C59 Popule meus quid feci tibi

Standardised composer: 
Attribution notes: 
See further notes
Cycle rubric: 
-
Identified as a cycle based on: 
SCHMIDT 2017, 30-31
Reference source: 
GB-Lcm 1070, ff. 117v-121r
Other sources: 
D-Ngm 83795, No. 75; PL-Kj 40013, ff. 286v-291r; PL-WRu 428, ff. 219v-224r
Number of voices: 
4
Signature: 
-
Clefs: 
c2c4c4f4
Final: 
C/D/C/D/D
Devotional / liturgical association: 
Good Friday
Veneration of the cross
Modern editions: 
URKEVICH 1997, 347-360
Literature: 
, 282-283
, 30-31, 44
Discography: 
Further notes: 

SCHMIDT 2017, 31 underlines that the three concordances of this cycle transmit it following Compère's cycle C44 In nomine Iesu / Officium de cruce, also linked to the Holy Week. According to him, the two cycles are stylistically similar and Compère's authorship of the cycle Popule meus has to be considered seriously.

Component motets preview

Displaying 1 - 5 of 5

Motet details

Reference source: 
GB-Lcm 1070, ff. 117v-118r
Mensuration: 
Number of voices: 
4
Length: 
30
Signature: 
-
Clefs: 
c2c4c4f4
Final: 
C
Music incipit: 
cdefeded
.gabcbab
...cdeef
..cdeedc
Modern editions: 
URKEVICH 1997, 347-348

Motet details

Reference source: 
GB-Lcm 1070, ff. 117v-118r
Mensuration: 
Number of voices: 
4
Length: 
37
Signature: 
-
Clefs: 
c2c4c4f4
Final: 
D
Music incipit: 
.....aag
ccdbabcd
.....aag
..cdeedc
Modern editions: 
URKEVICH 1997, 349-351

Motet details

Reference source: 
GB-Lcm 1070, ff. 118v-119r
Mensuration: 
Number of voices: 
4
Length: 
37
Signature: 
-
Clefs: 
c2c4c4f4
Final: 
C
Music incipit: 
ccccbagb
cccagcbc
.cccfgfa
.fffcdcf
Modern editions: 
URKEVICH 1997, 351-353

Motet details

Reference source: 
GB-Lcm 1070, ff. 119v-120r
Mensuration: 
Number of voices: 
4
Length: 
46
Signature: 
-
Clefs: 
c2c4c4f4
Final: 
D
Music incipit: 
aaagffef
dcafgcbc
.accafgf
dfecdc.d
Modern editions: 
URKEVICH 1997, 353-356

Motet details

Reference source: 
GB-Lcm 1070, ff. 120v-121r
Mensuration: 
Number of voices: 
4
Length: 
63
Signature: 
-
Clefs: 
c2c4c4f4
Final: 
D
Music incipit: 
...ffgg.
.acdd..c
..fgaacc
acdd..dd
Modern editions: 
URKEVICH 1997, 356-360