Bibliography

Found 117 results
Book Chapter
Rolsma, Saskia. "De onthullingen van het missaal: Een onderzoek naar de functie van Motetti missales." In Meer dan muziek alleen: In memoriam Kees Vellekoop, edited by R.E.V. Stuip, 291-305. Hilversum: Verloren, 2004.
Blackburn, Bonnie J. "The Dispute about Harmony c. 1500 and the Creation of a New Style." In Théorie et analyse musicales, 1450-1650: Actes du colloque international, Louvain-La-Neuve, 23-25 septembre 1999 = Music Theory and Analysis, 1450-1650 : Proceedings of the International Conference, Louvain-la-Neuve, 23-25 September 1999, edited by Bonnie J. Blackburn and Anne-Emmanuelle Ceulemans, 1-37. Louvain-la-Neuve: Départment d'Histoire de l'Art et d'Archéologie; Collège Érasme, 2001.
Van Deusen, Nancy Elizabeth, and Marica I. Colish. "Ex utroque et in utroque: 'Promissa mundo gaudia', Electrum and the Sequence." In The Place of the Psalms in the Intellectual Culture of the Middle Ages, edited by Nancy Elizabeth Van Deusen, 114-130. Albany: State University of New York Press, 1999.
Rossi, Francesco Rocco. "Franchino Gaffurio compositore: Tra indagine stilistica e nuove conferme attributive." In Codici per cantare: I Libroni del Duomo nella Milano sforzesca, edited by Daniele V. Filippi and Agnese Pavanello, 219-231. Lucca: Libreria Musicale Italiana (LIM), 2019.
Boynton, Susan. "From Book to Song: Texts Accompanying the Man of Sorrows in the Fourteenth and Fifteenth Centuries." In New Perspectives on the Man of Sorrows, edited by Catherine R. Puglisi and William L. Barcham, 117-146. Kalamazoo: Medieval Institute Publications, 2013.
Diergarten, Felix. "'Gaude flore virginali' – Message from the "Black Hole"?" In Motet Cycles between Devotion and Liturgy, edited by Agnese Pavanello and Daniele V. Filippi, 429-455. Basel: Schwabe, 2019.
Bizzarini, Marco. "Gli enigmi del Musico di Leonardo e dei cantori oltremontani alla corte sforzesca." In Cultura oltremontana in Lombardia al tempo degli Sforza (1450-1535), edited by Frédéric Elsig and Claudia Gaggetta, 261-279. Rome: Viella, 2014.
Thoraval, Fañch. "Horologia Passionis: Hours, Hymns and Motet Cycles for the Cross and the Passion." In Motet Cycles between Devotion and Liturgy, edited by Agnese Pavanello and Daniele V. Filippi, 93-132. Basel: Schwabe, 2019.
Melion, Walter S. "Libellus piarum precum (1575): Iterations of the Five Holy Wounds in an Early Jesuit Prayerbook." In Jesuit Image Theory, edited by Wietse de Boer, Karl A. E. Enenkel and Walter S. Melion, 189-253. Leiden; Boston: Brill, 2016.
Vlhová-Wörner, Hana. "Liturgical Poetry and Poetical Liturgy: The Texts of Motet Cycles as a Continuation of Earlier Compositional Practice." In Motet Cycles between Devotion and Liturgy, edited by Agnese Pavanello and Daniele V. Filippi, 135-156. Basel: Schwabe, 2019.
Merkley, Paul A. "Ludovico Sforza as an "Emerging Prince": Networks of Musical Patronage in Milan." In Music and Patronage, edited by Paul A. Merkley, 255-270. Farnham: Ashgate, 2012.
Bokulich, Clare. "Meter and the ‘Motetti Missales’." In Motet Cycles between Devotion and Liturgy, edited by Agnese Pavanello and Daniele V. Filippi, 397-427. Basel: Schwabe, 2019.
Rifkin, Joshua. "Milan, Motet Cycles, Josquin: Further Thoughts on a Familiar Topic." In Motet Cycles between Devotion and Liturgy, edited by Daniele V. Filippi and Agnese Pavanello, 221-336. Basel: Schwabe, 2019.
