C14b Ave virgo gloriosa caeli iubar / ‹Missa› Galeazescha

Cycle criteria:

Standardised composer:

Attribution notes:

The shorter C14a, whose 3 component motets (M071, M072 and M074) are concordant with motets in the present cycle, is attr. to "Loyset" in I-Mfd 1, index. Therefore, C14b has been unanimously attr. to Compère (e.g. see FINSCHER 1964, 92)

Cycle rubric:

"Galeazescha" (I-Mfd 3)

Identified as a cycle based on:

presence of a cycle rubric and of "loco" rubrics; consensus in the "motetti missales" literature

Reference source:

I-Mfd 3, ff. 125v-135r

Other sources:

(for partial concordances, see the records of the individual motets)

Number of voices:

Signature:

Clefs:

c1c4c4c4f4

Final:

Devotional / liturgical association:

BVM

Description:

The cycle belongs to the “core” group of motetti missales. It consists of eight motets, all provided with “loco” rubrics. The texts are compilations from different sources, mostly Marian sequences and rhymed prayers. The rubric “Galeazescha” points to a direct (but as yet not clarified) connection with Duke Galeazzo Sforza.

Modern editions:

AMMM 13, 75-112; CMM 15.2; MCE 3

Literature:

FINSCHER 1964

NOBLITT 1968

CRAWFORD 1970

MACEY 1996

, 166-180

GASSER 2001

, 303-328

MERKLEY 2012

DIERGARTEN 2017

FILIPPI 2017

PAVANELLO 2017

, 42

BOKULICH 2019

FILIPPI 2019A

FILIPPI 2019B

ROSSI 2019B

SCHMIDT 2019

Discography:

Compère: Missa Galeazescha: Music for the Duke of Milan. Odhecaton, Paolo Da Col, Arcana-Outhere, 2017.

Further notes:

See also the cognate shorter cycle C14a.

GASSER 2001, 304-305, considers the cycle to consist of seven motets, instead of eight: see the notes to M075 and M076.

The version of M074 in I-Mfd 3 is longer than the one in I-Mfd 1.

Motets in this cycle

Displaying 1 - 8 of 8

I-Mfd 3
Source	Motet incipit	Attribution	Rubric	Cycle / Text
I-Mfd 3 125v-126r	Ave virgo gloriosa caeli iubar ID: M071	- Compère, Loyset	Loco Introytus	C14b Ave virgo gloriosa caeli iubar / ‹Missa› Galeazescha T071 Ave virgo gloriosa caeli iubar
I-Mfd 3 126v-127r	Ave salus infirmorum ID: M072	- Compère, Loyset	Loco Gloria	C14b Ave virgo gloriosa caeli iubar / ‹Missa› Galeazescha T072 Ave salus infirmorum
I-Mfd 3 127v-128r	Ave decus virginale ID: M073	- [Compère, Loyset]	Loco Credo	C14b Ave virgo gloriosa caeli iubar / ‹Missa› Galeazescha T073 Ave decus virginale
I-Mfd 3 128v-130r	Ave sponsa verbi summi ID: M074	- Compère, Loyset	Loco Offertorii	C14b Ave virgo gloriosa caeli iubar / ‹Missa› Galeazescha T074 Ave sponsa verbi summi
I-Mfd 3 130v-131r	O Maria in supremo sita poli ID: M075	- [Compère, Loyset]	Loco Sanctus	C14b Ave virgo gloriosa caeli iubar / ‹Missa› Galeazescha T075 O Maria In supremo sita poli
I-Mfd 3 131v-132r	Adoramus te Christe : Virgo mitis ID: M076	- [Compère, Loyset]	Ad elevationem	C14b Ave virgo gloriosa caeli iubar / ‹Missa› Galeazescha T076 Adoramus te Christe
I-Mfd 3 132v-133r	Salve mater salvatoris ID: M077	- [Compère, Loyset]	Loco Agnus	C14b Ave virgo gloriosa caeli iubar / ‹Missa› Galeazescha T077 Salve mater salvatoris
I-Mfd 3 133v-135r	Virginis Mariae laudes ID: M078	- [Compère, Loyset]	Loco Deo gratias	C14b Ave virgo gloriosa caeli iubar / ‹Missa› Galeazescha T078 Virginis Mariae laudes

