Bibliography

Found 117 results
2001
Blackburn, Bonnie J. "The Dispute about Harmony c. 1500 and the Creation of a New Style." In Théorie et analyse musicales, 1450-1650: Actes du colloque international, Louvain-La-Neuve, 23-25 septembre 1999 = Music Theory and Analysis, 1450-1650 : Proceedings of the International Conference, Louvain-la-Neuve, 23-25 September 1999, edited by Bonnie J. Blackburn and Anne-Emmanuelle Ceulemans, 1-37. Louvain-la-Neuve: Départment d'Histoire de l'Art et d'Archéologie; Collège Érasme, 2001.
Gasser, Nolan Ira. "The Marian Motet Cycles of the Gaffurius Codices: A Musical and Liturgico-Devotional Study." Ph.D. diss., Stanford University, 2001.
1999
Gasser, Nolan. "Beata et Venerabilis Virgo: Music and Devotion in Renaissance Milan." In Crossing Boundaries: Issues of Cultural and Individual Identities in the Middle Ages and the Renaissance, edited by Sally McKee, 203-238. Turnhout: Brepols, 1999.
Van Deusen, Nancy Elizabeth, and Marica I. Colish. "Ex utroque et in utroque: 'Promissa mundo gaudia', Electrum and the Sequence." In The Place of the Psalms in the Intellectual Culture of the Middle Ages, edited by Nancy Elizabeth Van Deusen, 114-130. Albany: State University of New York Press, 1999.
Cumming, Julie E. The Motet in the Age of Du Fay. Cambridge: Cambridge University Press, 1999.
Merkley, Paul A., and Lora L. M. Merkley. Music and Patronage in the Sforza Court. Studi sulla Storia della Musica in Lombardia 3. Turnhout: Brepols, 1999.
Fritsch-Staar, Susanne. "Uterus virgineus thronus est eburneus: Zur Ästhetisierung, Dämonisierung und Metaphorisierung des Uterus in mhd. Lyrik." In Manlîchiu wîp, wîplîch man: Zur Konstruktion der Kategorien “Körper” und “Geschlecht, edited by Ingrid Bennewitz and Helmut Tervooren, 182-203. Berlin: E. Schmidt, 1999.
1998
van Weerbeke, Gaspar. Collected Works Gaspar van Weerbeke : The Motet Cycles. Edited by Andrea Lindmayr-Brandl. Corpus Mensurabilis Musicae. Vol. 106.3. Neuhausen: American Institute of Musicology, 1998.
Bernstein, Jane. Music Printing in Renaissance Venice: the Scotto Press (1539-1572).. New York [etc.]: Oxford University Press, 1998.
1997
Urkevich, Lisa A. "Anne Boleyn, a music book, and the northern Renaissance courts: music manuscript 1070 of the Royal College of Music, London." Ph.D. diss., University of Maryland, College Park, 1997.
Sherr, Richard J. "Conflicting Levels of Meaning and Understanding in Josquin's "O admirabile commercium" Motet Cycle." In Hearing the Motet : Essays on the Motet of the Middle Ages and Renaissance, edited by Dolores Pesce, 193-212., 1997.
Blackburn, Bonnie J. "For Whom Do the Singers Sing?" Early music 25, no. 4 (1997): 593-610.
Drake, Warren. "A New Source for the Text of Josquin's Passion Motet Cycle 'O Domine Jesu Christe'." Context: Journal of Music Research 13 (1997): 35-46.
1994
Lubkin, Gregory. A Renaissance Court: Milan under Galeazzo Maria Sforza. Berkeley: University of California Press, 1994.
1993
Banks, Jon. The Motet as a Formal Type in Northern Italy, ca. 1500. Outstanding dissertations in music from British universities. New York: Garland, 1993.
Welch, Evelyn S. "Sight, Sound and Ceremony in the Chapel of Galeazzo Maria Sforza." Early Music History 12 (1993): 151-190.
1990
Bailey, Terence, and Paul Merkley. The Melodic Tradition of the Ambrosian Office-Antiphons. Ottawa: The Institute of Mediaeval Music, 1990.
Brown, Howard Mayer. "The Mirror of Man’s Salvation: Music in Devotional Life about 1500." Renaissance Quarterly 43, no. 4 (1990): 744-773.
1989
Macey, Patrick. "Josquin's "Little" "Ave Maria": A Misplaced Motet from the 'Vultum tuum' Cycle?" Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis 39 (1989): 38-53.
Prizer, William F. "Music at the Court of the Sforza: the Birth and Death of a Musical Center." Musica Disciplina (1989): 141-193.
1987
Picker, Martin, ed. The Motet Books of Andrea Antico. Chicago: University of Chicago Press, 1987.
1986
Ward, Lynn Halpern. "The "Motetti Missales" Repertory Reconsidered." Journal of the American Musicological Society 39, no. 3 (1986): 491-523.
1985
Noble, Jeremy. "The Function of Josquin's Motets [Proceedings of the Josquin Symposium, Cologne, 1 - 5 July 1984; Workshop I.]." Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis 35, no. 1/2 (1985): 9-31.
1973
Staehelin, Martin. "Möglichkeiten und praktische Anwendung der Verfasserbestimmung an anonym überlieferten Kompositionen der Josquin-Zeit." Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis 23, no. 2 (1973): 79-91.
1969
Alce, Venturino. Il coro di San Domenico in Bologna. Edited by Renzo Renzi. Bologna: L. Parma, 1969.
1968
Noblitt, Thomas L. "The Ambrosian "Motetti Missales" Repertory." Musica Disciplina 22 (1968): 77-103.
Maas, Chris. "Determinering van Codex 73 uit de illustre Lieve Vrouwe Broederschap te 's-Hertogenbosch." Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis 21, no. 1 (1968): 37-45.
1966
von Heinemann, Otto. Codex Guelferbytanus 77.4 Augusteus 2° bis 34 Augusteus 4°. Die Augusteischen Handschriften. Vol. 4. Frankfurt a.M.: Klostermann, 1966.
1964
Finscher, Ludwig. Loyset Compère (c.1450-1518): Life and Works. Musicological Studies and Documents 12. Rome: American Institute of Musicology, 1964.
1963
Noblitt, Thomas L. "The "Motetti Missales" of the Late Fifteenth Century." Ph.D. diss., The University of Texas, 1963.
1959
Gaffori, Franchino. Mottetti. Edited by Luciano Migliavacca. Archivium Musices Metropolitanum Mediolanense 5. Milan: Veneranda Fabbrica del Duomo di Milano, 1959.
1954
Croll, Gerhard. "Das Motettenwerk Gaspars van Weerbeke." Ph.D. diss, Georg-August Universität Göttingen, 1954.
1952
Croll, Gerhard. "Gaspar van Weerbeke. An Outline of His Life and Works." Musica Disciplina: A Yearbook of the History of Music 6 (1952): 67-81.
1931
Jeppesen, Knud. "Die 3 Gafurius-Kodizes der Fabbrica del Duomo, Milano." Acta Musicologica 3, no. 1 (1931): 14-28.
1927
Moberg, Carl Allan. Über die schwedischen Sequenzen : eine musikgeschichtliche Studie : mit 5 Tafeln und 69 Sequenzenweisen nebst melodischen Varianten aus schwedischen und anderen Quellen. Veröffentlichungen der Gregorianischen Akademie zu Freiburg in der Schweiz. Vol. 13. Uppsala: Almqvist & Wiksell, 1927.

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