Josquin des Prez

Displaying 1 - 30 of 30 related items.

Cycle details

Reference source: 
MotettiB, No. 2, ff. 2v-7r
Cycle rubric: 
"Officium de passione" (MotettiB, index)
Identified as a cycle based on: 
index; presence of a cycle rubric; consensus in the literature
Number of voices: 
4
Signature: 
b/-
Clefs: 
c2c4c4f4
Final: 
D/A/A/F/D
Devotional / liturgical association: 
Christ, Passion, Holy Cross
Modern editions: 
DRAKE 2002; NJE 22 (No.1)
Further notes: 

See information on this cycle as part of The Josquin Research Project.

Content (motets): 
M152 M153 M154 M155 M156

Cycle details

Reference source: 
MotettiB, No. 3, ff. 7v-14r
Cycle rubric: 
-
Number of voices: 
4
Signature: 
-
Clefs: 
c2c3c4f4
c2c3c4f4
c2c4c4f4/c2c3c4f4
c2c4c4f4
c2c3c4f4
c2c3c4f4
Final: 
E/E/A/E/E/E
Devotional / liturgical association: 
Christ, Passion, Holy Cross
Modern editions: 
DRAKE 2002; NJE 22 (No. 3)
Further notes: 

See information on this cycle as part of The Josquin Research Project.

Content (motets): 
M157 M158 M159 M160 M161 M162

Cycle details

Reference source: 
MotettiLQ, ff. 27r-28v (S), 90v-92r (A), 57v-59r (T), 122v-124r (B)
Cycle rubric: 
-
Identified as a cycle based on: 
(see Further notes)
Number of voices: 
4
Signature: 
b
Clefs: 
c1c3c3f3
c1c3c3f3
c1c3c4f3
c1c3c3f3
c1c2c3f3
g2c2c3f3
c1c3c3f3
Final: 
G
Devotional / liturgical association: 
BVM, Christ
Modern editions: 
NJE 25 (No. 14)
Discography: 

Josquin des Pres: Missa Pange lingua, Vultum tuum, Planxit autem David. Wenstminster Cathedral Choir, James O'Donnell, Hyperion CDA 66614, 1992 (cycle extended and reorganised following Macey's suggestions).

Further notes: 

Compare the shorter cognate cycles C53b Ora pro nobis virgo and C53c Sancta dei genitrix.

MACEY 1989 proposed an extended and partially reordered cycle, including Josquin’s “little” Ave Maria and his Tu lumen, tu splendor patris. Elders discusses the hypothesis in the critical notes to the edition of the work in NJE (CC) 25.

See information on this cycle as part of The Josquin Research Project.

Content (motets): 
M226 M227 M228 M229 M230 M231

Cycle details

Reference source: 
I-Mfd [4], ff. 103v-107r
Cycle rubric: 
-
Identified as a cycle based on: 
WARD 1986, 500-501; GASSER 2001, 332
Number of voices: 
4
Signature: 
b
Clefs: 
g2<c3>c4c5
g2c3c4c5
g2c3c3c5
g2c3c3c4
Final: 
G
Devotional / liturgical association: 
BVM
Modern editions: 
NJE 25 (No. 14)
Further notes: 

See information on this cycle as part of The Josquin Research Project.

Content (motets): 
M231 M228 M229 M230

Cycle details

Reference source: 
D-Usch 237 (a-d), ff. 8v-12r (S), 9r-13r (A), 6r-9r (T), 7v-10r (B)
Cycle rubric: 
-
Number of voices: 
4
Signature: 
b
Clefs: 
c1c3c3f3
M233: g2c2c4c4
Final: 
G, M233: D
Devotional / liturgical association: 
BVM
Modern editions: 
NJE 25 (No. 14)
Further notes: 

See information on this cycle as part of The Josquin Research Project.