Component motets preview

Displaying 1 - 8 of 8

Motet details

In cycle(s):

C14a Ave virgo gloriosa caeli iubar

C14b Ave virgo gloriosa caeli iubar / ‹Missa› Galeazescha

Reference source:

I-Mfd 1, ff. 143v-145r

Mensuration:



 

Pre-existing melodies (Cantus prius facti):

Gasser sees a connection between the 4th phrase of Kyrie IX (Cum Jubilo) and the melody in T1 (text passage "florens ... gratus"):

1--h--k-l---l-k-l--h---g-h-i-j-h---g---g----f---g-i-j--g---h----4

"Kyrie eleison" (GASSER 2001, 319)

Last phrase of verse 4 of the sequence Veni sancte spiritus (Cantus ID ah54153) quoted in T1 (text passage "dans fluenta gratiae"):

1--e---g---h---g---k----j-h----h----4

"sana quod est saucium" (http://manuscrit.ville-laon.fr/_app/visualisation.php?cote=Ms263&vue=192)

Verse 5 of the sequence Veni sancte spiritus (Cantus ID ah54153) quoted in T1 and T2 (text passage "quae regina diceris...mater gratiae"):

1--l---l---g---h---k---j---h---h---i-j----hg----h----g--f---g---f---e---g---h---d-c---f---e-d--d----4

"Da virtutis meritum / da salutis exitum / da perhenne gaudium" (http://manuscrit.ville-laon.fr/_app/visualisation.php?cote=Ms263&vue=192). See MACEY 1996, 169-170.

(A contrafactum of this sequence exists (Veni virgo virginum) which uses the same text as the motet for this melodic phrase: "quae regina diceris / miserere miseris / virgo mater gratiae" http://daten.digitale-sammlungen.de/~db/0003/bsb00034686/images/index.html?id=00034686&groesser=&fip=ewqeayaeayaeneayasdaseneayaeayaw&no=&seite=577)

Number of voices:

Length:

Signature:

Clefs:

c1c4c4c4f4

Final:

Music incipit:

dfedcfge

addef.ca

dfgagfed

...dfgag

dbbadecd

Modern editions:

AMMM 13, 75-78; CMM 15.2; MCE 3.1

Further notes:

Seemingly presented as a two-part motet on two openings in I-Mfd 1 (with “verte cito” and “custodes”).

Text reference:

T071 Ave virgo gloriosa caeli iubar

M071 Ave virgo gloriosa caeli iubar

Compère, Loyset

Motet details

In cycle(s):

C14a Ave virgo gloriosa caeli iubar

C14b Ave virgo gloriosa caeli iubar / ‹Missa› Galeazescha

Reference source:

I-Mfd 1, ff. 145v-147r

Mensuration:



 

Pre-existing melodies (Cantus prius facti):

Verse 2 and verse 3 of the sequence Veni sancte spiritus (Cantus ID ah54153) quoted in T1 and T2 alternatively (passage "Virgo carens simili ... possimus in gloria"):

1--h--k--l--l--kj--k--l---kj--h--kj--g--fe--d--dc----g--f--gh--f--ed--c--d----4

"Consolator optime / dulcis hospes anime / dulce refrigerium." (http://manuscrit.ville-laon.fr/_app/visualisation.php?cote=Ms263&vue=192) See MACEY 1996, 170-171.

1--l--l--kj---k--lk--j--h---f--ed--c--de--f--g--f----g--h--ij--h--g--f--ed---d---4

"O lux beatissima / reple cordis intima / tuorum fidelium" (http://manuscrit.ville-laon.fr/_app/visualisation.php?cote=Ms263&vue=192)

Number of voices:

Length:

Signature:

Clefs:

c1c4c4c4f4

Final:

Music incipit:

ddegfefg

abcdcdbc

dggagfed

...dggag

dgcedade

Modern editions:

AMMM 13, 79-83; CMM 15.2; MCE 3.2

Further notes:

Seemingly presented as a two-part motet on two openings in I-Mfd 1 (with “verte cito” and “custodes”).

