Ave virgo gloriosa caeli iubar

Source: 
Folio(s): 
143v-145r
Motet rubric: 
-
Attributed to: 
Loyset, Loyset (index)

Cycle details

Reference source: 
I-Mfd 1, ff. 143v-149r
Cycle rubric: 
listed under "Motetti missales consequentes" (I-Mfd 1, index)
Identified as a cycle based on: 
index of I-Mfd 1
Number of voices: 
5
Signature: 
-
Clefs: 
c1c4c4c4f4
Final: 
D
Devotional / liturgical association: 
BVM
Modern editions: 
CMM 15.2; AMMM 13, 75-83; 89-93 (as part of C14b Ave virgo gloriosa caeli iubar / <Missa> Galeazescha)
Content (motets): 
M071 M072 M074

Motet details

Reference source: 
I-Mfd 1, ff. 143v-145r
Mensuration: 
 
Pre-existing melodies (Cantus prius facti): 

Gasser sees a connection between the 4th phrase of Kyrie IX (Cum Jubilo) and the melody in T1 (text passage "florens ... gratus"):

1--h--k-l---l-k-l--h---g-h-i-j-h---g---g----f---g-i-j--g---h----4

"Kyrie eleison" (GASSER 2001, 319)

Last phrase of verse 4 of the sequence Veni sancte spiritus (Cantus ID ah54153) quoted in T1 (text passage "dans fluenta gratiae"):

1--e---g---h---g---k----j-h----h----4

"sana quod est saucium" (http://manuscrit.ville-laon.fr/_app/visualisation.php?cote=Ms263&vue=192)

Verse 5 of the sequence Veni sancte spiritus (Cantus ID ah54153) quoted in T1 and T2 (text passage "quae regina diceris...mater gratiae"):

1--l---l---g---h---k---j---h---h---i-j----hg----h----g--f---g---f---e---g---h---d-c---f---e-d--d----4

"Da virtutis meritum / da salutis exitum / da perhenne gaudium" (http://manuscrit.ville-laon.fr/_app/visualisation.php?cote=Ms263&vue=192). See MACEY 1996, 169-170.

(A contrafactum of this sequence exists (Veni virgo virginum) which uses the same text as the motet for this melodic phrase: "quae regina diceris / miserere miseris / virgo mater gratiae" http://daten.digitale-sammlungen.de/~db/0003/bsb00034686/images/index.html?id=00034686&groesser=&fip=ewqeayaeayaeneayasdaseneayaeayaw&no=&seite=577)

Number of voices: 
5
Length: 
43
Signature: 
-
Clefs: 
c1c4c4c4f4
Final: 
D
Music incipit: 
dfedcfge
addef.ca
dfgagfed
...dfgag
dbbadecd
Modern editions: 
CMM 15.2; AMMM 75-78
Further notes: 

Seemingly presented as a two-part motet on two openings in I-Mfd 1 (with “verte cito” and “custodes”).