Content (motets): 
M227 M228 M229 M230 M231

Cycle details

Reference source: 
GB-Cmc 1760, ff. 7v-15r
Cycle rubric: 
-
Number of voices: 
4
Signature: 
b (SA); bb (TB)
Clefs: 
c1c3c4f4
Final: 
B/D/A/G/G
Devotional / liturgical association: 
Christ
Christmas, Christmastide
Modern editions: 
NJE 21. (No. 7)
Discography: 

I Fiamminghi IV: O admirabile commercium. Brumel, Regis, Mouton, Josquin. Cappella Pratensis - Rebecca Stewart, Ricercar 207572

Further notes: 

M264, M265 and M268 have further concordances in F-PN Cons. Rés. F. 41 (for the foliation, see the records of the individual motets). Because of its particular nature, this source (in which the motets are inserted as handwritten additions between printed masses by Carpentras) is not listed among the Other sources of the present cycle (see http://www.diamm.ac.uk/sources/2375/#/).

See information on this cycle as part of The Josquin Research Project.

Content (motets): 
M264 M265 M266 M267 M268

Motet details

Reference source: 
MotettiB, No. 2, ff. 2v-3r
Mensuration: 
Pre-existing melodies (Cantus prius facti): 

This motet possibly quotes pre-existing material, but it can not be linked to any Cantus prius factus with a corresponding text.

Number of voices: 
4
Length: 
57
Signature: 
-
Clefs: 
c2c4c4f4
Final: 
D
Music incipit: 
dfeeefef
afgggfgf
dacccabc
dcccdcdb
Modern editions: 
NJE 22 (No. 1); DRAKE 1972; SCHERING 1931
Further notes: 

Motet details

Reference source: 
MotettiB, No. 2, ff. 3v-4r
Mensuration: 
Pre-existing melodies (Cantus prius facti): 

This motet possibly quotes pre-existing material, but it can not be linked to any Cantus prius factus with a corresponding text.

Number of voices: 
4
Length: 
63
Signature: 
-
Clefs: 
c2c4c4f4
Final: 
A
Music incipit: 
cdaaaccd
ffffeadc
abfffgfb
fbdddcfb
Modern editions: 
NJE 22 (No. 1); DRAKE 1972; SCHERING 1931
Further notes: 

Motet details

Reference source: 
MotettiB, No. 2, ff. 4v-5r
Mensuration: 
Pre-existing melodies (Cantus prius facti): 

This motet possibly quotes pre-existing material, but it can not be linked to any Cantus prius factus with a corresponding text.

Number of voices: 
4
Length: 
55
Signature: 
-
Clefs: 
c2c4c4f4
Final: 
A
Music incipit: 
feddddee
acffbbcc
fgaddfge
dcabbbgc
Modern editions: 
NJE 22 (No. 1); DRAKE 1972; SCHERING 1931
Further notes: 

Motet details

Reference source: 
MotettiB, No. 2, ff. 5v-6r
Mensuration: 
Number of voices: 
4
Length: 
49
Signature: 
-
Clefs: 
c2c4c4f4
Final: 
F
Music incipit: 
efefegfe
cdcdggge
aaaacbba
aadcgga
Modern editions: 
NJE 22 (No. 1); DRAKE 1972; SCHERING 1931
Further notes: 

Motet details

Reference source: 
MotettiB, No. 2, ff. 6v-7r
Mensuration: 
Number of voices: 
4
Length: 
114
Signature: 
-
Clefs: 
c2c4c4f4
Final: 
D
Music incipit: 
agfgafef
cdbaaggf
ffcdbca
fdedefdc
Modern editions: 
NJE 22 (No. 1); DRAKE 1972; SCHERING 1931
Further notes: 

Motet details

Reference source: 
MotettiB, No. 3, ff. 7v-8r
Mensuration: 
Pre-existing melodies (Cantus prius facti): 

This motet possibly quotes pre-existing material, but it can not be linked to any Cantus prius factus with a corresponding text.

Number of voices: 
4
Length: 
76
Signature: 
-
Clefs: 
c2c3c4f4
Final: 
E
Music incipit: 
....eegg
aacceefe
...aaccc
.aaccdcd
Modern editions: 
NJE 22 (No. 3)
Further notes: 

Motet details

Reference source: 
MotettiB, No. 3, ff. 8v-9r
Mensuration: 
Pre-existing melodies (Cantus prius facti): 

This motet possibly quotes pre-existing material, but it can not be linked to any Cantus prius factus with a corresponding text.