Drake, Warren. "Motetti B and Its Relation to the Lauda Repertory Circa 1500." In Venezia 1501: Petrucci e la stampa musicale = Venice 1501: Petrucci, Music, Print and Publishing: Atti del Convegno internazionale di studi, Venezia, Palazzo Giustinian Lolin, 10-13 ottobre 2001, edited by Giulio Cattin and Patrizia Dalla Vecchia, 441-454. Venice: Fondazione Levi, 2005.
Pavanello, Agnese. "Praying to Mary: Another Look at Gaspar van Weerbeke’s Marian Motetti missales." In Motet Cycles between Devotion and Liturgy, edited by Daniele V. Filippi and Agnese Pavanello, 339-380. Basel: Schwabe, 2019.
Gozzi, Marco. "Sequence Texts in Transmission." In Motet Cycles between Devotion and Liturgy, edited by Daniele V. Filippi and Agnese Pavanello, 157-187. Basel: Schwabe, 2019.
Blackburn, Bonnie J. "The Sign of Petrucci’s Editor." In Venezia 1501: Petrucci e la stampa musicale = Venice 1501: Petrucci, Music, Print and Publishing: Atti del Convegno internazionale di studi, Venezia, Palazzo Giustinian Lolin, 10-13 ottobre 2001, edited by Giulio Cattin and Patrizia Dalla Vecchia, 415-429. Venice: Fondazione Levi, 2005.
Rossi, Francesco Rocco. "Surveying the First Gaffurius Codex: Reconsiderations on the "Motetti missales" Paradigm." In Motet Cycles between Devotion and Liturgy, edited by Daniele V. Filippi and Agnese Pavanello, 381-395. Basel: Schwabe, 2019.
Filippi, Daniele V. "Text, Form, and Style in Franchino Gaffurio’s Motets." In The Motet around 1500: On the Relationship between Imitation and Text Treatment?, edited by Thomas Schmidt-Beste, 383-410. Turnhout: Brepols, 2012.
Fritsch-Staar, Susanne. "Uterus virgineus thronus est eburneus: Zur Ästhetisierung, Dämonisierung und Metaphorisierung des Uterus in mhd. Lyrik." In Manlîchiu wîp, wîplîch man: Zur Konstruktion der Kategorien “Körper” und “Geschlecht, edited by Ingrid Bennewitz and Helmut Tervooren, 182-203. Berlin: E. Schmidt, 1999.
Blackburn, Bonnie J. "Variations on Agricola's 'Si dedero': A Motet Cycle Unmasked." In Codici per cantare: I Libroni del Duomo nella Milano sforzesca, edited by Daniele V. Filippi and Agnese Pavanello, 187-217. Lucca: Libreria Musicale Italiana (LIM), 2019.
Filippi, Daniele V. "Where Devotion and Liturgy Meet: Re-assessing the Milanese Roots of the Motetti missales." In Motet Cycles between Devotion and Liturgy, edited by Agnese Pavanello and Daniele V. Filippi, 53-91. Basel: Schwabe, 2019.
Journal Article
Noblitt, Thomas L. "The Ambrosian "Motetti Missales" Repertory." Musica Disciplina 22 (1968): 77-103.
Filippi, Daniele V. ""Audire missam non est verba missae intelligere...": The Low Mass and the Motetti missales in Sforza Milan." Journal of the Alamire Foundation 9, no. 1 (2017): 11-32.
Diergarten, Felix. ""Aut propter devotionem, aut propter sonorositatem": Compositional Design of Late Fifteenth-Century Elevation Motets in Perspective." Journal of the Alamire Foundation 9, no. 1 (2017): 61-86.
Maas, Chris. "Determinering van Codex 73 uit de illustre Lieve Vrouwe Broederschap te 's-Hertogenbosch." Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis 21, no. 1 (1968): 37-45.
Jeppesen, Knud. "Die 3 Gafurius-Kodizes der Fabbrica del Duomo, Milano." Acta Musicologica 3, no. 1 (1931): 14-28.
