Internationale Ausstellung für Musik- und Theaterwesen, Wien 1892: Fach-Katalog der Abtheilung des Königreiches Italien

TitleInternationale Ausstellung für Musik- und Theaterwesen, Wien 1892: Fach-Katalog der Abtheilung des Königreiches Italien
Publication TypeBook
Year of Publication1892
EditorBerwin, Adolfo, and Robert Hirschfeld
PublisherSelbstverlag der Ausstellungs-Commission
CityVienna
Notes

'Vortitel: American institute of musicology\n - dvfilippi'
Short TitleInternationale Ausstellung für Musik- und Theaterwesen, Wien 1892
CiteKey: 
BERWIN-HIRSCHFELD 1892
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Content related to this item

Cycle details

Reference source: 
I-Mfd 3, ff. 205v-208r
Cycle rubric: 
-
Identified as a cycle based on: 
GASSER 2001, 331; 475-487
Number of voices: 
4
Signature: 
b
Clefs: 
c1c3c4f4
Final: 
G
Devotional / liturgical association: 
BVM
Modern editions: 
GASSER 2001, 604-617; MM 1 (see the records of the individual motets)
Further notes: 

C24 and C25 share the same three motets, but in C25 (from I-Mfd [4]) they surround a Mass and the order is M089-M090-M091, whereas C24 (from I-Mfd 3) is a “standalone” cycle, and the order is M090-M089-M091. There is no attribution in either book, nor in ANNALI 1885 (the Imperatrix gloriosa attributed to Gaffurius there at 169 is not M089 but M016). As for the catalogue BERWIN-HIRSCHFELD 1892, 91, it is unclear whether the Mass in included in the attribution to Gaffurius, or M089 only is intended. EITNER 1900-04, IV, 122 indicates, however, that the Mass is indeed a Missa [super] Imperatrix gloriosa; WARD 1986, 497 seems to accept the attribution and extends it to the other two motets, followed by Bonnie J. Blackburn, "Gaffurius, Franchinus," Grove Music Online. Oxford Music Online (Oxford University Press), http://www.oxfordmusiconline.com/subscriber/article/grove/music/10477.

Content (motets): 
M090 M089 M091

C24 Caeli quondam roraverunt

[Gaffurius, Franchinus (?)]

Cycle details

Reference source: 
I-Mfd [4], ff. 12v-24r
Cycle rubric: 
-
Identified as a cycle based on: 
WARD 1986, 497; GASSER 2001, 332; 475-487
Number of voices: 
4
Signature: 
b
Clefs: 
<c1c3>c4f4
Final: 
<G>
Devotional / liturgical association: 
BVM
Modern editions: 
GASSER 2001, 604-617 (motets only)
Further notes: 

C24 and C25 share the same three motets, but in C25 (from I-Mfd [4]) they surround a Mass and the order is M089-M090-M091, whereas C24 (from I-Mfd 3) is a “standalone” cycle, and the order is M090-M089-M091. There is no attribution in either book, nor in ANNALI 1885 (the Imperatrix gloriosa attributed to Gaffurius there at 169 is not M089 but M016). As for the catalogue BERWIN-HIRSCHFELD 1892, 91, it is unclear whether the Mass is included in the attribution to Gaffurius, or M089 only is intended. EITNER 1900-04, IV, 122 indicates, however, that the Mass is indeed a Missa [super] Imperatrix gloriosa; WARD 1986, 497 seems to accept the attribution and extends it to the other two motets, followed by Bonnie J. BLACKBURN, "Gaffurius, Franchinus," Grove Music Online. Oxford Music Online (Oxford University Press), http://www.oxfordmusiconline.com/subscriber/article/grove/music/10477.

Content (motets): 
M089 M090 Kyrie Gloria Credo Sanctus Agnus M091

C25 Imperatrix gloriosa + Missa

[Gaffurius, Franchinus (?)]

Motet details

In cycle(s): 
C60 Sanctus + Ave virgo gloriosa Maria mater gratiae
Reference source: 
I-Mfd 2, ff. 35v-36r
Mensuration: 

Number of voices: 
4
Length: 
96
Signature: 
b
Clefs: 
g2c2c3c4
Final: 
D/D
Music incipit: 
gabcbbab
deffgfge
gbcdedbc
gfedcgfg
Modern editions: 
AMMM 6, 12-16
Further notes: 

The first part (Sanctus) has also been copied In I-Mfd [4], ff. 66v-67r, where a G has been added at the end of each voice, except in the Altus. Consequently, the final in I-Mfd [4] (G) differs from the final in I-Mfd 2 (D).

For the attribution of this piece to Compère and its possible belonging to a cycle, see WARD 1986, 499, 506, and 508-515. The attribution was proposed by STAEHELIN 1973, 82, based on the probable identification of this Sanctus with the isolated one attributed to “Loyset” in I-Mfd [4] according to BERWIN-HIRSCHFELD 1892, 91. Ludwig Finscher (s.v. “Compère, Loyset”, in MGG Online) strongly questioned the attribution on stylistic grounds. See also C29. Due to the complex issues of authorship and rewriting and the web of partial and reworked concordances regarding the entire cycle as proposed by WARD 1986, the problem awaits further investigation.

Text reference: 
T281 Sanctus : O sapientia

M281 Sanctus : O sapientia

[Compère, Loyset (?)]