Number of voices: 
4
Length: 
70
Signature: 
-
Clefs: 
c2c3c4f4
Final: 
E
Music incipit: 
....accd
..accddd
..eggaaa
accddddc
Modern editions: 
NJE 22 (No. 3)
Further notes: 

Motet details

Reference source: 
MotettiB, No. 3, ff. 9v-10r
Mensuration: 
Pre-existing melodies (Cantus prius facti): 

The incipit of the hymn Jesu corona virginum (Cantus ID 008330) displays strong similarities with the T opening at "Honor et benedictio...":

1--a---cd---dc--d---f---fe--dc---dff---c--d--dg--fe--d--fe--dc--c-4

"Jesu corona virginum / quem mater illa concipit" (http://cantus.uwaterloo.ca/chant/497580)

Number of voices: 
4
Length: 
28
Signature: 
-
Clefs: 
c2c3c4f4
Final: 
E / A
Music incipit: 
aaaffggg
eecaaddd
accddcag
aafddgge
Modern editions: 
NJE 22 (No. 3)
Further notes: 

Extract from M159 as Sanctus de Passione in Petrucci’s Fragmenta missarum (RISM 1505/1), No. 23.

See also The Josquin Research Project.

Motet details

Reference source: 
MotettiB, No. 3, ff. 10v-11r
Mensuration: 
Pre-existing melodies (Cantus prius facti): 

The hymn Crux fidelis inter omnes (Cantus ID g00959) displays strong similarities with the melodic lines of T and C:

1--d---e--gh--hg--h--k--kj---hg---j--k--lm---hg---k--jh--h---4

"Crux fidelis inter omnes / arbor una nobilis

1--h--hkj---g---ge--f--dc--de--efe---d---dh---hg---ed--f--ed---d--4

nulla tamen silva profert / fronde flore germine." (GT 182)

Number of voices: 
4
Length: 
70
Signature: 
-
Clefs: 
c2c3c4f4
Final: 
E
Music incipit: 
..egaag.
...eefed
egaag..g
.eefedcb
Modern editions: 
NJE 22 (No. 3); DRAKE 1972
Further notes: 
Text reference: 

Motet details

Reference source: 
MotettiB, No. 3, ff. 11v-12r
Mensuration: 
Pre-existing melodies (Cantus prius facti): 

This motet possibly quotes pre-existing material, but it can not be linked to any Cantus prius factus with a corresponding text.

Number of voices: 
4
Length: 
69
Signature: 
-
Clefs: 
c2c3c4f4
Final: 
E
Music incipit: 
aaaccccg
..eeeggg
.aaacccc
.aaacccc
Modern editions: 
NJE 22 (No. 3)
Further notes: 
Text reference: 

Motet details

Reference source: 
MotettiB, No. 3, ff. 12v-14r
Mensuration: 
 
Pre-existing melodies (Cantus prius facti): 

This motet possibly quotes pre-existing material, but it can not be linked to any Cantus prius factus with a corresponding text.

Number of voices: 
4
Length: 
128
Signature: 
-
Clefs: 
c2c3c4f4
Final: 
A / E
Music incipit: 
dfged..d
ddecd..d
..dfged.
..ddecd.
Modern editions: 
NJE 22 (No. 3)
Further notes: 

Additional concordances in mss. that do not transmit motet cycles: RISM 1514/1, No. 25, RISM 1526/2, No. 25; CZ-HKm MS II A 6 (“Franus Cantionale”), ff. 353v-354v; CZ-HKm MS II A 7 (“Codex Speciálník”), pp. 296-299; I-Pc MS A.17, No. 22, ff. 36v-37r.

See also The Josquin Research Project.

