Compère, Loyset

Displaying 1 - 26 of 26 related items.

Cycle details

Reference source: 
I-Mfd 1, ff. 143v-149r
Cycle rubric: 
listed under "Motetti missales consequentes" (I-Mfd 1, index)
Identified as a cycle based on: 
index of I-Mfd 1
Number of voices: 
5
Signature: 
-
Clefs: 
c1c4c4c4f4
Final: 
D
Devotional / liturgical association: 
BVM
Modern editions: 
AMMM 13, 75-83; 89-93 (as part of C14b Ave virgo gloriosa caeli iubar / <Missa> Galeazescha); CMM 15.2; MCE 3
Content (motets): 
M071 M072 M074

Cycle details

Reference source: 
I-Mfd 1, ff. 171v-179r
Cycle rubric: 
listed under "Motetti missales consequentes" (I-Mfd 1, index)
Identified as a cycle based on: 
index of I-Mfd 1 (see Cycle rubric); presence of “loco” rubrics; consensus in the "motetti missales" literature
Number of voices: 
4
Signature: 
b
Clefs: 
c1c3c4f4
Final: 
G
Devotional / liturgical association: 
Christ, BVM, Incarnation
Christmas, Christmastide
Modern editions: 
AMMM 13, 45-73; CMM 15.2; MCE 1
Discography: 

Loyset Compère: Mass, Motets, Songs. Orlando Consort, Metronome 1002

Content (motets): 
M059 M060 M061 M062 M063 M064 M065 M066

Cycle details

Reference source: 
MotettiB, No. 21, ff. 46v-55r
Cycle rubric: 
"Officium de cruce" (MotettiB, index)
Number of voices: 
4
Signature: 
-
Clefs: 
c2c4c4f4
Final: 
D
Devotional / liturgical association: 
Christ, Passion, Holy Cross
Modern editions: 
CMM 15.4
Further notes: 

The source Rhau 1538 includes two motets at the beginning of the cycle, not present in the other sources: Crux triumphans and Jesus nomen dignum.

Additional concordances in mss. that do not transmit motet cycles: M176 and M177 in CH-SGs MS 462 (“Heer Liederbuch”).

Content (motets): 
M176 M177 M178 M179 M180 M181 M182 M183 M184

Motet details

Reference source: 
I-Mfd 1, ff. 171v-172r
Mensuration: 
Pre-existing melodies (Cantus prius facti): 

This motet possibly quotes pre-existing material, but it can not be linked to any Cantus prius factus with a corresponding text.

Number of voices: 
4
Discography: 

Loyset Compère: Mass, Motets, Songs, Orlando Consort, Metronome 1002

Length: 
37
Signature: 
b
Clefs: 
c1c3c4f4
Final: 
G
Music incipit: 
gfgagaba
dfffdfed
gabcdcbc
gdgfbfgf
Modern editions: 
AMMM 13, 45-47;CMM 15.2; MCE 1.1

Motet details

Reference source: 
I-Mfd 1, ff. 172v-173r
Mensuration: 
Pre-existing melodies (Cantus prius facti): 

This motet possibly quotes pre-existing material, but it can not be linked to any Cantus prius factus with a corresponding text.

Number of voices: 
4
Discography: 

Loyset Compère: Mass, Motets, Songs, Orlando Consort, Metronome 1002

Length: 
31
Signature: 
b
Clefs: 
c1c3c4f4
Final: 
G
Music incipit: 
ggagfagf
dbdefddc
ggcbabcd
ggfgdefd
Modern editions: 
AMMM 13, 48-50; CMM 15.2; MCE 1.2
Text reference: 

Motet details

Reference source: 
I-Mfd 1, ff. 173v-174r
Mensuration: 
Pre-existing melodies (Cantus prius facti): 

This motet possibly quotes pre-existing material, but it can not be linked to any Cantus prius factus with a corresponding text.

Number of voices: 
4
Discography: 

Loyset Compère: Mass, Motets, Songs, Orlando Consort, Metronome 1002

Length: 
64
Signature: 
b
Clefs: 
c1c3c4f4
Final: 
G
Music incipit: 
.ggaagfe
.ccdefbc
..ggaagg
ggaagfde
Modern editions: 
AMMM 13, 51-54; CMM 15.2; MCE 1.3

Motet details

Reference source: 
I-Mfd 1, ff. 174v-175r
Mensuration: 
Pre-existing melodies (Cantus prius facti): 

This motet possibly quotes pre-existing material, but it can not be linked to any Cantus prius factus with a corresponding text.

Number of voices: 
4
Discography: 

Loyset Compère: Mass, Motets, Songs, Orlando Consort, Metronome 1002

Length: 
49
Signature: 
b
Clefs: 
c1c3c4f4
Final: 
G
Music incipit: 
ggffgbcd
dbgabcbc
gbcdcbag
ged..gga
Modern editions: 
AMMM 13, 55-59; CMM 15.2; MCE 1.4

Motet details

Reference source: 
I-Mfd 1, ff. 175v-176r
Mensuration: 
 
Pre-existing melodies (Cantus prius facti): 

This motet possibly quotes pre-existing material, but it can not be linked to any Cantus prius factus with a corresponding text.

Number of voices: 
4
Discography: 

Loyset Compère: Mass, Motets, Songs, Orlando Consort, Metronome 1002

Length: 
79
Signature: 
b
Clefs: 
c1c3c4f4
Final: 
D / G
Music incipit: 
.....gfg
....ddef
.gabcdcb
gabcdefg
Modern editions: 
AMMM 13, 60-62; CMM 15.2; MCE 1.5
Further notes: 

Elevation motet (2a pars).

This motet is connected to the following (Memento salutis auctor) with a “Verte folium”.

Motet details

Reference source: 
I-Mfd 1, ff. 176v-177r
Mensuration: 
 
Pre-existing melodies (Cantus prius facti): 

This motet possibly quotes pre-existing material, but it can not be linked to any Cantus prius factus with a corresponding text.

Number of voices: 
4
Discography: 

Loyset Compère: Mass, Motets, Songs, Orlando Consort, Metronome 1002

Length: 
40
Signature: 
b
Clefs: 
c1c3c4f4
Final: 
G
Music incipit: 
.......g
.gggbcdg
...bgbcd
gggbcded
Modern editions: 
AMMM 13, 63-65; CMM 15.2; MCE 1.6

Motet details

Reference source: 
I-Mfd 1, ff. 177v-178r
Mensuration: 
Pre-existing melodies (Cantus prius facti): 

This motet possibly quotes pre-existing material, but it can not be linked to any Cantus prius factus with a corresponding text.

Number of voices: 
4
Discography: 

Loyset Compère: Mass, Motets, Songs, Orlando Consort, Metronome 1002

Length: 
43
Signature: 
b
Clefs: 
c1c3c4f4
Final: 
G
Music incipit: 
ggfgabac
dcbadcde
ggdbcdca
gdgfbfgd
Modern editions: 
AMMM 13, 66-69; CMM 15.2; MCE 1.7

Motet details

Reference source: 
I-Mfd 1, ff. 178v-179r
Mensuration: 
Pre-existing melodies (Cantus prius facti): 

This motet possibly quotes pre-existing material, but it can not be linked to any Cantus prius factus with a corresponding text.

Number of voices: 
4
Discography: 

Loyset Compère: Mass, Motets, Songs, Orlando Consort, Metronome 1002

Length: 
37
Signature: 
b
Clefs: 
c1c3c4f4
Final: 
G
Music incipit: 
ggfabcbg
gbcdfedc
ggaabbag
gfedfedb
Modern editions: 
AMMM 13, 70-73; CMM 15.2; MCE 1.8
Further notes: 

M101 O admirabile commercium is not a concordance.

Motet details

Reference source: 
I-Mfd 1, ff. 143v-145r
Mensuration: 
 
Pre-existing melodies (Cantus prius facti): 

Gasser sees a connection between the 4th phrase of Kyrie IX (Cum Jubilo) and the melody in T1 (text passage "florens ... gratus"):

1--h--k-l---l-k-l--h---g-h-i-j-h---g---g----f---g-i-j--g---h----4

"Kyrie eleison" (GASSER 2001, 319)

Last phrase of verse 4 of the sequence Veni sancte spiritus (Cantus ID ah54153) quoted in T1 (text passage "dans fluenta gratiae"):

1--e---g---h---g---k----j-h----h----4

"sana quod est saucium" (http://manuscrit.ville-laon.fr/_app/visualisation.php?cote=Ms263&vue=192)

Verse 5 of the sequence Veni sancte spiritus (Cantus ID ah54153) quoted in T1 and T2 (text passage "quae regina diceris...mater gratiae"):

1--l---l---g---h---k---j---h---h---i-j----hg----h----g--f---g---f---e---g---h---d-c---f---e-d--d----4

"Da virtutis meritum / da salutis exitum / da perhenne gaudium" (http://manuscrit.ville-laon.fr/_app/visualisation.php?cote=Ms263&vue=192). See MACEY 1996, 169-170.

