Bibliography

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von Heinemann, Otto. Die Augusteischen Handschriften 4. Cod. Guelf. 77.4 Aug. 2° — 34 Aug. 4°. Frankfurt/M: Klostermann, 1966.
von Heinemann, Otto. Die Augusteischen Handschriften. 4, Codex Guelferbytanus 77.4 Aug. 2° bis 34 Augusteus 4°. Kataloge der Herzog-August-Bibliothek, Wolfenbüttel 7. Frankfurt a. M.: Klostermann, 1966.
Vlhová-Wörner, Hana. "Liturgical Poetry and Poetical Liturgy: The Texts of Motet Cycles as a Continuation of Earlier Compositional Practice." In Motet Cycles between Devotion and Liturgy, edited by Agnese Pavanello and Daniele V. Filippi. Basel: Schwabe, Forthcoming.
van Weerbeke, Gaspar, Agnese Pavanello, and Andrea Lindmayr-Brandl. Collected Works Gaspar van Weerbeke: Motets. Corpus Mensurabilis Musicae 106. American Institute of Musicology ed. Vol. 4. Rome, 2010.
van Weerbeke, Gaspar, and Andrea Lindmayr-Brandl. Collected Works Gaspar van Weerbeke: The motet cycles. Corpus Mensurabilis Musicae 106. American Institute of Musicology ed. Vol. 3. Neuhausen, 1998.
van Weerbeke, Gaspar. Collected Works Gaspar van Weerbeke : Motets. Edited by Agnese Pavanello and Andrea Lindmayr-Brandl. Corpus Mensurabilis Musicae. Vol. 106.4. Rome: American Institute of Musicology, 2010.
van Weerbeke, Gaspar. Collected Works Gaspar van Weerbeke : The Motet Cycles. Edited by Andrea Lindmayr-Brandl. Corpus Mensurabilis Musicae. Vol. 106.3. Neuhausen: American Institute of Musicology, 1998.
Van Deusen, Nancy Elizabeth, and Marica I. Colish. "Ex utroque et in utroque: 'Promissa mundo gaudia', Electrum and the Sequence." In The Place of the Psalms in the Intellectual Culture of the Middle Ages, edited by Nancy Elizabeth Van Deusen, 114-130. Albany: State University of New York Press, 1999.
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Thoraval, Fañch. "Horologia Passionis: Hours, Hymns and Motet Cycles for the Cross and the Passion." In Motet Cycles between Devotion and Liturgy, edited by Agnese Pavanello and Daniele V. Filippi. Basel: Schwabe, Forthcoming.
Thompson, Augustine. Cities of God: The Religion of the Italian Communes, 1125-1325. University Park, PA: Pennsylvania State University Press, 2005.
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Rolsma, Saskia. "De onthullingen van het missaal: Een onderzoek naar de functie van Motetti missales." In Meer dan muziek alleen: In memoriam Kees Vellekoop, edited by R.E.V. Stuip, 291-305. Hilversum: Verloren, 2004.
Rifkin, Joshua. "Munich, Milan, and a Marian Motet: Dating Josquin's 'Ave Maria … Virgo serena'." Journal of the American Musicological Society 56, no. 2 (2003): 239-350.
Rifkin, Joshua. "A Black Hole? Problems in the Motet around 1500." In The Motet around 1500: On the Relationship between Imitation and Text Treatment?, edited by Thomas Schmidt-Beste, 21-82. Turnhout: Brepols, 2012.
Reinburg, Virginia. French Books of Hours: Making an Archive of Prayer, c.1400-1600. Cambridge: Cambridge University Press, 2012.
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Moberg, Carl-Allan. Über die schwedischen Sequenzen : eine musikgeschichtliche Studie : mit 5 Tafeln und 69 Sequenzenweisen nebst melodischen Varianten aus schwedischen und anderen Quellen. Veröffentlichungen der Gregorianischen Akademie zu Freiburg/Schweiz. Uppsala: Almqvist & Wiksell, 1927.
Moberg, Carl Allan. Über die schwedischen Sequenzen : eine musikgeschichtliche Studie : mit 5 Tafeln und 69 Sequenzenweisen nebst melodischen Varianten aus schwedischen und anderen Quellen. Veröffentlichungen der Gregorianischen Akademie zu Freiburg in der Schweiz. Vol. 13. Uppsala: Almqvist & Wiksell, 1927.
Merkley, Paul A. "Ludovico Sforza as an "Emerging Prince": Networks of Musical Patronage in Milan." In Music and Patronage, edited by Paul A. Merkley, 255-270. Farnham: Ashgate, 2012.
Merkley, Paul A., and Lora L. M. Merkley. Music and Patronage in the Sforza Court. Studi sulla Storia della Musica in Lombardia 3. Turnhout: Brepols, 1999.
Melion, Walter S. "Libellus piarum precum (1575): Iterations of the Five Holy Wounds in an Early Jesuit Prayerbook." In Jesuit Image Theory, edited by Wietse de Boer, Karl A. E. Enenkel and Walter S. Melion, 189-253. Leiden; Boston: Brill, 2016.
Macey, Patrick. "Josquin's "Little" "Ave Maria": A Misplaced Motet from the 'Vultum tuum' Cycle?" Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis 39 (1989): 38-53.
Macey, Patrick. "A Musical Detective Story: Josquin's Motet Cycle for the Sforza Rulers of Milan." American choral review 44, no. 1 (2002): 1-8.
Macey, Patrick. "Galeazzo Maria Sforza and Musical Patronage in Milan: Compère, Weerbeke and Josquin." Early Music History 15 (1996): 147-212.
Maas, Chris. "Determinering van Codex 73 uit de illustre Lieve Vrouwe Broederschap te 's-Hertogenbosch." Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis 21, no. 1 (1968): 37-45.
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Jeppesen, Knud. "Die 3 Gafurius-Kodizes der Fabbrica del Duomo, Milano." Acta Musicologica 3, no. 1 (1931): 14-28.

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