Text reference: 

Motet details

In cycle(s): 
Reference source: 
MotettiLQ, ff. 27r (S), 90v (A), 57v (T), 122v (B)
Mensuration: 
 
Pre-existing melodies (Cantus prius facti): 

Incipit of the introit Vultum tuum deprecabuntur (Cantus ID g01390), S opening:

1--d--c-d-c-a--c-d-c--d--f-c--d--f-e--f-e--d---4
"Vultum tuum deprecabuntur"
(http://www.e-codices.unifr.ch/en/bcj/0018/282)

Number of voices: 
4
Length: 
66
Signature: 
b
Clefs: 
c1c3c3f3
Final: 
G
Music incipit: 
gfgfdefg
dgabcdde
gbadcdfe
gdedbbag
Modern editions: 
NJE 25 (No. 14)
Further notes: 

Concordances in mss. that do not transmit motet cycles: I-Pc MS A.17, No. 122, ff. 180v-181r.

See also The Josquin Research Project.

Text reference: 

Motet details

Reference source: 
MotettiLQ, ff. 27v (S), 90v (A), 57v (T), 123r (B)
Mensuration: 

Pre-existing melodies (Cantus prius facti): 

This motet possibly quotes pre-existing material, but it can not be linked to any Cantus prius factus with a corresponding text.

Number of voices: 
4
Length: 
55
Signature: 
b
Clefs: 
c1c3c3f3
Final: 
G
Music incipit: 
bbbaccd.
gggafedg
..bbbacc
..gggafe
Modern editions: 
NJE 25 (No. 14)
Further notes: 

Additional concordances in mss. that do not transmit motet cycles: I-Pc MS A.17, No. 122, ff. 180v-181r.

See also The Josquin Research Project.

Text reference: 

Motet details

Reference source: 
MotettiLQ, ff. 27v (S), 91r (A), 58r (T), 123r (B)
Mensuration: 

Pre-existing melodies (Cantus prius facti): 

The antiphon Intemerata virgo (Cantus ID 003360) displays strong similarities with the melodic lines of C and T (passage from "quae redemptorem ... permansisti"):

1--d--e--f--g--g--gedf---e--d--e--f--g--g--g--g--f--h--h--g--g-4

"Intemerata virgo quae redemptorem Israel peperisti"

1--g--d--e--f--gf--efg--gf--de--e--e--g--g--g--fe--d--f---g--h--g--e--gg--e-4

"et post partum virgo permansisti dei genetrix intercede pro nobis" (http://cantusindex.org/id/003360)

Number of voices: 
4
Length: 
97
Signature: 
b
Clefs: 
c1c3c4f3
Final: 
G
Music incipit: 
.dddcdba
gggfgedd
....dddc
...gggfg
Modern editions: 
NJE 25 (No. 14)
Further notes: 

Additional concordances in mss. that do not transmit motet cycles: E-SE, Ms. s.s. (“Segovia Codex; Cancionero musical de Segovia; Cancionero del Alcázar”), No. 18, ff. 85v-87r; F-CA MS 125-128, No. 93, ff. 86v-87r; E-Bbc M 454 (“Cancionero musical de Barcelona”), No. 59, ff. 128v-129r; I-Pc MS A.17, No. 2, ff. 4v-5r.

See also The Josquin Research Project.

Text reference: 

Motet details

Reference source: 
MotettiLQ, ff. 28r (S), 91r-91v (A), 58v (T), 123v (B)
Mensuration: 
Pre-existing melodies (Cantus prius facti): 

This motet possibly quotes pre-existing material, but it can not be linked to any Cantus prius factus with a corresponding text.

Number of voices: 
4
Length: 
77
Signature: 
b
Clefs: 
c1c3c3f3
Final: 
G
Music incipit: 
.dcdd..d
gfgg..dd
.defd..d
gabg..gg
Modern editions: 
NJE 25 (No. 14)
Further notes: 

Additional concordances in mss. that do not transmit motet cycles: E-Bbc M 454 (“Cancionero musical de Barcelona”), No. 59, ff. 129v-130r; E-SE Ms. s.s. (“Segovia Codex; Cancionero musical de Segovia; Cancionero del Alcázar”), ff. 86v-87r; F-CA MS 125-128, ff. 86v-87r.

