Motet Cycles Database

Cycle details

Reference source:

MotettiB, No. 3, ff. 7v-14r

Cycle rubric:

Number of voices:

Signature:

Clefs:

c2c3c4f4

c2c4c4f4/c2c3c4f4

c2c4c4f4

c2c3c4f4

Final:

E/E/A/E/E/E

Devotional / liturgical association:

Christ, Passion, Holy Cross

Modern editions:

DRAKE 2002; NJE 22 (No. 3)

Further notes:

See information on this cycle as part of The Josquin Research Project.

Content (motets):

M157 M158 M159 M160 M161 M162

C42 Qui velatus facie fuisti

Cycle details

Reference source:

MotettiLQ, ff. 27r-28v (S), 90v-92r (A), 57v-59r (T), 122v-124r (B)

Cycle rubric:

Identified as a cycle based on:

(see Further notes)

Number of voices:

Signature:

Clefs:

c1c3c3f3

c1c3c4f3

c1c3c3f3

c1c2c3f3

g2c2c3f3

c1c3c3f3

Final:

Devotional / liturgical association:

BVM, Christ

Modern editions:

NJE 25 (No. 14)

Discography:

Josquin des Pres: Missa Pange lingua, Vultum tuum, Planxit autem David. Wenstminster Cathedral Choir, James O'Donnell, Hyperion CDA 66614, 1992 (cycle extended and reorganised following Macey's suggestions).

Further notes:

Compare the shorter cognate cycles C53b Ora pro nobis virgo and C53c Sancta dei genitrix.

MACEY 1989 proposed an extended and partially reordered cycle, including Josquin’s “little” Ave Maria and his Tu lumen, tu splendor patris. Elders discusses the hypothesis in the critical notes to the edition of the work in NJE (CC) 25.

See information on this cycle as part of The Josquin Research Project.

Content (motets):

M226 M227 M228 M229 M230 M231

C53a Vultum tuum

Cycle details

Reference source:

I-Mfd [4], ff. 103v-107r

Cycle rubric:

Identified as a cycle based on:

WARD 1986, 500-501; GASSER 2001, 332

Number of voices:

Signature:

Clefs:

g2<c3>c4c5

g2c3c4c5

g2c3c3c5

g2c3c3c4

Final:

Devotional / liturgical association:

BVM

Modern editions:

NJE 25 (No. 14)

Further notes:

See information on this cycle as part of The Josquin Research Project.

Content (motets):

M231 M228 M229 M230

C53b Ora pro nobis virgo

Cycle details

Reference source:

D-Usch 237 (a-d), ff. 8v-12r (S), 9r-13r (A), 6r-9r (T), 7v-10r (B)

Cycle rubric:

Number of voices:

Signature:

Clefs:

c1c3c3f3

M233: g2c2c4c4

Final:

G, M233: D

Devotional / liturgical association:

BVM

Modern editions:

NJE 25 (No. 14)

Further notes:

See information on this cycle as part of The Josquin Research Project.

Content (motets):

M227 M228 M229 M230 M231

C53c Sancta dei genitrix

Cycle details

Reference source:

GB-Cmc 1760, ff. 7v-15r

Cycle rubric:

Number of voices:

Signature:

b (SA); bb (TB)

Clefs:

c1c3c4f4

Final:

B/D/A/G/G

Devotional / liturgical association:

Christ

Christmas, Christmastide

Modern editions:

NJE 21. (No. 7)

Discography:

I Fiamminghi IV: O admirabile commercium. Brumel, Regis, Mouton, Josquin. Cappella Pratensis - Rebecca Stewart, Ricercar 207572

Further notes:

M264, M265 and M268 have further concordances in F-PN Cons. Rés. F. 41 (for the foliation, see the records of the individual motets). Because of its particular nature, this source (in which the motets are inserted as handwritten additions between printed masses by Carpentras) is not listed among the Other sources of the present cycle (see http://www.diamm.ac.uk/sources/2375/#/).

See information on this cycle as part of The Josquin Research Project.