(A contrafactum of this sequence exists (Veni virgo virginum) which uses the same text as the motet for this melodic phrase: "quae regina diceris / miserere miseris / virgo mater gratiae" http://daten.digitale-sammlungen.de/~db/0003/bsb00034686/images/index.html?id=00034686&groesser=&fip=ewqeayaeayaeneayasdaseneayaeayaw&no=&seite=577)

Number of voices: 
5
Length: 
43
Signature: 
-
Clefs: 
c1c4c4c4f4
Final: 
D
Music incipit: 
dfedcfge
addef.ca
dfgagfed
...dfgag
dbbadecd
Modern editions: 
AMMM 13, 75-78; CMM 15.2; MCE 3.1
Further notes: 

Seemingly presented as a two-part motet on two openings in I-Mfd 1 (with “verte cito” and “custodes”).

Motet details

Reference source: 
I-Mfd 1, ff. 145v-147r
Mensuration: 
 
Pre-existing melodies (Cantus prius facti): 

Verse 2 and verse 3 of the sequence Veni sancte spiritus (Cantus ID ah54153) quoted in T1 and T2 alternatively (passage "Virgo carens simili ... possimus in gloria"):

1--h--k--l--l--kj--k--l---kj--h--kj--g--fe--d--dc----g--f--gh--f--ed--c--d----4

"Consolator optime / dulcis hospes anime / dulce refrigerium." (http://manuscrit.ville-laon.fr/_app/visualisation.php?cote=Ms263&vue=192) See MACEY 1996, 170-171.

1--l--l--kj---k--lk--j--h---f--ed--c--de--f--g--f----g--h--ij--h--g--f--ed---d---4

"O lux beatissima / reple cordis intima / tuorum fidelium" (http://manuscrit.ville-laon.fr/_app/visualisation.php?cote=Ms263&vue=192)

Number of voices: 
5
Length: 
47
Signature: 
-
Clefs: 
c1c4c4c4f4
Final: 
D
Music incipit: 
ddegfefg
abcdcdbc
dggagfed
...dggag
dgcedade
Modern editions: 
AMMM 13, 79-83; CMM 15.2; MCE 3.2
Further notes: 

Seemingly presented as a two-part motet on two openings in I-Mfd 1 (with “verte cito” and “custodes”).

Text reference: 

Motet details

Reference source: 
I-Mfd 3, ff. 128v-130r
Mensuration: 
Pre-existing melodies (Cantus prius facti): 

According to MACEY 1996, 171-73 and 208:
1st phrase of the hymn Ave maris stella (Cantus ID 008272) quoted in T1 (passage "gaude virgo salutata" ... end of folium):

1--d--h---g---hj---l---k--j--h--g----4

"Ave Maris stella" (http://cantus.simssa.ca/manuscript/133/?folio=135v)

2nd phrase of the hymn Ave maris stella (Cantus ID 008272) quoted in T2 (passage "gaude mater iocundata...puerperio"):

1--h--h--d-e--g--f-e--d----4

"dei mater alma" (http://cantus.simssa.ca/manuscript/133/?folio=135v)

3rd phrase of the hymn Ave maris stella (Cantus ID 008272) quoted in T1 (passage "gaude mundi domina...omnia"):

1--f--e--g--h--h--dd-c----4

"atque semper virgo" (http://cantus.simssa.ca/manuscript/133/?folio=135v)

4th phrase of the hymn Ave maris stella (Cantus ID 008272) quoted in T2 (passage "gaude caeli regina...tollens vitia"):

1--e--g--e--f--e-d-c---d---4

"felix caeli porta" (http://cantus.simssa.ca/manuscript/133/?folio=135v)

1st phrase of the hymn Ave maris stella (Cantus ID 008272) quoted in T1 (passage "o plena praeceteris...divina"):

1--d--h---g---hj---l---k--j--h--g----4

"Ave Maris stella" (http://cantus.simssa.ca/manuscript/133/?folio=135v)

Number of voices: 
5
Length: 
58
Signature: 
-
Clefs: 
c1c4c4c4f4
Final: 
D
Music incipit: 
.aagfgaa
.aagfgab
..aagfga
....aabc
aagfgafd
Modern editions: 
AMMM 13, 89-93; CMM 15.2; MCE 3.4
Further notes: 

The version of I-Mfd 1 is shorter than the one in I-Mfd 3 (the section starting with "Gaude virgo fruens delitiis" is missing).
The motet is presented on two openings in the sources, connected by "custodes" and by the rubric "verte cito": in I-Mfd 1 the second opening starts with "Gaude mundi domina", in I-Mfd 3 with "Gaude virgo fruens delitiis".