See also The Josquin Research Project.

Text reference: 

Motet details

Reference source: 
MotettiLQ, ff. 28r-28v (S), 90v (A), 58v (T), 123v-124r (B)
Mensuration: 

Pre-existing melodies (Cantus prius facti): 

A typical melodic formula commonly used for litanies is quoted in C (call) and T (response) in the passage "Sancta Maria ... intercede pro nobis"

1--k--k--k--l--j-----j--h--j--k--k---4
"Sancta Maria, ora pro nobis." (LU 836)

This motet possibly quotes further pre-existing material, but it can not be linked to any Cantus prius factus with a corresponding text.

Number of voices: 
4
Length: 
100
Signature: 
b
Clefs: 
c1c2c3f3
Final: 
G
Music incipit: 
..ddcdde
ggfggaba
...ddcdd
.ggfggab
Modern editions: 
NJE 25 (No. 14)
Further notes: 

Additional concordances in mss. that do not transmit motet cycles: RISM 1539/2, No. 11; RISM 1559/2, No. 11; CH-SGs MS 463 (“Tschudi Liederbuch”); D-B MS Mus. 40021, No. 106, ff. 217v-218r; D-Mbs Mus. MS 19, No. 7, ff. 58v-63r; D-Rp C 120 (“Pernner Codex"), No. 44, ff. 85-86 (untexted); I-Rvat MS Capp. Sist. 26, No. 14, ff. 136v-138r; PL-Wu 2016, ff. 92v-93r; I-Pc MS A.17, No. 102, ff. 154v-155r.

This motet is the basis of Févin’s parody mass.

See also The Josquin Research Project.

Text reference: 

Motet details

Reference source: 
MotettiLQ, ff. 28v (S), 92r (A), 59r (T), 124r (B)
Mensuration: 

Pre-existing melodies (Cantus prius facti): 

This motet possibly quotes pre-existing material, but it can not be linked to any Cantus prius factus with a corresponding text.

Number of voices: 
4
Length: 
93
Signature: 
b
Clefs: 
g2c2c3f3
Final: 
G
Music incipit: 
.......g
......gf
.gffba.d
gffbadef
Modern editions: 
NJE 25 (No. 14)
Further notes: 
Text reference: 

Motet details

In cycle(s): 
Reference source: 
MotettiLQ, ff. 28v (S), 92r (A), 59r (T), 124r (B)
Mensuration: 
Pre-existing melodies (Cantus prius facti): 

This motet displays a structure similar to an Agnus Dei. The incipit of the following Agnus Dei displays similarities to the three passages of "Christe fili dei" in the C:

1--d--f--dce--e--4

"Agnus Dei" (GT 762)

The A is identical to the superius of the anonymous rondeau J'ay pris amour:

1--h--k--k--j---e----g--h--j--k--j--g--h--g---j--k---4
1---j--k--l--m--l--j--k--h--j--h--f--g--h--4
1---h---k--j--g--h--g--k--j--k--4
1---k--j--g--h--g--e--h--g--h--j--g---4
1---g--h--g--f--e--e--d--e---4
1---j--j--j--k--j--h--g--h--j--g--f--f--e--g---4
1---e--f--g--h--e--4
1--g--h--g--k--j--h--g--k--j--m--l--j--k--h---g--h-----4

"J’ay prins amours a ma devise / pour conquerir joyeuseté /heureux seray en cest’ esté /se puis venir a mon emprinse."
Paris, Bibliotheque Nationale, Département de la Musique, Ms. Rés. Vmc. 57 ("Nivelle de la Chaussée Chansonnier"), f. 71v.

Number of voices: 
4
Length: 
83
Signature: 
b
Clefs: 
c1c3c3f3
Final: 
G / D / G
Music incipit: 
ggbafgab
...dffea
.ggbafga
....gfde
Modern editions: 
NJE 25 (No. 14)
Further notes: 

Concordances in mss. that do not transmit motet cycles: I-Pc MS A.17, No. 120, ff. 178v-179r.

