Bibliography

Found 117 results
1994
Lubkin, Gregory. A Renaissance Court: Milan under Galeazzo Maria Sforza. Berkeley: University of California Press, 1994.
1997
Urkevich, Lisa A. "Anne Boleyn, a music book, and the northern Renaissance courts: music manuscript 1070 of the Royal College of Music, London." Ph.D. diss., University of Maryland, College Park, 1997.
Sherr, Richard J. "Conflicting Levels of Meaning and Understanding in Josquin's "O admirabile commercium" Motet Cycle." In Hearing the Motet : Essays on the Motet of the Middle Ages and Renaissance, edited by Dolores Pesce, 193-212., 1997.
Blackburn, Bonnie J. "For Whom Do the Singers Sing?" Early music 25, no. 4 (1997): 593-610.
Drake, Warren. "A New Source for the Text of Josquin's Passion Motet Cycle 'O Domine Jesu Christe'." Context: Journal of Music Research 13 (1997): 35-46.
1998
van Weerbeke, Gaspar. Collected Works Gaspar van Weerbeke : The Motet Cycles. Edited by Andrea Lindmayr-Brandl. Corpus Mensurabilis Musicae. Vol. 106.3. Neuhausen: American Institute of Musicology, 1998.
Bernstein, Jane. Music Printing in Renaissance Venice: the Scotto Press (1539-1572).. New York [etc.]: Oxford University Press, 1998.
1999
Gasser, Nolan. "Beata et Venerabilis Virgo: Music and Devotion in Renaissance Milan." In Crossing Boundaries: Issues of Cultural and Individual Identities in the Middle Ages and the Renaissance, edited by Sally McKee, 203-238. Turnhout: Brepols, 1999.
Van Deusen, Nancy Elizabeth, and Marica I. Colish. "Ex utroque et in utroque: 'Promissa mundo gaudia', Electrum and the Sequence." In The Place of the Psalms in the Intellectual Culture of the Middle Ages, edited by Nancy Elizabeth Van Deusen, 114-130. Albany: State University of New York Press, 1999.
Cumming, Julie E. The Motet in the Age of Du Fay. Cambridge: Cambridge University Press, 1999.
Merkley, Paul A., and Lora L. M. Merkley. Music and Patronage in the Sforza Court. Studi sulla Storia della Musica in Lombardia 3. Turnhout: Brepols, 1999.
Fritsch-Staar, Susanne. "Uterus virgineus thronus est eburneus: Zur Ästhetisierung, Dämonisierung und Metaphorisierung des Uterus in mhd. Lyrik." In Manlîchiu wîp, wîplîch man: Zur Konstruktion der Kategorien “Körper” und “Geschlecht, edited by Ingrid Bennewitz and Helmut Tervooren, 182-203. Berlin: E. Schmidt, 1999.
2001
Blackburn, Bonnie J. "The Dispute about Harmony c. 1500 and the Creation of a New Style." In Théorie et analyse musicales, 1450-1650: Actes du colloque international, Louvain-La-Neuve, 23-25 septembre 1999 = Music Theory and Analysis, 1450-1650 : Proceedings of the International Conference, Louvain-la-Neuve, 23-25 September 1999, edited by Bonnie J. Blackburn and Anne-Emmanuelle Ceulemans, 1-37. Louvain-la-Neuve: Départment d'Histoire de l'Art et d'Archéologie; Collège Érasme, 2001.
Gasser, Nolan Ira. "The Marian Motet Cycles of the Gaffurius Codices: A Musical and Liturgico-Devotional Study." Ph.D. diss., Stanford University, 2001.
2003
Blackburn, Bonnie J., ed. Motets on non-biblical texts: De domino Jesu Christo 2. Utrecht: Koninklijke Vereniging voor Nederlandse Muziekgeschiedenis, 2003.
Rifkin, Joshua. "Munich, Milan, and a Marian Motet: Dating Josquin's 'Ave Maria … Virgo serena'." Journal of the American Musicological Society 56, no. 2 (2003): 239-350.
2004
Rolsma, Saskia. "De onthullingen van het missaal: Een onderzoek naar de functie van Motetti missales." In Meer dan muziek alleen: In memoriam Kees Vellekoop, edited by R.E.V. Stuip, 291-305. Hilversum: Verloren, 2004.
2005
Thompson, Augustine. Cities of God: The Religion of the Italian Communes, 1125-1325. University Park, PA: Pennsylvania State University Press, 2005.
Drake, Warren. "Motetti B and Its Relation to the Lauda Repertory Circa 1500." In Venezia 1501: Petrucci e la stampa musicale = Venice 1501: Petrucci, Music, Print and Publishing: Atti del Convegno internazionale di studi, Venezia, Palazzo Giustinian Lolin, 10-13 ottobre 2001, edited by Giulio Cattin and Patrizia Dalla Vecchia, 441-454. Venice: Fondazione Levi, 2005.
Blackburn, Bonnie J. "The Sign of Petrucci’s Editor." In Venezia 1501: Petrucci e la stampa musicale = Venice 1501: Petrucci, Music, Print and Publishing: Atti del Convegno internazionale di studi, Venezia, Palazzo Giustinian Lolin, 10-13 ottobre 2001, edited by Giulio Cattin and Patrizia Dalla Vecchia, 415-429. Venice: Fondazione Levi, 2005.
Duffy, Eamon. The Stripping of the Altars: Traditional Religion in England, c.1400-c.1580. 2nd edition. New Haven, CT; London: Yale University Press, 2005.
Cattin, Giulio, and Patrizia Dalla Vecchia, eds. Venezia 1501: Petrucci e la stampa musicale = Venice 1501: Petrucci, Music, Print and Publishing: Atti del Convegno internazionale di studi, Venezia, Palazzo Giustinian Lolin, 10-13 ottobre 2001. Venice: Fondazione Levi, 2005.
2006
Boorman, Stanley. Ottaviano Petrucci: A Catalogue Raisonné. New York: Oxford University Press, 2006.
2010
van Weerbeke, Gaspar. Collected Works Gaspar van Weerbeke : Motets. Edited by Agnese Pavanello and Andrea Lindmayr-Brandl. Corpus Mensurabilis Musicae. Vol. 106.4. Rome: American Institute of Musicology, 2010.
Kirkman, Andrew. The Cultural Life of the Early Polyphonic Mass: Medieval Context to Modern Revival. Cambridge; New York: Cambridge University Press, 2010.
2011
Baroffio, Giacomo. "Testo e musica nei libri d’ore." Rivista Italiana di Musicologia 34 (2011): 19-77.
2012
Rifkin, Joshua. "A Black Hole? Problems in the Motet around 1500." In The Motet around 1500: On the Relationship between Imitation and Text Treatment?, edited by Thomas Schmidt-Beste, 21-82. Turnhout: Brepols, 2012.
Reinburg, Virginia. French Books of Hours: Making an Archive of Prayer, c.1400-1600. Cambridge: Cambridge University Press, 2012.
Merkley, Paul A. "Ludovico Sforza as an "Emerging Prince": Networks of Musical Patronage in Milan." In Music and Patronage, edited by Paul A. Merkley, 255-270. Farnham: Ashgate, 2012.
Filippi, Daniele V. "Text, Form, and Style in Franchino Gaffurio’s Motets." In The Motet around 1500: On the Relationship between Imitation and Text Treatment?, edited by Thomas Schmidt-Beste, 383-410. Turnhout: Brepols, 2012.
2013
Boynton, Susan. "From Book to Song: Texts Accompanying the Man of Sorrows in the Fourteenth and Fifteenth Centuries." In New Perspectives on the Man of Sorrows, edited by Catherine R. Puglisi and William L. Barcham, 117-146. Kalamazoo: Medieval Institute Publications, 2013.
2014
Bizzarini, Marco. "Gli enigmi del Musico di Leonardo e dei cantori oltremontani alla corte sforzesca." In Cultura oltremontana in Lombardia al tempo degli Sforza (1450-1535), edited by Frédéric Elsig and Claudia Gaggetta, 261-279. Rome: Viella, 2014.
Karim, Armin. "“My People, What Have I Done to You?”: The Good Friday Popule meus Verses in Chant and Exegesis, c. 380–880." Ph.D. diss., Case Western Reserve University, 2014.
2016
Melion, Walter S. "Libellus piarum precum (1575): Iterations of the Five Holy Wounds in an Early Jesuit Prayerbook." In Jesuit Image Theory, edited by Wietse de Boer, Karl A. E. Enenkel and Walter S. Melion, 189-253. Leiden; Boston: Brill, 2016.
Kolb, Paul. "The 'Mass-Motet' Cycle Revisited." Journal of the Alamire Foundation 8, no. 2 (2016): 197-207.

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