Kirkman, Andrew. The Cultural Life of the Early Polyphonic Mass: Medieval Context to Modern Revival. Cambridge; New York: Cambridge University Press, 2010.

Klein-Ilbeck, Bettina, and Joachim Ott. Die Handschriften der Thüringer Universitäts- und Landesbibliothek Jena, vol. 2: Die mittelalterlichen lateinischen Handschriften der Signaturreihen außerhalb der Electoralis-Gruppe. Wiesbaden: Harrassowitz, 2009.

Klein-Ilbeck, Bettina, and Joachim Ott. Die Handschriften der Thüringer Universitäts- und Landesbibliothek Jena. Bd 2, Die mittelalterlichen lateinischen Handschriften der Signaturreihen außerhalb der Electoralis-Gruppe. Wiesbaden: Harrassowitz, 2009.

Kolb, Paul. "The 'Mass-Motet' Cycle Revisited." Journal of the Alamire Foundation 8, no. 2 (2016): 197-207.

Leroquais, Victor. Les livres d'heures manuscrits de la Bibliothèque nationale. 4 vols. Paris: [Maçon, Protat frères, impr.], 1927-1943.

Lindmayr-Brandl, Andrea. "Gaspar van Weerbeke and the Motet 'Sancti Spiritus adsit nobis gratia' (An Analytic Study in the Diplomatic Environment of the Motetti Missales)." Musica Disciplina 46 (1992): 105-131.

Lonoce, Sergio. "Gaffurio perfectus musicus: lettura dei "motetti missales"." Tesi di laurea, Università degli Studi di Milano, 2009.

Lubkin, Gregory. A Renaissance Court: Milan under Galeazzo Maria Sforza. Berkeley: University of California Press, 1994.

Maas, Chris. "Determinering van Codex 73 uit de illustre Lieve Vrouwe Broederschap te 's-Hertogenbosch." Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis 21, no. 1 (1968): 37-45.

Macey, Patrick. "Josquin's "Little" "Ave Maria": A Misplaced Motet from the 'Vultum tuum' Cycle?" Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis 39 (1989): 38-53.

Macey, Patrick. "A Musical Detective Story: Josquin's Motet Cycle for the Sforza Rulers of Milan." American choral review 44, no. 1 (2002): 1-8.

Macey, Patrick. "Galeazzo Maria Sforza and Musical Patronage in Milan: Compère, Weerbeke and Josquin." Early Music History 15 (1996): 147-212.

Melion, Walter S. "Libellus piarum precum (1575): Iterations of the Five Holy Wounds in an Early Jesuit Prayerbook." In Jesuit Image Theory, edited by Wietse de Boer, Karl A. E. Enenkel and Walter S. Melion, 189-253. Leiden; Boston: Brill, 2016.

Merkley, Paul A. "Ludovico Sforza as an "Emerging Prince": Networks of Musical Patronage in Milan." In Music and Patronage, edited by Paul A. Merkley, 255-270. Farnham: Ashgate, 2012.

Merkley, Paul A., and Lora L. M. Merkley. Music and Patronage in the Sforza Court. Studi sulla Storia della Musica in Lombardia 3. Turnhout: Brepols, 1999.

Moberg, Carl-Allan. Über die schwedischen Sequenzen : eine musikgeschichtliche Studie : mit 5 Tafeln und 69 Sequenzenweisen nebst melodischen Varianten aus schwedischen und anderen Quellen. Veröffentlichungen der Gregorianischen Akademie zu Freiburg/Schweiz. Uppsala: Almqvist & Wiksell, 1927.

Moberg, Carl Allan. Über die schwedischen Sequenzen : eine musikgeschichtliche Studie : mit 5 Tafeln und 69 Sequenzenweisen nebst melodischen Varianten aus schwedischen und anderen Quellen. Veröffentlichungen der Gregorianischen Akademie zu Freiburg in der Schweiz. Vol. 13. Uppsala: Almqvist & Wiksell, 1927.

Natale, Mauro, and Serena Romano, eds. Arte lombarda dai Visconti agli Sforza: Milano al centro dell'Europa. Milan: Skira, 2015.

Noble, Jeremy. "The Function of Josquin's Motets [Proceedings of the Josquin Symposium, Cologne, 1 - 5 July 1984; Workshop I.]." Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis 35, no. 1/2 (1985): 9-31.

Noblitt, Thomas L. "The Ambrosian "Motetti Missales" Repertory." Musica Disciplina 22 (1968): 77-103.

Noblitt, Thomas L. "The "Motetti Missales" of the Late Fifteenth Century." Ph.D. diss., The University of Texas, 1963.

Noblitt, Thomas L., ed. Der Kodex des Magister Nicolaus Leopold: Staatsbibliothek München Mus Ms. 3154. Das Erbe deutscher Musik 80-83. Kassel: Bärenreiter, 1987-1996.

Pavanello, Agnese. "Elevation as Liturgical Climax in Gesture and Sound: Milanese Elevation Motets in Context." Journal of the Alamire Foundation 9, no. 1 (2017): 33-59.

Pavanello, Agnese. "Il ciclo di mottetti 'In honorem Sancti Spiritus' di Gaspar van Weerbeke: Un'ipotesi sulla sua origine." Musica disciplina 54 (2009): 147-180.

Pavanello, Agnese, and Daniele V. Filippi, eds. Motet Cycles between Devotion and Liturgy. Scripta. Basel: Schwabe, Forthcoming.

