[Gaffurius, Franchinus (?)]

Displaying 1 - 13 of 13 related items.

Cycle details

Reference source: 
I-Mfd 3, ff. 205v-208r
Cycle rubric: 
-
Identified as a cycle based on: 
GASSER 2001, 331; 475-487
Number of voices: 
4
Signature: 
b
Clefs: 
c1c3c4f4
Final: 
G
Devotional / liturgical association: 
BVM
Modern editions: 
GASSER 2001, 604-617
Further notes: 

C24 and C25 share the same three motets, but in C25 (from I-Mfd [4]) they surround a Mass and the order is M089-M090-M091, whereas C24 (from I-Mfd 3) is a “standalone” cycle, and the order is M090-M089-M091. There is no attribution in either book, nor in ANNALI 1885 (the Imperatrix gloriosa attributed to Gaffurius there at 169 is not M089 but M016). As for the catalogue BERWIN-HIRSCHFELD 1892, 91, it is unclear whether the Mass in included in the attribution to Gaffurius, or M089 only is intended. EITNER 1900-04, IV, 122 indicates, however, that the Mass is indeed a Missa [super] Imperatrix gloriosa; WARD 1986, 497 seems to accept the attribution and extends it to the other two motets, followed by Bonnie J. Blackburn, "Gaffurius, Franchinus," Grove Music Online. Oxford Music Online (Oxford University Press), http://www.oxfordmusiconline.com/subscriber/article/grove/music/10477.

Content (motets): 
M090 M089 M091

Cycle details

Reference source: 
I-Mfd [4], ff. 12v-24r
Cycle rubric: 
-
Identified as a cycle based on: 
WARD 1986, 497; GASSER 2001, 332; 475-487
Number of voices: 
4
Signature: 
b
Clefs: 
<c1c3>c4f4
Final: 
<G>
Devotional / liturgical association: 
BVM
Modern editions: 
GASSER 2001, 604-617 (motets only)
Further notes: 

C24 and C25 share the same three motets, but in C25 (from I-Mfd [4]) they surround a Mass and the order is M089-M090-M091, whereas C24 (from I-Mfd 3) is a “standalone” cycle, and the order is M090-M089-M091. There is no attribution in either book, nor in ANNALI 1885 (the Imperatrix gloriosa attributed to Gaffurius there at 169 is not M089 but M016). As for the catalogue BERWIN-HIRSCHFELD 1892, 91, it is unclear whether the Mass is included in the attribution to Gaffurius, or M089 only is intended. EITNER 1900-04, IV, 122 indicates, however, that the Mass is indeed a Missa [super] Imperatrix gloriosa; WARD 1986, 497 seems to accept the attribution and extends it to the other two motets, followed by Bonnie J. BLACKBURN, "Gaffurius, Franchinus," Grove Music Online. Oxford Music Online (Oxford University Press), http://www.oxfordmusiconline.com/subscriber/article/grove/music/10477.

Content (motets): 
M089 M090 Kyrie Gloria Credo Sanctus Agnus M091

Cycle details

Reference source: 
I-Mfd [4], ff. 26v-38r
Cycle rubric: 
-
Identified as a cycle based on: 
WARD 1986, 497
Number of voices: 
4
Signature: 
-
Clefs: 
<c1>c3c4f3
Final: 
<D>
Devotional / liturgical association: 
BVM
Assumption of the BVM
Modern editions: 
-
Content (motets): 
M092 M093 Kyrie Gloria Credo Sanctus Agnus

Cycle details

Reference source: 
I-Mfd [4], ff. 40v-48r
Cycle rubric: 
-
Identified as a cycle based on: 
WARD 1986, 498; GASSER 2001
Number of voices: 
4
Signature: 
-
Clefs: 
c1c3c3c4
Final: 
C
Devotional / liturgical association: 
BVM
Nativity of the BVM
Modern editions: 
-
Content (motets): 
M094 Kyrie Gloria Credo Sanctus Agnus M095

Motet details

Reference source: 
I-Mfd 1, ff. 102v-103r
Mensuration: 
Number of voices: 
4
Length: 
36
Signature: 
b
Clefs: 
c1c3c3c4
Final: 
G
Music incipit: 
gabacbag
....dfed
.gagcbag
....gbag
Modern editions: 
GASSER 2001, 543-545.
Further notes: 

Although ANNALI 1885 list this motet after the other three motets of cycle C07 among Gaffurius' works, it is excluded from AMMM 05 and it is often considered anonymous in the literature.
GASSER 2001, 384, was the first to include this motet in cycle C07.