Content (motets):

M264 M265 M266 M267 M268

C58 O admirabile commercium

Motet details

In cycle(s):

Reference source:

MotettiB, No. 2, ff. 2v-3r

Mensuration:



Pre-existing melodies (Cantus prius facti):

This motet possibly quotes pre-existing material, but it can not be linked to any Cantus prius factus with a corresponding text.

Number of voices:

Length:

Signature:

Clefs:

c2c4c4f4

Final:

Music incipit:

dfeeefef

afgggfgf

dacccabc

dcccdcdb

Modern editions:

NJE 22 (No. 1); DRAKE 1972; SCHERING 1931

Further notes:

T152a O domine Iesu Christe adoro te in cruce pendentem

Text reference:

M152 O domine Iesu Christe adoro te in cruce pendentem

Motet details

In cycle(s):

Reference source:

MotettiB, No. 2, ff. 3v-4r

Mensuration:



Pre-existing melodies (Cantus prius facti):

This motet possibly quotes pre-existing material, but it can not be linked to any Cantus prius factus with a corresponding text.

Number of voices:

Length:

Signature:

Clefs:

c2c4c4f4

Final:

Music incipit:

cdaaaccd

ffffeadc

abfffgfb

fbdddcfb

Modern editions:

NJE 22 (No. 1); DRAKE 1972; SCHERING 1931

Further notes:

T153a O domine Iesu Christe adoro te in cruce vulneratum

Text reference:

M153 O domine Iesu Christe adoro te in cruce vulneratum

Motet details

In cycle(s):

Reference source:

MotettiB, No. 2, ff. 4v-5r

Mensuration:



Pre-existing melodies (Cantus prius facti):

This motet possibly quotes pre-existing material, but it can not be linked to any Cantus prius factus with a corresponding text.

Number of voices:

Length:

Signature:

Clefs:

c2c4c4f4

Final:

Music incipit:

feddddee

acffbbcc

fgaddfge

dcabbbgc

Modern editions:

NJE 22 (No. 1); DRAKE 1972; SCHERING 1931

Further notes:

T154 O domine Iesu Christe adoro te in sepulcro positum

Text reference:

M154 O domine Iesu Christe adoro te in sepulcro positum

Motet details

In cycle(s):

Reference source:

MotettiB, No. 2, ff. 5v-6r

Mensuration:



Number of voices:

Length:

Signature:

Clefs:

c2c4c4f4

Final:

Music incipit:

efefegfe

cdcdggge

aaaacbba

aadcgga

Modern editions:

NJE 22 (No. 1); DRAKE 1972; SCHERING 1931

Further notes:

T155 O domine Iesu Christe pastor bone iustos conserva

Text reference:

M155 O domine Iesu Christe pastor bone iustos conserva

Motet details

In cycle(s):

Reference source:

MotettiB, No. 2, ff. 6v-7r

Mensuration:



Number of voices:

Length:

114

Signature:

Clefs:

c2c4c4f4

Final:

Music incipit:

agfgafef

cdbaaggf

ffcdbca

fdedefdc

Modern editions:

NJE 22 (No. 1); DRAKE 1972; SCHERING 1931

Further notes:

T156a O domine Iesu Christe propter illam amaritudinem

Text reference:

M156 O domine Iesu Christe propter illam amaritudinem

Motet details

In cycle(s):

Reference source:

MotettiB, No. 3, ff. 7v-8r

Mensuration:



Pre-existing melodies (Cantus prius facti):

This motet possibly quotes pre-existing material, but it can not be linked to any Cantus prius factus with a corresponding text.

Number of voices:

Length:

Signature:

Clefs:

c2c3c4f4

Final:

Music incipit:

....eegg

aacceefe

...aaccc

.aaccdcd

Modern editions:

NJE 22 (No. 3)

Further notes:

T157 Qui velatus facie fuisti

Text reference:

M157 Qui velatus facie fuisti

Motet details

In cycle(s):

Reference source:

MotettiB, No. 3, ff. 8v-9r

Mensuration:



Pre-existing melodies (Cantus prius facti):

This motet possibly quotes pre-existing material, but it can not be linked to any Cantus prius factus with a corresponding text.

Number of voices:

Length:

Signature:

Clefs:

c2c3c4f4

Final:

Music incipit:

....accd

..accddd

..eggaaa

accddddc

Modern editions:

NJE 22 (No. 3)

Further notes:

T158 Hora qui ductus tertia

Text reference:

M158 Hora qui ductus tertia

Motet details

In cycle(s):

Reference source:

MotettiB, No. 3, ff. 9v-10r

Mensuration:



Pre-existing melodies (Cantus prius facti):

The incipit of the hymn Jesu corona virginum (Cantus ID 008330) displays strong similarities with the T opening at "Honor et benedictio...":

1--a---cd---dc--d---f---fe--dc---dff---c--d--dg--fe--d--fe--dc--c-4

"Jesu corona virginum / quem mater illa concipit" (http://cantus.uwaterloo.ca/chant/497580)

Number of voices:

Length:

Signature:

Clefs:

c2c3c4f4

Final:

E / A

Music incipit:

aaaffggg

eecaaddd

accddcag

aafddgge

Modern editions:

NJE 22 (No. 3)

Further notes:

Extract from M159 as Sanctus de Passione in Petrucci’s Fragmenta missarum (RISM 1505/1), No. 23.

T159 In flagellis potum fellis

Text reference:

M159 In flagellis potum fellis : Honor et benedictio

Motet details

In cycle(s):

Reference source:

MotettiB, No. 3, ff. 10v-11r

Mensuration:



Pre-existing melodies (Cantus prius facti):

The hymn Crux fidelis inter omnes (Cantus ID g00959) displays strong similarities with the melodic lines of T and C:

1--d---e--gh--hg--h--k--kj---hg---j--k--lm---hg---k--jh--h---4

"Crux fidelis inter omnes / arbor una nobilis

1--h--hkj---g---ge--f--dc--de--efe---d---dh---hg---ed--f--ed---d--4

nulla tamen silva profert / fronde flore germine." (GT 182)

Number of voices:

Length:

Signature:

Clefs:

c2c3c4f4

Final:

Music incipit:

..egaag.

...eefed

egaag..g

.eefedcb

Modern editions:

NJE 22 (No. 3); DRAKE 1972

Further notes:

Text reference:

T160 In amara crucis ara

M160 In amara crucis ara

Motet details

In cycle(s):

Reference source:

MotettiB, No. 3, ff. 11v-12r

Mensuration:



Pre-existing melodies (Cantus prius facti):

This motet possibly quotes pre-existing material, but it can not be linked to any Cantus prius factus with a corresponding text.

Number of voices:

Length:

Signature:

Clefs:

c2c3c4f4

Final:

Music incipit:

aaaccccg

..eeeggg

.aaacccc

Modern editions:

NJE 22 (No. 3)

Further notes:

T161 Qui iacuisti mortuus

Text reference:

M161 Qui iacuisti mortuus

Motet details

In cycle(s):

Reference source:

MotettiB, No. 3, ff. 12v-14r

Mensuration:



 

Pre-existing melodies (Cantus prius facti):

This motet possibly quotes pre-existing material, but it can not be linked to any Cantus prius factus with a corresponding text.

Number of voices:

Length:

128

Signature:

Clefs:

c2c3c4f4

Final:

A / E

Music incipit:

dfged..d

ddecd..d

..dfged.

..ddecd.

Modern editions:

NJE 22 (No. 3)

Further notes:

Additional concordances in mss. that do not transmit motet cycles: RISM 1514/1, No. 25, RISM 1526/2, No. 25; CZ-HKm MS II A 6 (“Franus Cantionale”), ff. 353v-354v; CZ-HKm MS II A 7 (“Codex Speciálník”), pp. 296-299; I-Pc MS A.17, No. 22, ff. 36v-37r.