Pellegrin, Elisabeth. La bibliothèque des Visconti et des Sforza, ducs de Milan, au XVe siècle. Paris: C.N.R.S., 1955.

Picker, Martin, ed. The Motet Books of Andrea Antico. Chicago: University of Chicago Press, 1987.

Prizer, William F. "Music at the Court of the Sforza: the Birth and Death of a Musical Center." Musica Disciplina (1989): 141-193.

Reinburg, Virginia. French Books of Hours: Making an Archive of Prayer, c.1400-1600. Cambridge: Cambridge University Press, 2012.

Rifkin, Joshua. "Munich, Milan, and a Marian Motet: Dating Josquin's 'Ave Maria … Virgo serena'." Journal of the American Musicological Society 56, no. 2 (2003): 239-350.

Rifkin, Joshua. "A Black Hole? Problems in the Motet around 1500." In The Motet around 1500: On the Relationship between Imitation and Text Treatment?, edited by Thomas Schmidt-Beste, 21-82. Turnhout: Brepols, 2012.

Rolsma, Saskia. "De onthullingen van het missaal: Een onderzoek naar de functie van Motetti missales." In Meer dan muziek alleen: In memoriam Kees Vellekoop, edited by R.E.V. Stuip, 291-305. Hilversum: Verloren, 2004.

Sartori, Claudio. Le musiche della Cappella del Duomo di Milano: Catalogo delle musiche dell'Archivio. Milano: Ven. Fabbrica del Duomo, 1957.

Schmidt, Thomas, David Skinner, and Katja Airaksinen-Monier. Anne Boleyn Music Book (London, Royal College of Music, Ms. 1070). Facsimile with introduction. Oxford: DIAMM Publications, 2017.

Sherr, Richard J. "Conflicting Levels of Meaning and Understanding in Josquin's "O admirabile commercium" Motet Cycle." In Hearing the Motet : Essays on the Motet of the Middle Ages and Renaissance, edited by Dolores Pesce, 193-212., 1997.

Staehelin, Martin. "Möglichkeiten und praktische Anwendung der Verfasserbestimmung an anonym überlieferten Kompositionen der Josquin-Zeit." Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis 23, no. 2 (1973): 79-91.

Stenzl, Jürg. Der Klang des Hohen Liedes: Vertonungen des “Canticum Canticorum” vom 9. bis zum Ende des 15. Jahrhunderts. Salzburger Stier 1. Würzburg: Königshausen & Neumann, 2008.

Thompson, Augustine. Cities of God: The Religion of the Italian Communes, 1125-1325. University Park, PA: Pennsylvania State University Press, 2005.

Thoraval, Fañch. "Horologia Passionis: Hours, Hymns and Motet Cycles for the Cross and the Passion." In Motet Cycles between Devotion and Liturgy, edited by Agnese Pavanello and Daniele V. Filippi. Basel: Schwabe, Forthcoming.

Van Deusen, Nancy Elizabeth, and Marica I. Colish. "Ex utroque et in utroque: 'Promissa mundo gaudia', Electrum and the Sequence." In The Place of the Psalms in the Intellectual Culture of the Middle Ages, edited by Nancy Elizabeth Van Deusen, 114-130. Albany: State University of New York Press, 1999.

van Weerbeke, Gaspar. Collected Works Gaspar van Weerbeke : The Motet Cycles. Edited by Andrea Lindmayr-Brandl. Corpus Mensurabilis Musicae. Vol. 106.3. Neuhausen: American Institute of Musicology, 1998.

van Weerbeke, Gaspar, Agnese Pavanello, and Andrea Lindmayr-Brandl. Collected Works Gaspar van Weerbeke: Motets. Corpus Mensurabilis Musicae 106. American Institute of Musicology ed. Vol. 4. Rome, 2010.

van Weerbeke, Gaspar, and Andrea Lindmayr-Brandl. Collected Works Gaspar van Weerbeke: The motet cycles. Corpus Mensurabilis Musicae 106. American Institute of Musicology ed. Vol. 3. Neuhausen, 1998.

van Weerbeke, Gaspar. Collected Works Gaspar van Weerbeke : Motets. Edited by Agnese Pavanello and Andrea Lindmayr-Brandl. Corpus Mensurabilis Musicae. Vol. 106.4. Rome: American Institute of Musicology, 2010.

Vlhová-Wörner, Hana. "Liturgical Poetry and Poetical Liturgy: The Texts of Motet Cycles as a Continuation of Earlier Compositional Practice." In Motet Cycles between Devotion and Liturgy, edited by Agnese Pavanello and Daniele V. Filippi. Basel: Schwabe, Forthcoming.

von Heinemann, Otto. Die Augusteischen Handschriften. 4, Codex Guelferbytanus 77.4 Aug. 2° bis 34 Augusteus 4°. Kataloge der Herzog-August-Bibliothek, Wolfenbüttel 7. Frankfurt a. M.: Klostermann, 1966.

von Heinemann, Otto. Die Augusteischen Handschriften 4. Cod. Guelf. 77.4 Aug. 2° — 34 Aug. 4°. Frankfurt/M: Klostermann, 1966.

Ward, Lynn Halpern. "The "Motetti Missales" Repertory Reconsidered." Journal of the American Musicological Society 39, no. 3 (1986): 491-523.

Welch, Evelyn S. "Sight, Sound and Ceremony in the Chapel of Galeazzo Maria Sforza." Early Music History 12 (1993): 151-190.

Wilmart, André. Auteurs spirituels et textes dévots du Moyen âge latin: études d'histoire littéraire. Paris: Études augustiniennes, 1971.