See also The Josquin Research Project.

Text reference: 

Motet details

Reference source: 
D-Usch 237 (a-d), ff. 9r-9v (S), 9v-10r (A), 6r-6v (T), 7v-8r (B)
Mensuration: 
Pre-existing melodies (Cantus prius facti): 

This motet possibly quotes pre-existing material, but it can not be linked to any Cantus prius factus with a corresponding text.

Number of voices: 
4
Length: 
108
Signature: 
-
Clefs: 
g2c2c4c4
Final: 
D
Music incipit: 
dddfgaba
.dddfgab
........
........
Modern editions: 
NJE 24 (No. 2)
Further notes: 

Motet details

Reference source: 
GB-Cmc 1760, ff. 7v-9r
Mensuration: 
Pre-existing melodies (Cantus prius facti): 

The first half of the antiphon O admirabile commercium (Cantus ID 003985) is quoted in the T (passage: "O admirabile ... et procedens homo") and partially in the C (incipit):

1--efd-dc--f--f--fg--g--g--gf--gh---gf--f--f--gh--f--g--f--g--gh--f--f--4

"O admirabile commercium creator generis humani"

1--f--f--fhijh--g--j--h--g--f--f--g--f--f--4

"animatum corpus sumens de virgine"

1--g--f--f--fhij--h--g--g--g--gh--g--fg--f--4

"nasci dignatus est et procedens homo" (http://cantusindex.org/id/003985)

The next part of the antiphon O admirabile commercium (Cantus ID 003985) is quoted in the C (passage "sine semine")

1--fe--df--fg--fe--dc---4

"sine semine" (http://cantusindex.org/id/003985)

The last part of the antiphon O admirabile commercium (Cantus ID 003985) is quoted in the T (passage "largitus est" ... end)

1--cd--f--f--f--gh--g--h--hk--hg--h--f--f---4

"largitus est nobis suam deitatem" (http://cantusindex.org/id/003985)

Number of voices: 
4
Discography: 

I Fiamminghi IV: O admirabile commercium. Brumel, Regis, Mouton, Josquin. Cappella Pratensis - Rebecca Stewart, Ricercar 207572

Length: 
103
Signature: 
b (bb in contra + bass)
Clefs: 
c1c3c4f4
Final: 
B
Music incipit: 
abgg.gag
.decc.cd
........
........
Modern editions: 
NJE 21 (No. 7)
Further notes: 

Clefs vary in the sources.

See also The Josquin Research Project.

Motet details

Reference source: 
GB-Cmc 1760, ff. 9v-11r
Mensuration: 
Pre-existing melodies (Cantus prius facti): 

The beginning of the antiphon Quando natus est (Cantus ID 004441) is quoted in C and T (opening)

1--e--eed--g--hk--k--k--j--h--gh--j--h----4

"Quando natus est ineffabiliter" (http://cantusindex.org/id/004441)

A next part of the antiphon Quando natus est (Cantus ID 004441) is quoted in the T (passage "tunc ... scripturae"):

1--g--h--j--k--hgh---ghg--e--e----4

"tunc impletae sunt scripturae" (ibid.)

The next part of the antiphon Quando natus est (Cantus ID 004441) is quoted in the T (passage "sicut pluvia (2nd time) ... descendisti"):

1--g--h--k--j--klk--j--kj--h--h--g--k--h---4

"sicut pluvia in vellus descendisti" (ibid.)

The next part of the antiphon Quando natus est (Cantus ID 004441) is quoted in the T (passage "ut salvum ... humanum"):

1--k--k--k--k--jh--g--hgf--g--ghg--e--e--4

"ut salvum faceres genus humanum" (ibid.)

The last part of the antiphon Quando natus est (Cantus ID 004441) is loosely quoted in the T (passage "te laudamus ... noster"):

1--hjh--g--gf--ef---g--gf--e--e--4

"te laudamus deus noster" (ibid.)