Text reference:

T162 Christum ducem

M162 Christum ducem : Nostrum tangat

Motet details

In cycle(s):

Reference source:

MotettiLQ, ff. 27r (S), 90v (A), 57v (T), 122v (B)

Mensuration:



 

Pre-existing melodies (Cantus prius facti):

Incipit of the introit Vultum tuum deprecabuntur (Cantus ID g01390), S opening:

1--d--c-d-c-a--c-d-c--d--f-c--d--f-e--f-e--d---4
"Vultum tuum deprecabuntur"
(http://www.e-codices.unifr.ch/en/bcj/0018/282)

Number of voices:

Length:

Signature:

Clefs:

c1c3c3f3

Final:

Music incipit:

gfgfdefg

dgabcdde

gbadcdfe

gdedbbag

Modern editions:

NJE 25 (No. 14)

Further notes:

Concordances in mss. that do not transmit motet cycles: I-Pc MS A.17, No. 122, ff. 180v-181r.

Text reference:

T226 Vultum tuum

M226 Vultum tuum

Motet details

In cycle(s):

Reference source:

MotettiLQ, ff. 27v (S), 90v (A), 57v (T), 123r (B)

Mensuration:





Pre-existing melodies (Cantus prius facti):

This motet possibly quotes pre-existing material, but it can not be linked to any Cantus prius factus with a corresponding text.

Number of voices:

Length:

Signature:

Clefs:

c1c3c3f3

Final:

Music incipit:

bbbaccd.

gggafedg

..bbbacc

..gggafe

Modern editions:

NJE 25 (No. 14)

Further notes:

Additional concordances in mss. that do not transmit motet cycles: I-Pc MS A.17, No. 122, ff. 180v-181r.

Text reference:

T227 Sancta dei genitrix

M227 Sancta dei genitrix

Motet details

In cycle(s):

Reference source:

MotettiLQ, ff. 27v (S), 91r (A), 58r (T), 123r (B)

Mensuration:





Pre-existing melodies (Cantus prius facti):

The antiphon Intemerata virgo (Cantus ID 003360) displays strong similarities with the melodic lines of C and T (passage from "quae redemptorem ... permansisti"):

1--d--e--f--g--g--gedf---e--d--e--f--g--g--g--g--f--h--h--g--g-4

"Intemerata virgo quae redemptorem Israel peperisti"

1--g--d--e--f--gf--efg--gf--de--e--e--g--g--g--fe--d--f---g--h--g--e--gg--e-4

"et post partum virgo permansisti dei genetrix intercede pro nobis" (http://cantusindex.org/id/003360)

Number of voices:

Length:

Signature:

Clefs:

c1c3c4f3

Final:

Music incipit:

.dddcdba

gggfgedd

....dddc

...gggfg

Modern editions:

NJE 25 (No. 14)

Further notes:

Additional concordances in mss. that do not transmit motet cycles: E-SE, Ms. s.s. (“Segovia Codex; Cancionero musical de Segovia; Cancionero del Alcázar”), No. 18, ff. 85v-87r; F-CA MS 125-128, No. 93, ff. 86v-87r; E-Bbc M 454 (“Cancionero musical de Barcelona”), No. 59, ff. 128v-129r; I-Pc MS A.17, No. 2, ff. 4v-5r.

Text reference:

T228 Intemerata virgo

M228 Intemerata virgo

Motet details

In cycle(s):

Reference source:

MotettiLQ, ff. 28r (S), 91r-91v (A), 58v (T), 123v (B)

Mensuration:



Pre-existing melodies (Cantus prius facti):

This motet possibly quotes pre-existing material, but it can not be linked to any Cantus prius factus with a corresponding text.

Number of voices:

Length:

Signature:

Clefs:

c1c3c3f3

Final:

Music incipit:

.dcdd..d

gfgg..dd

.defd..d

gabg..gg

Modern editions:

NJE 25 (No. 14)

Further notes:

Additional concordances in mss. that do not transmit motet cycles: E-Bbc M 454 (“Cancionero musical de Barcelona”), No. 59, ff. 129v-130r; E-SE Ms. s.s. (“Segovia Codex; Cancionero musical de Segovia; Cancionero del Alcázar”), ff. 86v-87r; F-CA MS 125-128, ff. 86v-87r.