Pavanello, Agnese. "Elevation as Liturgical Climax in Gesture and Sound: Milanese Elevation Motets in Context." Journal of the Alamire Foundation 9, no. 1 (2017): 33-59.
Blackburn, Bonnie J. "For Whom Do the Singers Sing?" Early music 25, no. 4 (1997): 593-610.
Noble, Jeremy. "The Function of Josquin's Motets [Proceedings of the Josquin Symposium, Cologne, 1 - 5 July 1984; Workshop I.]." Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis 35, no. 1/2 (1985): 9-31.
Macey, Patrick. "Galeazzo Maria Sforza and Musical Patronage in Milan: Compère, Weerbeke and Josquin." Early Music History 15 (1996): 147-212.
Croll, Gerhard. "Gaspar van Weerbeke. An Outline of His Life and Works." Musica Disciplina: A Yearbook of the History of Music 6 (1952): 67-81.
Lindmayr-Brandl, Andrea. "Gaspar van Weerbeke and the Motet 'Sancti Spiritus adsit nobis gratia' (An Analytic Study in the Diplomatic Environment of the Motetti Missales)." Musica Disciplina 46 (1992): 105-131.
Pavanello, Agnese. "Il ciclo di mottetti 'In honorem Sancti Spiritus' di Gaspar van Weerbeke: Un'ipotesi sulla sua origine." Musica disciplina 54 (2009): 147-180.
Macey, Patrick. "Josquin's "Little" "Ave Maria": A Misplaced Motet from the 'Vultum tuum' Cycle?" Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis 39 (1989): 38-53.
Bloxam, M.Jennifer. "'La Contenance Italienne': The Motets on 'Beata es Maria' by Compère, Obrecht and Brumel." Early Music History 11 (1992): 39-89.
Fitch, Fabrice. "Loyset Compère and the Motetti missales Cycle "Ave Domine Jesu Christe"." Journal of the Alamire Foundation 10, no. 2 (2018): 293-304.
Kolb, Paul. "The 'Mass-Motet' Cycle Revisited." Journal of the Alamire Foundation 8, no. 2 (2016): 197-207.
Brown, Howard Mayer. "The Mirror of Man’s Salvation: Music in Devotional Life about 1500." Renaissance Quarterly 43, no. 4 (1990): 744-773.
Staehelin, Martin. "Möglichkeiten und praktische Anwendung der Verfasserbestimmung an anonym überlieferten Kompositionen der Josquin-Zeit." Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis 23, no. 2 (1973): 79-91.
Ward, Lynn Halpern. "The "Motetti Missales" Repertory Reconsidered." Journal of the American Musicological Society 39, no. 3 (1986): 491-523.
Rifkin, Joshua. "Munich, Milan, and a Marian Motet: Dating Josquin's 'Ave Maria … Virgo serena'." Journal of the American Musicological Society 56, no. 2 (2003): 239-350.
Prizer, William F. "Music at the Court of the Sforza: the Birth and Death of a Musical Center." Musica Disciplina (1989): 141-193.
Macey, Patrick. "A Musical Detective Story: Josquin's Motet Cycle for the Sforza Rulers of Milan." American choral review 44, no. 1 (2002): 1-8.
Drake, Warren. "A New Source for the Text of Josquin's Passion Motet Cycle 'O Domine Jesu Christe'." Context: Journal of Music Research 13 (1997): 35-46.
Crawford, David E. "Review of: Thomas Lee Noblitt - The Motetti Missales of the Late 15th Century." Current Musicology 10 (1970): 102-108.
Welch, Evelyn S. "Sight, Sound and Ceremony in the Chapel of Galeazzo Maria Sforza." Early Music History 12 (1993): 151-190.
Baroffio, Giacomo. "Testo e musica nei libri d’ore." Rivista Italiana di Musicologia 34 (2011): 19-77.
Thesis
Urkevich, Lisa A. "Anne Boleyn, a music book, and the northern Renaissance courts: music manuscript 1070 of the Royal College of Music, London." Ph.D. diss., University of Maryland, College Park, 1997.
Croll, Gerhard. "Das Motettenwerk Gaspars van Weerbeke." Ph.D. diss, Georg-August Universität Göttingen, 1954.

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