Text reference:

T072 Ave salus infirmorum

M072 Ave salus infirmorum

Compère, Loyset

Motet details

In cycle(s):

C14b Ave virgo gloriosa caeli iubar / ‹Missa› Galeazescha

Reference source:

I-Mfd 3, ff. 127v-128r

Mensuration:

 



 



Pre-existing melodies (Cantus prius facti):

This motet possibly quotes pre-existing material, but it can not be linked to any Cantus prius factus with a corresponding text.

Number of voices:

Length:

Signature:

Clefs:

c1c4c4c4f4

Final:

Music incipit:

..acafgf

.acafcdc

..acafag

......ac

acdafffd

Modern editions:

AMMM 13, 84-88; CMM 15.2; MCE 3.3

Further notes:

The shorter cycle C14a, whose three component motets (M071, M072 and M074) are concordant with motets in the present cycle, is attributed to "Loyset" in I-Mfd 1, index (see the record for fuller details). Therefore, the present motet has been unanimously attributed to Compère as part of C14b: see for instance FINSCHER 1964, 92.

Text reference:

T073 Ave decus virginale

M073 Ave decus virginale

[Compère, Loyset]

Motet details

In cycle(s):

C14a Ave virgo gloriosa caeli iubar

C14b Ave virgo gloriosa caeli iubar / ‹Missa› Galeazescha

Reference source:

I-Mfd 3, ff. 128v-130r

Mensuration:









Pre-existing melodies (Cantus prius facti):

According to MACEY 1996, 171-73 and 208:
1st phrase of the hymn Ave maris stella (Cantus ID 008272) quoted in T1 (passage "gaude virgo salutata" ... end of folium):

1--d--h---g---hj---l---k--j--h--g----4

"Ave Maris stella" (http://cantus.simssa.ca/manuscript/133/?folio=135v)

2nd phrase of the hymn Ave maris stella (Cantus ID 008272) quoted in T2 (passage "gaude mater iocundata...puerperio"):

1--h--h--d-e--g--f-e--d----4

"dei mater alma" (http://cantus.simssa.ca/manuscript/133/?folio=135v)

3rd phrase of the hymn Ave maris stella (Cantus ID 008272) quoted in T1 (passage "gaude mundi domina...omnia"):

1--f--e--g--h--h--dd-c----4

"atque semper virgo" (http://cantus.simssa.ca/manuscript/133/?folio=135v)

4th phrase of the hymn Ave maris stella (Cantus ID 008272) quoted in T2 (passage "gaude caeli regina...tollens vitia"):

1--e--g--e--f--e-d-c---d---4

"felix caeli porta" (http://cantus.simssa.ca/manuscript/133/?folio=135v)

1st phrase of the hymn Ave maris stella (Cantus ID 008272) quoted in T1 (passage "o plena praeceteris...divina"):

1--d--h---g---hj---l---k--j--h--g----4

"Ave Maris stella" (http://cantus.simssa.ca/manuscript/133/?folio=135v)

Number of voices:

Length:

Signature:

Clefs:

c1c4c4c4f4

Final:

Music incipit:

.aagfgaa

.aagfgab

..aagfga

....aabc

aagfgafd

Modern editions:

AMMM 13, 89-93; CMM 15.2; MCE 3.4

Further notes:

The version of I-Mfd 1 is shorter than the one in I-Mfd 3 (the section starting with "Gaude virgo fruens delitiis" is missing).
The motet is presented on two openings in the sources, connected by "custodes" and by the rubric "verte cito": in I-Mfd 1 the second opening starts with "Gaude mundi domina", in I-Mfd 3 with "Gaude virgo fruens delitiis".

Text reference:

T074 Ave sponsa verbi summi

M074 Ave sponsa verbi summi

Compère, Loyset

Motet details

In cycle(s):

C14b Ave virgo gloriosa caeli iubar / ‹Missa› Galeazescha

Reference source:

I-Mfd 3, ff. 130v-131r

Mensuration:









Pre-existing melodies (Cantus prius facti):

This motet possibly quotes pre-existing material, but it can not be linked to any Cantus prius factus with a corresponding text.

Number of voices:

Length:

Signature:

Clefs:

c1c4c4c4f4

Final:

Music incipit:

dddcffga

addedcba

dfgaaagf

dfga...a

dbbaddgd

Modern editions:

AMMM 13, 94-97; CMM 15.2; MCE 3.5

Further notes:

Cycle C14a, whose three component motets (M071, M072 and M074) are concordant with motets in C14b, is attributed to "Loyset" in I-Mfd 1, index (see the record for fuller details). The present motet has been unanimously attributed to Compère as part of C14b: see for instance FINSCHER 1964, 92.

At the end of the bass part there is a "verte folium" rubric pointing to the next motet (M076); moreover, the present motet ends with breves, whereas all the other motets in the cycle end with longae: GASSER 2001, 310 therefore considers M075 and M076 as one motet for the Sanctus-ad elevationem-post elevationem complex.

Text reference:

T075 O Maria In supremo sita poli

M075 O Maria in supremo sita poli

[Compère, Loyset]

Motet details

In cycle(s):

C14b Ave virgo gloriosa caeli iubar / ‹Missa› Galeazescha

Reference source:

I-Mfd 3, ff. 131v-132r

Mensuration:





 



Pre-existing melodies (Cantus prius facti):

1st phrase of verse 1 of the sequence Mane prima sabbati (Cantus ID ah54143) quoted in T2 (passage "ave virgo virginum"):

1--d--d--c--d--e--f--g---4

"Mane prima sabbati" (http://daten.digitale-sammlungen.de/~db/0003/bsb00035323/images/index.html?id=00035323&groesser=&fip=93.1.38.235&no=3&seite=504)

2nd phrase of verse 1 of the sequence Mane prima sabbati (Cantus ID ah54143) quoted in T1 (passage "ave lumen luminum"):

1--f--d--f--c--f--e--d--4

"surgens dei filius" (ibid.)

3rd phrase of verse 1 of the sequence Mane prima sabbati (Cantus ID ah54143) quoted in T2 (passage "ave stella praevia"):

1--f--g--h--g--f--e--d--4

"nostra spes et gloria" (ibid.)

1st phrase of verse 2a of the sequence Mane prima sabbati (Cantus ID ah54143) quoted in T1 (passage "castitatis lilium"):

1--h--g--f-e--d--g--g--a---4

"Victo rege sceleris" (ibid.)

2nd phrase of verse 2a of the sequence Mane prima sabbati (Cantus ID ah54143) quoted in T2 (passage "consolatrix omnium"):

1--h--g--fe--de--f--e--c---4

"rediit ab inferis" (ibid.)

3rd phrase of verse 2a of the sequence Mane prima sabbati (Cantus ID ah54143) quoted in T1 (passage "peccatorum venia"):

1--e--f--d--e--c--d--d----4

"cum summa victoria" (ibid.)

Number of voices:

Length:

Signature:

Clefs:

c1c4c4c4f4

Final:

D/D

Music incipit:

fegfgfff

fgddcdda

acbagaaf

acbagaa.

dcgdeddd

Modern editions:

AMMM 13, 98-103; CMM 15.2; MCE 3.6

Further notes:

At the end of the bass part in the previous motet (M075) there is a "verte folium" rubric pointing to the present motet; moreover, M075 ends with breves, whereas all the other motets in the cycle end with longae: GASSER 2001, 310 therefore considers M075 and M076 as one motet for the Sanctus-ad elevationem-post elevationem complex.

Text reference:

T076 Adoramus te Christe

M076 Adoramus te Christe : Virgo mitis

[Compère, Loyset]

Motet details

In cycle(s):

C14b Ave virgo gloriosa caeli iubar / ‹Missa› Galeazescha

Reference source:

I-Mfd 3, ff. 132v-133r

Mensuration:









Pre-existing melodies (Cantus prius facti):

1st phrase of verse 1 of the sequence Salve mater salvatoris (Cantus ID unsure) is loosely quoted in the first phrase of T1:

1---d--h--h--g--h--fed--c--d----4

"Salve mater salvatoris" (MOBERG 1927, No. 10)

last phrase of verse 4 of the sequence Veni sancte spiritus (Cantus ID ah54153) is quoted in T1 (passage "vas caelestis gratiae"):

1--e---g--h--g--k---jh---h-----4

"sana quod est saucium" (http://manuscrit.ville-laon.fr/_app/visualisation.php?cote=Ms263&vue=192)

1st phrase of verse 4 of the sequence Veni sancte spiritus (Cantus ID ah54153) is quoted in T2 (passage "tu nostrum refugium"):

1--k---k---j-h--j--k-j---h---g---4

"Flecte quod est rigidum" (ibid.) See MACEY 1996, 171.

2nd phrase of verse 4 of the sequence Veni sancte spiritus (Cantus ID ah54153) is quoted in T1 (passage "da reis remedium"):

1--h---h---fe--f--gf--e--d---4

"riga quod est aridum" (ibid.)

last phrase of verse 4 of the sequence Veni sancte spiritus (Cantus ID ah54153) is quoted in T2 (passage "procul pelle vitia"):

1--e---g--h--g--k---jh---h-----4

"sana quod est saucium" (ibid.)

Number of voices:

Length:

Signature:

Clefs:

c1c4c4c4f4

Final:

Music incipit:

.dafegfe

dcbadcbc

..daagac

...ccafg

dagfdaed

Modern editions:

AMMM 13, 104-107; CMM 15.2; MCE 3.8

Further notes:

Cycle C14a, whose three component motets (M071, M072 and M074) are concordant with motets in C14b, is attributed to “Loyset” in I-Mfd 1, index (see the record for fuller details). The present motet has been unanimously attributed to Compère as part of C14b: see for instance FINSCHER 1964, 92.

Text reference:

T077 Salve mater salvatoris

M077 Salve mater salvatoris

[Compère, Loyset]

Motet details

In cycle(s):

C14b Ave virgo gloriosa caeli iubar / ‹Missa› Galeazescha

Reference source:

I-Mfd 3, ff. 133v-135r

Mensuration:









Pre-existing melodies (Cantus prius facti):

First half of verse 1 of the sequence Virginis Mariae laudes (Cantus ID 850309) quoted in T1 (opening):

1--dd--c--d--f--g--f--e--d---4

"Virginis Mariae laudes"
(GOEDE 1965, No. 73)

Second half of verse 1 of the sequence Virginis Mariae laudes (Cantus ID 850309) quoted in T2 (opening):

1--h--g--f--g--f--e--d---4

"intonent christiani."
(GOEDE 1965, No. 73)

First part of verse 2a of the sequence Virginis Mariae laudes (Cantus ID 850309) quoted in T1 (second phrase):

1--h--k--l--h--g--h--h---4

"Eva tristis abstulit"
(GOEDE 1965, No. 73)

Second part of verse 2a of the sequence Virginis Mariae laudes (Cantus ID 850309) quoted in T2 (second phrase):

1--h--g--h--g--f--e--d---4

"sed Maria protulit"
(GOEDE 1965, No. 73)

Last part of verse 2a of the sequence Virginis Mariae laudes (Cantus ID 850309) quoted in T1 (third phrase):

1--f--g--d--f--d--c--f--f--e--d----4

"natum, qui redemit peccatores."
(GOEDE 1965, No. 73)

Number of voices:

Length:

Signature:

Clefs:

c1c4c4c4f4

Final:

Music incipit:

dedfgagf

abcbagfe

dcdfgfed

...agfgf

dadgcdab

Modern editions:

CMM 15.2; AMMM 13, 108-112

Further notes:

Text reference:

T078 Virginis Mariae laudes

M078 Virginis Mariae laudes

[Compère, Loyset]

C14b Ave virgo gloriosa caeli iubar / ‹Missa› Galeazescha

Motets in this cycle

Component motets preview

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