Text reference: 

Motet details

Reference source: 
I-Mfd 3, ff. 206v-207r
Mensuration: 
Number of voices: 
4
Length: 
68
Signature: 
b
Clefs: 
c1c3c4f4
Final: 
G
Music incipit: 
...gabgc
..gabgcb
..gabgcb
defdgfgf
Modern editions: 
GASSER 2001, 608-612
Further notes: 

Not a concordance to M016.

Text reference: 

Motet details

Reference source: 
I-Mfd 3, ff. 205v-206r
Mensuration: 
Number of voices: 
4
Length: 
50
Signature: 
b
Clefs: 
c1c3c4f4
Final: 
G
Music incipit: 
..fgafba
..cdecfe
gabgcbcb
gfefdcbc
Modern editions: 
GASSER 2001, 604-607

Motet details

Reference source: 
I-Mfd 3, ff. 207v-208r
Mensuration: 
Number of voices: 
4
Length: 
65
Signature: 
b
Clefs: 
c1c3c4f4
Final: 
G
Music incipit: 
...dcbcd
gfefgfgd
gbagab..
.gfefgfg
Modern editions: 
GASSER 2001, 613-617
Further notes: 

Text concordance in I-Mfd 1

Motet details

Reference source: 
I-Mfd [4], ff. 26v-27r
Mensuration: 
Number of voices: 
4
Signature: 
-
Clefs: 
<c1>c3c4f3
Final: 
[D]
Music incipit: 
-
-
.aaaeded
..fedcde
Modern editions: 
-
Further notes: 

This motet is transmitted as a fragment.

The Mass [La Bassadanza]  (which follows M092 and M093 in I-Mfd [4]) is attributed to Franchino Gaffurio in ANNALI 1885, 168; WARD 1986, 497 extends the attribution to M092 and M093.

Text reference: 

Motet details

Reference source: 
I-Mfd [4], ff. 27v-28r
Mensuration: 
Number of voices: 
4
Signature: 
-
Clefs: 
<c1>c3c4f3
Final: 
[D]
Music incipit: 
-
-
aaefgfed
.eebcdcb
Modern editions: 
-
Further notes: 

This motet is transmitted as a fragment.

The Mass [La Bassadanza]  (which follows M092 and M093 in I-Mfd [4]) is attributed to Franchino Gaffurio in ANNALI 1885, 168; WARD 1986, 497 extends the attribution to M092 and M093.

Text reference: 

Motet details

Reference source: 
I-Mfd [4], ff. 40v-41r
Mensuration: 
Number of voices: 
4
Signature: 
-
Clefs: 
<c1>c3c3c4
Final: 
[C]
Music incipit: 
-
-
..ggafg.
gfefgefd
Modern editions: 
-
Further notes: 

This motet is transmitted as a fragment. The motet Nativitas tua in I-Mfd 1, ff. 154v-155r is a textual but not a musical concordance.

Motet details

Reference source: 
I-Mfd [4], ff. 47v-48r
Mensuration: 
Number of voices: 
4
Signature: 
-
Clefs: 
c1c3c3c4
Final: 
C
Music incipit: 
-
-
ggcbagac
gecefef
Modern editions: 
-
Further notes: 

This motet is transmitted as a fragment.

The Gloriosae virginis Mariae a3 in I-Mfd 1, ff. 65v-66r is a textual but not a musical concordance.

Motet details

Reference source: 
I-Mfd [4], ff. 98v-99r
Mensuration: 
Number of voices: 
5
Length: 
49
Signature: 
b
Clefs: 
c1c3c3c3c5
Final: 
F
Music incipit: 
......ag
...fefga
...cccba
cccba.cb
fefgagag
Modern editions: 
-
Further notes: 

M022 O Iesu dulcissime is not a concordance.

Text reference: