Bibliography

Found 108 results
Forthcoming
Diergarten, Felix. "'Gaude flore virginali' – Message from the "Black Hole"?" In Motet Cycles between Devotion and Liturgy, edited by Agnese Pavanello and Daniele V. Filippi. Basel: Schwabe, Forthcoming.
Thoraval, Fañch. "Horologia Passionis: Hours, Hymns and Motet Cycles for the Cross and the Passion." In Motet Cycles between Devotion and Liturgy, edited by Agnese Pavanello and Daniele V. Filippi. Basel: Schwabe, Forthcoming.
Vlhová-Wörner, Hana. "Liturgical Poetry and Poetical Liturgy: The Texts of Motet Cycles as a Continuation of Earlier Compositional Practice." In Motet Cycles between Devotion and Liturgy, edited by Agnese Pavanello and Daniele V. Filippi. Basel: Schwabe, Forthcoming.
Bokulich, Clare. "Meter and the ‘Motetti Missales’." In Motet Cycles between Devotion and Liturgy, edited by Agnese Pavanello and Daniele V. Filippi. Basel: Schwabe, Forthcoming.
Pavanello, Agnese, and Daniele V. Filippi, eds. Motet Cycles between Devotion and Liturgy. Scripta. Basel: Schwabe, Forthcoming.
Filippi, Daniele V. "Where Devotion and Liturgy Meet: Re-assessing the Milanese Roots of the Motetti missales." In Motet Cycles between Devotion and Liturgy, edited by Agnese Pavanello and Daniele V. Filippi. Basel: Schwabe, Forthcoming.
2016
Melion, Walter S. "Libellus piarum precum (1575): Iterations of the Five Holy Wounds in an Early Jesuit Prayerbook." In Jesuit Image Theory, edited by Wietse de Boer, Karl A. E. Enenkel and Walter S. Melion, 189-253. Leiden; Boston: Brill, 2016.
Kolb, Paul. "The 'Mass-Motet' Cycle Revisited." Journal of the Alamire Foundation 8, no. 2 (2016): 197-207.
2014
Bizzarini, Marco. "Gli enigmi del Musico di Leonardo e dei cantori oltremontani alla corte sforzesca." In Cultura oltremontana in Lombardia al tempo degli Sforza (1450-1535), edited by Frédéric Elsig and Claudia Gaggetta, 261-279. Rome: Viella, 2014.
2013
Boynton, Susan. "From Book to Song: Texts Accompanying the Man of Sorrows in the Fourteenth and Fifteenth Centuries." In New Perspectives on the Man of Sorrows, edited by Catherine R. Puglisi and William L. Barcham, 117-146. Kalamazoo: Medieval Institute Publications, 2013.
2012
Rifkin, Joshua. "A Black Hole? Problems in the Motet around 1500." In The Motet around 1500: On the Relationship between Imitation and Text Treatment?, edited by Thomas Schmidt-Beste, 21-82. Turnhout: Brepols, 2012.
Reinburg, Virginia. French Books of Hours: Making an Archive of Prayer, c.1400-1600. Cambridge: Cambridge University Press, 2012.
Merkley, Paul A. "Ludovico Sforza as an "Emerging Prince": Networks of Musical Patronage in Milan." In Music and Patronage, edited by Paul A. Merkley, 255-270. Farnham: Ashgate, 2012.
Filippi, Daniele V. "Text, Form, and Style in Franchino Gaffurio’s Motets." In The Motet around 1500: On the Relationship between Imitation and Text Treatment?, edited by Thomas Schmidt-Beste, 383-410. Turnhout: Brepols, 2012.
2011
Baroffio, Giacomo. "Testo e musica nei libri d’ore." Rivista Italiana di Musicologia 34 (2011): 19-77.
2010
van Weerbeke, Gaspar. Collected Works Gaspar van Weerbeke : Motets. Edited by Agnese Pavanello and Andrea Lindmayr-Brandl. Corpus Mensurabilis Musicae. Vol. 106.4. Rome: American Institute of Musicology, 2010.
van Weerbeke, Gaspar, Agnese Pavanello, and Andrea Lindmayr-Brandl. Collected Works Gaspar van Weerbeke: Motets. Corpus Mensurabilis Musicae 106. American Institute of Musicology ed. Vol. 4. Rome, 2010.
Kirkman, Andrew. The Cultural Life of the Early Polyphonic Mass: Medieval Context to Modern Revival. Cambridge; New York: Cambridge University Press, 2010.