Text reference:

T229 O Maria nullam

M229 O Maria nullam

Motet details

In cycle(s):

Reference source:

MotettiLQ, ff. 28r-28v (S), 90v (A), 58v (T), 123v-124r (B)

Mensuration:





Pre-existing melodies (Cantus prius facti):

A typical melodic formula commonly used for litanies is quoted in C (call) and T (response) in the passage "Sancta Maria ... intercede pro nobis"

1--k--k--k--l--j-----j--h--j--k--k---4
"Sancta Maria, ora pro nobis." (LU 836)

This motet possibly quotes further pre-existing material, but it can not be linked to any Cantus prius factus with a corresponding text.

Number of voices:

Length:

100

Signature:

Clefs:

c1c2c3f3

Final:

Music incipit:

..ddcdde

ggfggaba

...ddcdd

.ggfggab

Modern editions:

NJE 25 (No. 14)

Further notes:

Additional concordances in mss. that do not transmit motet cycles: RISM 1539/2, No. 11; RISM 1559/2, No. 11; CH-SGs MS 463 (“Tschudi Liederbuch”); D-B MS Mus. 40021, No. 106, ff. 217v-218r; D-Mbs Mus. MS 19, No. 7, ff. 58v-63r; D-Rp C 120 (“Pernner Codex"), No. 44, ff. 85-86 (untexted); I-Rvat MS Capp. Sist. 26, No. 14, ff. 136v-138r; PL-Wu 5832 (olim 2016), ff. 92v-93r; I-Pc MS A.17, No. 102, ff. 154v-155r.

This motet is the basis of Févin’s parody mass.

Text reference:

T230 Mente tota

M230 Mente tota

Motet details

In cycle(s):

Reference source:

MotettiLQ, ff. 28v (S), 92r (A), 59r (T), 124r (B)

Mensuration:





Pre-existing melodies (Cantus prius facti):

This motet possibly quotes pre-existing material, but it can not be linked to any Cantus prius factus with a corresponding text.

Number of voices:

Length:

Signature:

Clefs:

g2c2c3f3

Final:

Music incipit:

.......g

......gf

.gffba.d

gffbadef

Modern editions:

NJE 25 (No. 14)

Further notes:

Text reference:

T231 Ora pro nobis

M231 Ora pro nobis

Motet details

In cycle(s):

Reference source:

MotettiLQ, ff. 28v (S), 92r (A), 59r (T), 124r (B)

Mensuration:



Pre-existing melodies (Cantus prius facti):

This motet displays a structure similar to an Agnus Dei. The incipit of the following Agnus Dei displays similarities to the three passages of "Christe fili dei" in the C:

1--d--f--dce--e--4

"Agnus Dei" (GT 762)

The A is identical to the superius of the anonymous rondeau J'ay pris amour:

1--h--k--k--j---e----g--h--j--k--j--g--h--g---j--k---4

1---j--k--l--m--l--j--k--h--j--h--f--g--h--4

1---h---k--j--g--h--g--k--j--k--4

1---k--j--g--h--g--e--h--g--h--j--g---4

1---g--h--g--f--e--e--d--e---4

1---j--j--j--k--j--h--g--h--j--g--f--f--e--g---4

1---e--f--g--h--e--4

1--g--h--g--k--j--h--g--k--j--m--l--j--k--h---g--h-----4

"J’ay prins amours a ma devise / pour conquerir joyeuseté /heureux seray en cest’ esté /se puis venir a mon emprinse."
Paris, Bibliotheque Nationale, Département de la Musique, Ms. Rés. Vmc. 57 ("Nivelle de la Chaussée Chansonnier"), f. 71v.

Number of voices:

Length:

Signature:

Clefs:

c1c3c3f3

Final:

G / D / G

Music incipit:

ggbafgab

...dffea

.ggbafga

....gfde

Modern editions:

NJE 25 (No. 14)

Further notes:

Concordances in mss. that do not transmit motet cycles: I-Pc MS A.17, No. 120, ff. 178v-179r.

