WARD 1986 listed the first two motets of this cycle (cited only by their foliation, ff. 64v-66r) among the “possibile motetti missales cycles in the Gafurius codices” (p. 523, footnote 56). GASSER 2001 was the first to propose a larger, three-motet cycle. As the same author admits, however, the third motet has a different tonal type (p. 347). While this “may seem to throw out the possibility of a unified, tri-partite cycle”, Gasser observes that all three motets “share the same hexachordal identity of cantus mollis” and feature “similar musical techniques and a consistent approach to composition, including some potential thematic connections” (ibid.).
listed under "Motetti missales consequentes" as "Salve mater salvatoris gaffori | cum tota missa" (I-Mfd 1, index)
Identified as a cycle based on:
index of I-Mfd 1 (see Cycle rubric); consensus in the "motetti missales" literature
Number of voices:
4
Signature:
-
Clefs:
c1c3c4c4
Final:
G
Devotional / liturgical association:
BVM
Modern editions:
AMMM 5, 75-104
Further notes:
All the component motets are in more than one pars. Second/third partes are not listed in I-Mfd 1, index (except for the 3a pars of Imperatrix gloriosa), do not have separate attributions, and are linked with “verte folium” and/or “custodes”.
AMMM 11 and the facsimile edn. of I-Mfd 2 propose a five-motet cycle comprising M039, M043, M044, M035, and M036; the corresponding rubric reported in AMMM 11, iii as present in the manuscript index derives, on the contrary, from an editorial annotation in SARTORI 1957, 48.
AMMM 11 and the facsimile edn. of I-Mfd 2 propose a five-motet cycle comprising M039, M043, M044, M035, and M036; the corresponding rubric reported in AMMM 11, iii as present in the manuscript index derives, on the contrary, from an editorial annotation in SARTORI 1957, 48.