2006
Boorman, Stanley. Ottaviano Petrucci: A Catalogue Raisonné. New York: Oxford University Press, 2006.
2005
Thompson, Augustine. Cities of God: The Religion of the Italian Communes, 1125-1325. University Park, PA: Pennsylvania State University Press, 2005.
Drake, Warren. "Motetti B and Its Relation to the Lauda Repertory Circa 1500." In Venezia 1501: Petrucci e la stampa musicale = Venice 1501: Petrucci, Music, Print and Publishing: Atti del Convegno internazionale di studi, Venezia, Palazzo Giustinian Lolin, 10-13 ottobre 2001, edited by Giulio Cattin and Patrizia Dalla Vecchia, 441-454. Venice: Fondazione Levi, 2005.
Blackburn, Bonnie J. "The Sign of Petrucci’s Editor." In Venezia 1501: Petrucci e la stampa musicale = Venice 1501: Petrucci, Music, Print and Publishing: Atti del Convegno internazionale di studi, Venezia, Palazzo Giustinian Lolin, 10-13 ottobre 2001, edited by Giulio Cattin and Patrizia Dalla Vecchia, 415-429. Venice: Fondazione Levi, 2005.
Duffy, Eamon. The Stripping of the Altars: Traditional Religion in England, c.1400-c.1580. 2nd edition. New Haven, CT; London: Yale University Press, 2005.
Cattin, Giulio, and Patrizia Dalla Vecchia, eds. Venezia 1501: Petrucci e la stampa musicale = Venice 1501: Petrucci, Music, Print and Publishing: Atti del Convegno internazionale di studi, Venezia, Palazzo Giustinian Lolin, 10-13 ottobre 2001. Venice: Fondazione Levi, 2005.
2004
Rolsma, Saskia. "De onthullingen van het missaal: Een onderzoek naar de functie van Motetti missales." In Meer dan muziek alleen: In memoriam Kees Vellekoop, edited by R.E.V. Stuip, 291-305. Hilversum: Verloren, 2004.
2003
Blackburn, Bonnie J., ed. Motets on non-biblical texts: De domino Jesu Christo 2. Utrecht: Koninklijke Vereniging voor Nederlandse Muziekgeschiedenis, 2003.
Rifkin, Joshua. "Munich, Milan, and a Marian Motet: Dating Josquin's 'Ave Maria … Virgo serena'." Journal of the American Musicological Society 56, no. 2 (2003): 239-350.
2001
Blackburn, Bonnie J. "The dispute about harmony c. 1500 and the creation of a new style." In Théorie et analyse musicales, 1450-1650: Actes du colloque international, Louvain-La-Neuve, 23-25 septembre 1999 = Music theory and analysis, 1450-1650 : proceedings of the International Conference, Louvain-la-Neuve, 23-25 September 1999, edited by Bonnie J. Blackburn and Anne-Emmanuelle Ceulemans, 1-37. Louvain-la-Neuve: Départment d'Histoire de l'Art et d'Archéologie; Collège Érasme, 2001.
Gasser, Nolan Ira. "The Marian Motet Cycles of the Gaffurius Codices: A Musical and Liturgico-Devotional Study." Ph.D. diss., Stanford University, 2001.
1999
Gasser, Nolan. "Beata et Venerabilis Virgo: Music and Devotion in Renaissance Milan." In Crossing Boundaries: Issues of Cultural and Individual Identities in the Middle Ages and the Renaissance, edited by Sally McKee, 203-238. Turnhout: Brepols, 1999.
Van Deusen, Nancy Elizabeth, and Marica I. Colish. "Ex utroque et in utroque: 'Promissa mundo gaudia', Electrum and the Sequence." In The Place of the Psalms in the Intellectual Culture of the Middle Ages, edited by Nancy Elizabeth Van Deusen, 114-130. Albany: State University of New York Press, 1999.
Cumming, Julie E. The Motet in the Age of Du Fay. Cambridge: Cambridge University Press, 1999.
Merkley, Paul A., and Lora L. M. Merkley. Music and Patronage in the Sforza Court. Studi sulla Storia della Musica in Lombardia 3. Turnhout: Brepols, 1999.
Fritsch-Staar, Susanne. "Uterus virgineus thronus est eburneus: Zur Ästhetisierung, Dämonisierung und Metaphorisierung des Uterus in mhd. Lyrik." In Manlîchiu wîp, wîplîch man: Zur Konstruktion der Kategorien “Körper” und “Geschlecht, edited by Ingrid Bennewitz and Helmut Tervooren, 182-203. Berlin: E. Schmidt, 1999.

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