Text reference:

T232 Christe fili dei

M232 Christe fili dei : Christe fili dei mundi verissima : Christe fili dei precibus

Motet details

In cycle(s):

Reference source:

D-Usch 237 (a-d), ff. 9r-9v (S), 9v-10r (A), 6r-6v (T), 7v-8r (B)

Mensuration:



Pre-existing melodies (Cantus prius facti):

This motet possibly quotes pre-existing material, but it can not be linked to any Cantus prius factus with a corresponding text.

Number of voices:

Length:

108

Signature:

Clefs:

g2c2c4c4

Final:

Music incipit:

dddfgaba

.dddfgab

........

Modern editions:

NJE 24 (No. 2)

Further notes:

T233 Gaude virgo mater Christi

Text reference:

M233 Gaude virgo mater Christi

Motet details

In cycle(s):

Reference source:

GB-Cmc 1760, ff. 7v-9r

Mensuration:



Pre-existing melodies (Cantus prius facti):

The first half of the antiphon O admirabile commercium (Cantus ID 003985) is quoted in the T (passage: "O admirabile ... et procedens homo") and partially in the C (incipit):

1--efd-dc--f--f--fg--g--g--gf--gh---gf--f--f--gh--f--g--f--g--gh--f--f--4

"O admirabile commercium creator generis humani"

1--f--f--fhijh--g--j--h--g--f--f--g--f--f--4

"animatum corpus sumens de virgine"

1--g--f--f--fhij--h--g--g--g--gh--g--fg--f--4

"nasci dignatus est et procedens homo" (http://cantusindex.org/id/003985)

The next part of the antiphon O admirabile commercium (Cantus ID 003985) is quoted in the C (passage "sine semine")

1--fe--df--fg--fe--dc---4

"sine semine" (http://cantusindex.org/id/003985)

The last part of the antiphon O admirabile commercium (Cantus ID 003985) is quoted in the T (passage "largitus est" ... end)

1--cd--f--f--f--gh--g--h--hk--hg--h--f--f---4

"largitus est nobis suam deitatem" (http://cantusindex.org/id/003985)

Number of voices:

Discography:

I Fiamminghi IV: O admirabile commercium. Brumel, Regis, Mouton, Josquin. Cappella Pratensis - Rebecca Stewart, Ricercar 207572

Length:

103

Signature:

b (bb in contra + bass)

Clefs:

c1c3c4f4

Final:

Music incipit:

abgg.gag

.decc.cd

........

Modern editions:

NJE 21 (No. 7)

Further notes:

Clefs vary in the sources.

T085 O admirabile commercium

Text reference:

M264 O admirabile commercium

Motet details

In cycle(s):

Reference source:

GB-Cmc 1760, ff. 9v-11r

Mensuration:



Pre-existing melodies (Cantus prius facti):

The beginning of the antiphon Quando natus est (Cantus ID 004441) is quoted in C and T (opening)

1--e--eed--g--hk--k--k--j--h--gh--j--h----4

"Quando natus est ineffabiliter" (http://cantusindex.org/id/004441)

A next part of the antiphon Quando natus est (Cantus ID 004441) is quoted in the T (passage "tunc ... scripturae"):

1--g--h--j--k--hgh---ghg--e--e----4

"tunc impletae sunt scripturae" (ibid.)

The next part of the antiphon Quando natus est (Cantus ID 004441) is quoted in the T (passage "sicut pluvia (2nd time) ... descendisti"):

1--g--h--k--j--klk--j--kj--h--h--g--k--h---4

"sicut pluvia in vellus descendisti" (ibid.)

The next part of the antiphon Quando natus est (Cantus ID 004441) is quoted in the T (passage "ut salvum ... humanum"):

1--k--k--k--k--jh--g--hgf--g--ghg--e--e--4

"ut salvum faceres genus humanum" (ibid.)

The last part of the antiphon Quando natus est (Cantus ID 004441) is loosely quoted in the T (passage "te laudamus ... noster"):

1--hjh--g--gf--ef---g--gf--e--e--4

"te laudamus deus noster" (ibid.)