Motet details

Reference source: 
I-Mfd [4], ff. 65v-66r
Mensuration: 

Pre-existing melodies (Cantus prius facti): 

The incipit of the antiphon Germinavit radix Jesse (Cantus ID 002941) quoted in C and T (opening of the passage "Germinavit radix Jesse.."):

1--d---ef---g---g----4

"Germinavit" (http://cantusindex.org/id/002941)

Number of voices: 
4
Discography: 

Medieval Christmas - Noël médiévaux: Tenth- to Sixteenth-Century secular & liturgical music for Feasts days, Orlando consort, Harmonia Mundi HMU 90 7418

Length: 
85
Signature: 
b
Clefs: 
g2c2c3c4
Final: 
G
Music incipit: 
ggfgabab
ddegfgfd
gbabcddb
ggdgcgdg
Modern editions: 
CMM 15.4 (edition after concordance in I-Mfd 1); AMMM 13, 151-156
Further notes: 

The concordance in I-Mfd 1 is not part of a cycle, but it does contain the ascription.

The transcription in AMMM 13 contains an error in the last chord; it gives a d instead of a g in the contratenor bassus.

Motet details

Reference source: 
MotettiB, No. 21, ff. 46v-47r
Mensuration: 
Number of voices: 
4
Length: 
57
Signature: 
-
Clefs: 
c2c4c4f4
Final: 
D
Music incipit: 
.eefggag
dddgagfc
aabcdedc
dddcbadc
Modern editions: 
CMM 15.4; DRAKE 1972; REICH 1990
Further notes: 

Additional concordances in mss. that do not transmit motet cycles: CH-SGs MS 462 (“Heer Liederbuch”), No. 2, pp. 10-11.

Text reference: 

Motet details

Reference source: 
MotettiB, No. 21, ff. 47v-48r
Mensuration: 
Number of voices: 
4
Length: 
45
Signature: 
-
Clefs: 
c2c4c4f4
Final: 
D
Music incipit: 
ffffeefg
ddddcgfe
aaaaggab
ddffcedc
Modern editions: 
CMM 15.4; DRAKE 1972; REICH 1990
Further notes: 

Additional concordances in mss. that do not transmit motet cycles: CH-SGs MS 462 (“Heer Liederbuch”), No. 2, pp. 10-11.

Text reference: 

Motet details

Reference source: 
MotettiB, No. 21, ff. 48v-49r
Mensuration: 
Number of voices: 
4
Length: 
49
Signature: 
-
Clefs: 
c2c4c4f4
Final: 
D
Music incipit: 
eefggdec
cccbcgfe
aaaggcba
.eeedcfe
Modern editions: 
CMM 15.4; DRAKE 1972; REICH 1990
Text reference: 

Motet details

Reference source: 
MotettiB, No. 21, ff. 49v-50r
Mensuration: 
Number of voices: 
4
Length: 
45
Signature: 
-
Clefs: 
c2c4c4f4
Final: 
D
Music incipit: 
aabcdedc
.aabcded
feed.gag
.feedfec
Modern editions: 
CMM 15.4; DRAKE 1972; REICH 1990

Motet details

Reference source: 
MotettiB, No. 21, ff. 50v-51r
Mensuration: 
Number of voices: 
4
Length: 
59
Signature: 
-
Clefs: 
c2c4c4f4
Final: 
D
Music incipit: 
dddddddc
aabbbbaa
.dffffff
dfbbbbff
Modern editions: 
CMM 15.4; DRAKE 1972; REICH 1990
Text reference: 

Motet details

Reference source: 
MotettiB, No. 21, ff. 51v-52r
Mensuration: 
Number of voices: 
4
Length: 
57
Signature: 
-
Clefs: 
c2c4c4f4
Final: 
D
Music incipit: 
..eggagf
.accdedc
accdcbab
feedcba.
Modern editions: 
CMM 15.4; DRAKE 1972; REICH 1990
Text reference: 

Motet details

Reference source: 
MotettiB, No. 21, ff. 52v-53r
Mensuration: 
Pre-existing melodies (Cantus prius facti): 

This motet possibly quotes pre-existing material, but it can not be linked to any Cantus prius factus with a corresponding text.

