycle(s):

C25 Imperatrix gloriosa + Missa

Reference source:

I-Mfd 3, ff. 206v-207r

Mensuration:



Number of voices:

Length:

Signature:

Clefs:

c1c3c4f4

Final:

Music incipit:

...gabgc

..gabgcb

defdgfgf

Modern editions:

GASSER 2001, 608-612; MM 1, 75-79

Further notes:

Not a concordance to M016.

Text reference:

T089 Imperatrix gloriosa

M089 Imperatrix gloriosa

C24 Caeli quondam roraverunt

Motet details

In cycle(s):

C25 Imperatrix gloriosa + Missa

Reference source:

I-Mfd 3, ff. 205v-206r

Mensuration:



Number of voices:

Length:

Signature:

Clefs:

c1c3c4f4

Final:

Music incipit:

..fgafba

..cdecfe

gabgcbcb

gfefdcbc

Modern editions:

GASSER 2001, 604-607; MM 1, 35-38

Text reference:

T090 Caeli quondam roraverunt

M090 Caeli quondam roraverunt

C24 Caeli quondam roraverunt

Motet details

In cycle(s):

C25 Imperatrix gloriosa + Missa

Reference source:

I-Mfd 3, ff. 207v-208r

Mensuration:



Number of voices:

Length:

Signature:

Clefs:

c1c3c4f4

Final:

Music incipit:

...dcbcd

gfefgfgd

gbagab..

.gfefgfg

Modern editions:

GASSER 2001, 613-617; MM 1, 180-184

Further notes:

Text concordance in I-Mfd 1

Text reference:

T091 Salve verbi sacra parens

M091 Salve verbi sacra parens

C26 Assumpta est Maria + Missa

Motet details

In cycle(s):

Reference source:

I-Mfd [4], ff. 26v-27r

Mensuration:



Number of voices:

Signature:

Clefs:

<c1>c3c4f3

Final:

[D]

Music incipit:

.aaaeded

..fedcde

Modern editions:

Further notes:

This motet is transmitted as a fragment.

The Mass [La Bassadanza] (which follows M092 and M093 in I-Mfd [4]) is attributed to Franchino Gaffurio in ANNALI 1885, 168; WARD 1986, 497 extends the attribution to M092 and M093.

Text reference:

T092 Assumpta est Maria

M092 Assumpta est Maria

C26 Assumpta est Maria + Missa

Motet details

In cycle(s):

Reference source:

I-Mfd [4], ff. 27v-28r

Mensuration:



Number of voices:

Signature:

Clefs:

<c1>c3c4f3

Final:

[D]

Music incipit:

aaefgfed

.eebcdcb

Modern editions:

Further notes:

This motet is transmitted as a fragment.

The Mass [La Bassadanza] (which follows M092 and M093 in I-Mfd [4]) is attributed to Franchino Gaffurio in ANNALI 1885, 168; WARD 1986, 497 extends the attribution to M092 and M093.

Text reference:

T093 Vidi speciosam

M093 Vidi speciosam

C27 Nativitas tua dei genitrix + Missa

Motet details

In cycle(s):

Reference source:

I-Mfd [4], ff. 40v-41r

Mensuration:



Number of voices:

Signature:

Clefs:

<c1>c3c3c4

Final:

[C]

Music incipit:

..ggafg.

gfefgefd

Modern editions:

Further notes:

This motet is transmitted as a fragment. The motet Nativitas tua in I-Mfd 1, ff. 154v-155r is a textual but not a musical concordance.

Text reference:

T094 Nativitas tua dei genitrix

M094 Nativitas tua dei genitrix

C27 Nativitas tua dei genitrix + Missa

Motet details

In cycle(s):

Reference source:

I-Mfd [4], ff. 47v-48r

Mensuration:



Number of voices:

Signature:

Clefs:

c1c3c3c4

Final:

Music incipit:

ggcbagac

gecefef

Modern editions:

Further notes:

This motet is transmitted as a fragment.

The Gloriosae virginis Mariae a3 in I-Mfd 1, ff. 65v-66r is a textual but not a musical concordance.

Text reference:

T095 Gloriosae virginis Mariae

M095 Gloriosae virginis Mariae

Motet details

In cycle(s):

T096 Sancti spiritus adsit

Reference source:

I-Mfd [4], ff. 60v-61r

Mensuration:



Pre-existing melodies (Cantus prius facti):

Verse 1 of the sequence Sancti spiritus assit nobis gratia (Cantus ID ah53070) quoted in T (opening):

1--fg--g--h--g--k--j--k--h--g--f--g--g--4

"Sancti spiritus assit nobis gratia"
(GOEDE 1965, No. 25)

Verse 2a of the sequence Sancti spiritus assit nobis gratia (Cantus ID ah53070) quoted in T (2nd phrase)

1--k--kj--h--k--l--k--g--k--j--k--h--g--f--g--g--4

"Quae corda nostra sibi faciat habitaculum."
(GOEDE 1965, No. 25)

Verse 9b of the sequence Sancti spiritus assit nobis gratia (Cantus ID ah53070), similar melodic line, transposed, in T (3rd phrase)

1--dg--f--e--f--d--dg--f--e--f--g--h--g--f--g--g--4

"Tu aspirando das spiritales esse homines"
(GOEDE 1965, No. 25)

Lines 2-4 of the first stanza of the hymn Veni creator spiritus (Cantus ID 008407) quoted in T (4th phrase to end)

1--k--g--h--k--lk--l--m--l--k--lm--kj--hg--kl--g--h---k--jk---h---gf---h--hjh---g--fg--g--4

"mentes tuorum visita / imple superna gratia / quae tu creasti, pectora."
(LH 90)

Number of voices:

Signature:

Clefs:

c1c3c4f4

Final:

Music incipit:

ggagcbca

ge-cfgag

Modern editions:

Further notes:

This motet is transmitted as a fragment.

Not a concordance for M140.

Text reference:

M096 Sancti spiritus adsit

Motet details

In cycle(s):

T097 Victimae paschali laudes

Reference source:

I-Mfd [4], ff. 61v-62r

Mensuration:





Pre-existing melodies (Cantus prius facti):

Quotes from the sequence Victimae paschali laudes and the sequence Veni sancte spiritus in all voices, most prominent in the T in the following excerpts:

Verse 1 of the sequence Victimae paschali laudes (Cantus ID 508002), T opening:

1--dd--c--d--f--g--f--ed--d--h--g--f--g--f--e--d---4

"Victimae paschali laudes immolent christiani"
(GOEDE 1965, No. 21)

Opening of verse 2a of the sequence Victimae paschali laudes (Cantus ID 508002), T second phrase (transposed):

1--h--k--l--h--g--h--h--4

"Agnus redemit oves"
(GOEDE 1965, No. 21)

Second part of verse 2a of the sequence Victimae paschali laudes (Cantus ID 508002), T second phrase:

1---h--g--h--g--f--ee--d---4

"Christus innocens patri"
(GOEDE 1965, No. 21)

Third part of verse 2a of the sequence Victimae paschali laudes (Cantus ID 508002), T second phrase, approximate, partially transposed:

1--f--g--d--f--d--c--f--f--ee--d----4

"reconciliavit peccatores."
(GOEDE 1965, No. 21)

First part of verse 1a of the sequence Veni sancte spiritus (Cantus ID ah54153), T third phrase, approximate, partially transposed:

1--c--d--ef--e---ed--c--d---4

"Veni sancte spiritus"
(GOEDE 1965, No. 27)

Second part of verse 1a of the sequence Veni sancte spiritus (Cantus ID ah54153), T third phrase:

1--f--g--hij--h--hgf---g---h--c--d--fg---fed--c--d--d----4

"et emitte caelitus lucis tuae radium."
(GOEDE 1965, No. 27)

First part of verse 1b of the sequence Veni sancte spiritus (Cantus ID ah54153), T fourth phrase, approximate, partially transposed:

1--c--d--ef--e---ed--c--d---4

"Veni pater pauperum"
(GOEDE 1965, No. 27)

Second part of verse 2b of the sequence Veni sancte spiritus (Cantus ID ah54153), T fourth phrase:

1--f--g--hij--h--hgf---g---h--c--d--fg---fed--c--d--d----4

"veni dator munerum, veni lumen cordium."
(GOEDE 1965, No. 27)

Number of voices:

Signature:

Clefs:

c1c3c4f4

Final:

Music incipit:

gfgbcbga

gfedcbdc

Modern editions:

Further notes:

This motet is transmitted as a fragment.

Text reference:

M097 Victimae paschali laudes

Motet details

In cycle(s):

T098 Tu divisum per linguas mundum

Reference source:

I-Mfd [4], ff. 62v-63r

Mensuration:





Pre-existing melodies (Cantus prius facti):

Verse 10a and verse 10b of the sequence Sancti spiritus assit nobis gratia (Cantus ID ah53070) quoted in T first and second phrase:

1--g--ij--g--f--j--j--h--g--f--h--f--h--g--j--h--g--f--g--g----4

"Tu divisum per linguas mundum et ritus adunasti domine.
Idolatras ad cultum dei revocans magistrorum optime."
(GOEDE 1965, No. 25)

Some melodic gestures of verse 2a of the sequence Veni sancte spiritus (Cantus ID 850303) are paraphrased, but no complete line is quoted.

Number of voices:

Signature:

Clefs:

c1c3c4f4

Final:

[G]

Music incipit:

...gagfa

gagfedf.

Modern editions:

Further notes:

This motet is transmitted as a fragment.