Number of voices:

Length:

Signature:

b (bb in contra + bass)

Clefs:

c1c3c4f4

Final:

Music incipit:

ddc.fgab

.aag.cde

.....aag

....aagc

Modern editions:

NJE 21 (No. 7)

Further notes:

Text reference:

T086b Quando natus es

M265 Quando natus es

Motet details

In cycle(s):

Reference source:

GB-Cmc 1760, ff. 11v-12r

Mensuration:



Pre-existing melodies (Cantus prius facti):

The incipit of the antiphon Rubum quem viderat Moyses (Cantus ID 004669) quoted in the opening of all voices, most precisely in the C:

1--d-e--f--g--g--g--g--fedef--f--f---4

"Rubum quem viderat Moyses" (http://cantusindex.org/id/004669)

The next part of the antiphon Rubum quem viderat Moyses (Cantus ID 004669) quoted in C and T successively in the next phrase:

1--e--f--g--g--g--g--g--f--gh--h--gh--e--4

"incombustum conservatam agnovimus" (ibid.)

The next part of the antiphon Rubum quem viderat Moyses (Cantus ID 004669) quoted in C and T successively in the next phrase:

1--dh--h--hg--hj--hg--g--f--g--hg--e--e---4

"tuam laudabilem virginitatem" (ibid.)

The next part of the antiphon Rubum quem viderat Moyses (Cantus ID 004669) quoted in T and C successively in the next phrase:

1--h--gf--g--fe--d--4

"dei genetrix" (ibid.)

The next part of the antiphon Rubum quem viderat Moyses (Cantus ID 004669) loosely quoted in T and C in the last phrase:

1--e--f--h--g--f--g--e--4

"intercede pro nobis" (ibid.)

Number of voices:

Length:

Signature:

b (bb in contra + bass)

Clefs:

c1c3c4f4

Final:

Music incipit:

...gabcc

....cdef

..gabccc

defgggef

Modern editions:

NJE 21 (No. 7)

Further notes:

T266 Rubum quem viderat Moyses

Text reference:

M266 Rubum quem viderat Moyses

Motet details

In cycle(s):

Reference source:

GB-Cmc 1760, ff. 12v-13r

Mensuration:



Pre-existing melodies (Cantus prius facti):

The incipit of the antiphon Germinavit radix Jesse (Cantus ID 002941) quoted in all voices, most precisely in the C and T:

1--d--ef--g--g--f--e--cd--defdd--4

"Germinavit radix Jesse" (http://cantusindex.org/id/002941)

The next part of the antiphon Germinavit radix Jesse (Cantus ID 002941) quoted in C and T (passage "orta ... Jacob"):

1--dc--f--g--h--f--gh--g--f--4

"orta est stella ex Jacob" (ibid.)

The next part of the antiphon Germinavit radix Jesse (Cantus ID 002941) more loosely quoted in C and T (passage: "virgo ... salvatorem"):

1--f--g--h--g--f--gf--f--fg-fed--d--4

"virgo peperit salvatorem" (ibid.)

The last part of the antiphon Germinavit radix Jesse (Cantus ID 002941) verly loosely quoted in C and T (passage "te laudamus"... end):

1--hk---g--ge--de--g--ghggf--e---e--4

"te laudamus deus noster." (ibid.)

Number of voices:

Length:

Signature:

b (bb in contra + bass)

Clefs:

c1c3c4f4

Final:

Music incipit:

.....gab

....defg

.gabcabc

defgegaf

Modern editions:

NJE 21 (No. 7)

Further notes:

T087 Germinavit radix Iesse

Text reference:

M267 Germinavit radix Iesse

Motet details

In cycle(s):

Reference source:

GB-Cmc 1760, ff. 13v-15r

Mensuration:



Pre-existing melodies (Cantus prius facti):

This motet possibly quotes pre-existing material, but it can not be linked to any Cantus prius factus with a corresponding text.

Number of voices:

Length:

Signature:

b (bb in contra + bass)

Clefs:

c1c3c4f4

Final:

Music incipit:

.dccddcb

gfggfef

....dccd

......gf

Modern editions:

NJE 21 (No. 7)

Further notes:

Text reference:

T268 Ecce Maria genuit

M268 Ecce Maria genuit