Number of voices: 
4
Length: 
61
Signature: 
-
Clefs: 
c2c4c4f4
Final: 
D
Music incipit: 
.eggafff
.cbbaccc
egga.cca
cba.fff
Modern editions: 
CMM 15.4; DRAKE 1972; REICH 1990
Text reference: 

Motet details

Reference source: 
MotettiB, No. 21, ff. 53v-54r
Mensuration: 
Pre-existing melodies (Cantus prius facti): 

This motet possibly quotes pre-existing material, but it can not be linked to any Cantus prius factus with a corresponding text.

Number of voices: 
4
Length: 
61
Signature: 
-
Clefs: 
c2c4c4f4
Final: 
D
Music incipit: 
.ddefaaa
.aabc.cc
.dfga.aa
.ddcffdf
Modern editions: 
CMM 15.4; DRAKE 1972; REICH 1990
Text reference: 

Motet details

Reference source: 
MotettiB, No. 21, ff. 54v-55r
Mensuration: 
Pre-existing melodies (Cantus prius facti): 

This motet possibly quotes pre-existing material, but it can not be linked to any Cantus prius factus with a corresponding text.

Number of voices: 
4
Length: 
65
Signature: 
-
Clefs: 
c2c4c4f4
Final: 
D
Music incipit: 
...eedgg
ddcffgab
..aagccd
.ddcfga
Modern editions: 
CMM 15.4; DRAKE 1972; REICH 1990
Text reference: 

Motet details

Reference source: 
I-Mfd 2, ff. 36v-37r
Mensuration: 
Number of voices: 
4
Length: 
61
Signature: 
b
Clefs: 
g2c3c3c4
Final: 
G
Music incipit: 
.feedggf
gggbbccd
.dccbgaa
gggggfed
Modern editions: 
AMMM 6, 17-19; AMMM 13, 145-147; CMM 15.4, 30-31
Further notes: 

In all the extant sources but the Libroni this motet is transmitted following the motet M292 O genitrix gloriosa. According to WARD 1986, 511-512, O genitrix gloriosa and Ave virgo gloriosa Maria mater gratiae are two separate compositions (and not a motet divided in two parts, as in the CMM edition), as indicated by the absence of custodes between them in all but one source (MotettiA). RIFKIN 2003, 263, points out that the oldest source in which these two motets are paired is I-Fr Ms. 2794, “a source written at or near the French royal court, very probably between 1486 and 1488”. SCHMIDT 2017, 26, adds that “The piece had thus reached the French court by the 1480s, possibly brought there by the composer himself; by this time it had emancipated itself from the Milanese tradition and had become a proper motet”.

O genitrix gloriosa was copied in I-Mfd 3, ff. 51v-52r.

Concordances (of the two paired motets) in mss. that do not transmit motet cycles: I-Fr Ms. 2794, ff. 9v-11r; I-Sc K.I.2, ff. 182v-184.

 

Motet details

Reference source: 
I-Mfd 3, ff. 51v-52r
Mensuration: 
Number of voices: 
4
Length: 
31
Signature: 
b
Clefs: 
c1c3c3c4
Final: 
G
Music incipit: 
gggddddc
.dddgffg
.gggdddd
..gggbffg
Modern editions: 
AMMM 13, 148-150; CMM 15.4, 29-31
Further notes: 

In all the extant sources but the Libroni and DK-Kk MS Ny Kongelige Samling 1848 2°, this motet is transmitted followed by the motet M282 Ave virgo gloriosa Maria mater gratiae. According to WARD 1986, 511-512 O genitrix gloriosa and Ave virgo gloriosa Maria mater gratiae are two separate compositions (and not a motet divided in two parts, as in the CMM edition), as indicated by the absence of custodes between them in all but one source (MotettiA). RIFKIN 2003, 263 points out that the oldest source in which these two motets are paired is I-Fr Ms. 2794, “a source written at or near the French royal court, very probably between 1486 and 1488”. SCHMIDT 2017, 26, adds that “The piece had thus reached the French court by the 1480s, possibly brought there by the composer himself; by this time it had emancipated itself from the Milanese tradition and had become a proper motet”.

Concordances (of the two paired motets) in mss. that do not transmit motet cycles: DK-Kk MS Ny Kongelige Samling 1848 2°, pp. 286-287 (ascribed to Richafort); I-Fr Ms. 2794, ff. 9v-11r; I-Sc K.I.2, ff. 182v-184.