Text reference:

M098 Tu divisum per linguas mundum

Motet details

In cycle(s):

T099 Tu purificator omnium

Reference source:

I-Mfd [4], ff. 63v-64r

Mensuration:





Pre-existing melodies (Cantus prius facti):

Verse 5a of the sequence Sancti spiritus assit nobis gratia (Cantus ID ah53070) quoted in T (opening):

1--g--gg--f--g--h--g--kj--h--g--k--j--k--h--g--f--g--g----4

"Tu purificator omnium flagitiorum spiritus"
(GOEDE 1965, No. 25)

Number of voices:

Signature:

Clefs:

<c1>c3<c4>f4

Final:

[G]

Music incipit:

ggdedacb

Modern editions:

Further notes:

This motet is transmitted as a fragment.

Text reference:

M099 Tu purificator omnium

Motet details

In cycle(s):

T100 Spiritus alme illustrator

Reference source:

I-Mfd [4], ff. 64v-65r

Mensuration:





Pre-existing melodies (Cantus prius facti):

Verse 3a and 3b of the sequence Sancti spiritus assit nobis gratia (Cantus ID ah53070) T, first and second phrase:

1--g---f---e---fe---d--f--g--h--g--f--g--g----4

"Spiritus alme illustrator hominum
horridas nostrae mentis purga tenebras."
(GOEDE 1965, No. 25)

Verse 6a of the sequence Sancti spiritus assit nobis gratia (Cantus ID ah53070) T, third phrase:

1--k--l--k--h--h--k--l--k--j--g--h--g--g--f--g----4

"Ut videri supremus genitor possit a nobis."
(GOEDE 1965, No. 25)

Number of voices:

Signature:

Clefs:

c1c3c4f4

Final:

Music incipit:

gfefdfga

gcdcbbbe

Modern editions:

Further notes:

This motet is transmitted as a fragment.

Text reference:

M100 Spiritus alme illustrator

C29 O admirabile commercium (with Sanctus)

Motet details

In cycle(s):

Reference source:

I-Mfd [4], ff. 65v-66r

Mensuration:





Pre-existing melodies (Cantus prius facti):

The incipit of the antiphon Germinavit radix Jesse (Cantus ID 002941) quoted in C and T (opening of the passage "Germinavit radix Jesse.."):

1--d---ef---g---g----4

"Germinavit" (http://cantusindex.org/id/002941)

Number of voices:

Discography:

Medieval Christmas - Noël médiévaux: Tenth- to Sixteenth-Century secular & liturgical music for Feasts days, Orlando consort, Harmonia Mundi HMU 90 7418

Length:

Signature:

Clefs:

g2c2c3c4

Final:

Music incipit:

ggfgabab

ddegfgfd

gbabcddb

ggdgcgdg

Modern editions:

CMM 15.4 (edition after concordance in I-Mfd 1); AMMM 13, 151-156

Further notes:

The concordance in I-Mfd 1 is not part of a cycle, but it does contain the ascription.

The transcription in AMMM 13 contains an error in the last chord; it gives a d instead of a g in the contratenor bassus.

Text reference:

T101 O admirabile commercium

M101 O admirabile commercium

C29 O admirabile commercium (with Sanctus)

Motet details

In cycle(s):

Reference source:

I-Mfd [4], ff. 67v-68r

Mensuration:



Number of voices:

Signature:

Clefs:

g2c2c3c4

Final:

Music incipit:

..gggagd

Modern editions:

Further notes:

This motet is transmitted as a fragment.

WARD 1986 considers this a concordance for Compère’s O genetrix gloriosa (WARD 1986, 499, 506; edited in CMM 15.4 after MotettiA, ff. 4v-6r, but contained incompletely in three Libroni: I-Mfd 1, ff. 149v-150r, 2nd part; I-Mfd 2, ff. 36v-37r, 2nd part; and I-Mfd 3, ff. 51v-52r, 1st part). This piece is however not a real concordance for O genitrix gloriosa, but rather a cognate setting of a partially concordant text, with substantial musical similarities.

Text reference:

T103 Suscipe verbum

M103 Suscipe verbum

T104 Diem novae gratiae : Agnus dei

Motet details

Reference source:

I-Mfd [4], ff. 70v-71r

Mensuration:



Pre-existing melodies (Cantus prius facti):

This motet possibly quotes pre-existing material, but it can not be linked to any Cantus prius factus with a corresponding text.

Number of voices:

Signature:

Clefs:

c1c3c4f4

Final:

Music incipit:

ggffbbab

gfeddbcd

Modern editions:

Further notes:

This motet is transmitted as a fragment.

Individual elevation motet. Considered as part of a seven-motet cycle Diem novae gratiae (I-Mfd [4], ff. 70v-77r) by WARD 1986, 499 and 505 and GASSER 2001, 233 and 332. This hypothesis does not hold, as all seven motets include an elevation section (PAVANELLO 2017). See also M105-110.

Text reference:

M104 Diem novae gratiae : Agnus dei