Number of voices: 
4
Length: 
90
Signature: 
b (bb in contra + bass)
Clefs: 
c1c3c4f4
Final: 
D
Music incipit: 
ddc.fgab
.aag.cde
.....aag
....aagc
Modern editions: 
NJE 21 (No. 7)
Further notes: 
Text reference: 

Motet details

Reference source: 
GB-Cmc 1760, ff. 11v-12r
Mensuration: 
Pre-existing melodies (Cantus prius facti): 

The incipit of the antiphon Rubum quem viderat Moyses (Cantus ID 004669) quoted in the opening of all voices, most precisely in the C:

1--d-e--f--g--g--g--g--fedef--f--f---4

"Rubum quem viderat Moyses" (http://cantusindex.org/id/004669)

The next part of the antiphon Rubum quem viderat Moyses (Cantus ID 004669) quoted in C and T successively in the next phrase:

1--e--f--g--g--g--g--g--f--gh--h--gh--e--4

"incombustum conservatam agnovimus" (ibid.)

The next part of the antiphon Rubum quem viderat Moyses (Cantus ID 004669) quoted in C and T successively in the next phrase:

1--dh--h--hg--hj--hg--g--f--g--hg--e--e---4

"tuam laudabilem virginitatem" (ibid.)

The next part of the antiphon Rubum quem viderat Moyses (Cantus ID 004669) quoted in T and C successively in the next phrase:

1--h--gf--g--fe--d--4

"dei genetrix" (ibid.)

The next part of the antiphon Rubum quem viderat Moyses (Cantus ID 004669) loosely quoted in T and C in the last phrase:

1--e--f--h--g--f--g--e--4

"intercede pro nobis" (ibid.)

Number of voices: 
4
Length: 
63
Signature: 
b (bb in contra + bass)
Clefs: 
c1c3c4f4
Final: 
A
Music incipit: 
...gabcc
....cdef
..gabccc
defgggef
Modern editions: 
NJE 21 (No. 7)
Further notes: 

Motet details

Reference source: 
GB-Cmc 1760, ff. 12v-13r
Mensuration: 
Pre-existing melodies (Cantus prius facti): 

The incipit of the antiphon Germinavit radix Jesse (Cantus ID 002941) quoted in all voices, most precisely in the C and T:

1--d--ef--g--g--f--e--cd--defdd--4

"Germinavit radix Jesse" (http://cantusindex.org/id/002941)

The next part of the antiphon Germinavit radix Jesse (Cantus ID 002941) quoted in C and T (passage "orta ... Jacob"):

1--dc--f--g--h--f--gh--g--f--4

"orta est stella ex Jacob" (ibid.)

The next part of the antiphon Germinavit radix Jesse (Cantus ID 002941) more loosely quoted in C and T (passage: "virgo ... salvatorem"):

1--f--g--h--g--f--gf--f--fg-fed--d--4

"virgo peperit salvatorem" (ibid.)

The last part of the antiphon Germinavit radix Jesse (Cantus ID 002941) verly loosely quoted in C and T (passage "te laudamus"... end):

1--hk---g--ge--de--g--ghggf--e---e--4

"te laudamus deus noster." (ibid.)

Number of voices: 
4
Length: 
66
Signature: 
b (bb in contra + bass)
Clefs: 
c1c3c4f4
Final: 
G
Music incipit: 
.....gab
....defg
.gabcabc
defgegaf
Modern editions: 
NJE 21 (No. 7)
Further notes: 

Motet details

Reference source: 
GB-Cmc 1760, ff. 13v-15r
Mensuration: 
Pre-existing melodies (Cantus prius facti): 

This motet possibly quotes pre-existing material, but it can not be linked to any Cantus prius factus with a corresponding text.

Number of voices: 
4
Length: 
72
Signature: 
b (bb in contra + bass)
Clefs: 
c1c3c4f4
Final: 
G
Music incipit: 
.dccddcb
gfggfef
....dccd
......gf
Modern editions: 
NJE 21 (No. 7)
Further notes: 
Text reference: