C20 Hac in die / Missa sanctae Caterinae v. et m.

Standardised composer: 
Attribution notes: 
"F. G." (I-Mfd 2); "F. Gaforus" (I-Mfd 2)
Cycle rubric: 
"Missa Sanctae Caterinae v. et m." (I-Mfd 2, f. 100v); "Quarti toni" (I-Mfd 2, f. 101v)
Identified as a cycle based on: 
presence of a cycle rubric and of one "loco" rubric
Reference source: 
I-Mfd 2, ff. 100v-110r
Other sources: 
I-Mfd 3, ff. 183v-185r (the two motets, without the Mass movements)
Number of voices: 
4
Signature: 
-
Clefs: 
c1c3c4f3
Final: 
A
Devotional / liturgical association: 
St. Catherine of Alexandria
Description: 

This hybrid cycle consists of two motets and five movements from the Mass ordinary (KGCSA):

  • Hac in die, ff. 100v-101r
  • Kyrie, ff. 101v-102r
  • Et in terra, ff. 102v-105r (I-Mfd 2 does not have a f. 103)
  • Patrem, ff. 105v-107r
  • Sanctus, ff. 107v-108r
  • Agnus Dei, ff. 108v-109r
  • Virgo constans, ff. 109v-110r

All mass movements have the same tonal type as the motets and have "O" (circle) as the initial mensuration. The texts of the motets derive from the same sequence for St. Catherine of Alexandria.

Modern editions: 
AMMM 3
Literature: 
, 330-331
Discography: 
Further notes: 

Hac in die and Virgo constans are copied as one motet in two partes in I-Mfd 3, ff. 183v-185r.

Motets in this cycle

Component motets preview

Displaying 1 - 2 of 2

Motet details

Reference source: 
I-Mfd 2, ff. 100v-101r
Mensuration: 
Pre-existing melodies (Cantus prius facti): 

This motet possibly quotes pre-existing material, but it can not be linked to any Cantus prius factus with a corresponding text.

Number of voices: 
4
Length: 
45
Signature: 
-
Clefs: 
c1c3c4f3
Final: 
A
Music incipit: 
aagabacb
ecdedcba
aabadcbc
agfefgag
Modern editions: 
AMMM 3
Further notes: 

Copied together with M070 as one motet in two partes in I-Mfd 3, ff. 183v-185r (with "verte folium").

Text reference: 

Motet details

Reference source: 
I-Mfd 2, ff. 109v-110r
Mensuration: 
Number of voices: 
4
Length: 
40
Signature: 
-
Clefs: 
c1c3c4f3
Final: 
A
Music incipit: 
..aaaeef
..aabcde
aaaeefga
aabcdecb
Modern editions: 
AMMM 3
Further notes: 

Copied as “secunda pars” of M069 in I-Mfd 3. I-Mfd 2 has the rubric “finis” after the end of the bassus part (f. 110r).

Text reference: