Alce, Venturino. Il coro di San Domenico in Bologna. Edited by Renzo Renzi. Bologna: L. Parma, 1969.

ANNALI. Annali della Fabbrica del Duomo di Milano dall'origine fino al presente: Appendici. Vol. 2. Milano: G. Brigola, 1885.

Bailey, Terence, and Paul Merkley. The Melodic Tradition of the Ambrosian Office-Antiphons. Ottawa: The Institute of Mediaeval Music, 1990.

Banks, Jon. The Motet as a Formal Type in Northern Italy, ca. 1500. Outstanding dissertations in music from British universities. New York: Garland, 1993.

Baroffio, Giacomo. "Testo e musica nei libri d’ore." Rivista Italiana di Musicologia 34 (2011): 19-77.

Benati, Giulia, ed. Milano: Museo e tesoro del Duomo: catalogo generale. Milan: Silvana Editoriale; Veneranda Fabbrica del Duomo di Milano, 2017.

Bernstein, Jane. Music Printing in Renaissance Venice: the Scotto Press (1539-1572).. New York [etc.]: Oxford University Press, 1998.

Berwin, Adolfo, and Robert Hirschfeld, eds. Internationale Ausstellung für Musik- und Theaterwesen, Wien 1892: Fach-Katalog der Abtheilung des Königreiches Italien. Vienna: Selbstverlag der Ausstellungs-Commission, 1892.

Bizzarini, Marco. "Gli enigmi del Musico di Leonardo e dei cantori oltremontani alla corte sforzesca." In Cultura oltremontana in Lombardia al tempo degli Sforza (1450-1535), edited by Frédéric Elsig and Claudia Gaggetta, 261-279. Rome: Viella, 2014.

Blackburn, Bonnie J. "The Sign of Petrucci’s Editor." In Venezia 1501: Petrucci e la stampa musicale = Venice 1501: Petrucci, Music, Print and Publishing: Atti del Convegno internazionale di studi, Venezia, Palazzo Giustinian Lolin, 10-13 ottobre 2001, edited by Giulio Cattin and Patrizia Dalla Vecchia, 415-429. Venice: Fondazione Levi, 2005.

Blackburn, Bonnie J. "Variations on Agricola's 'Si dedero': A Motet Cycle Unmasked." In Codici per cantare: I Libroni del Duomo nella Milano sforzesca, edited by Daniele V. Filippi and Agnese Pavanello, 187-217. Lucca: Libreria Musicale Italiana (LIM), 2019.

Blackburn, Bonnie J. "The Dispute about Harmony c. 1500 and the Creation of a New Style." In Théorie et analyse musicales, 1450-1650: Actes du colloque international, Louvain-La-Neuve, 23-25 septembre 1999 = Music Theory and Analysis, 1450-1650 : Proceedings of the International Conference, Louvain-la-Neuve, 23-25 September 1999, edited by Bonnie J. Blackburn and Anne-Emmanuelle Ceulemans, 1-37. Louvain-la-Neuve: Départment d'Histoire de l'Art et d'Archéologie; Collège Érasme, 2001.

Blackburn, Bonnie J. "For Whom Do the Singers Sing?" Early music 25, no. 4 (1997): 593-610.

Blackburn, Bonnie J., ed. Motets on non-biblical texts: De domino Jesu Christo 2. Utrecht: Koninklijke Vereniging voor Nederlandse Muziekgeschiedenis, 2003.

Bloxam, M.Jennifer. "'La Contenance Italienne': The Motets on 'Beata es Maria' by Compère, Obrecht and Brumel." Early Music History 11 (1992): 39-89.

Bohatta, Hanns. Bibliographie der livres d'heures (horae B.M.V.) officia, hortuli animae, coronae B.M.V., rosaria und cursus B.M.V. des XV. und XVI. Jahrhunderts. Vienna: Gilhofer & Ranschburg, 1924.

Bokulich, Clare. "Meter and the ‘Motetti Missales’." In Motet Cycles between Devotion and Liturgy, edited by Agnese Pavanello and Daniele V. Filippi, 397-427. Basel: Schwabe, 2019.

Boorman, Stanley. Ottaviano Petrucci: A Catalogue Raisonné. New York: Oxford University Press, 2006.

Boynton, Susan. "From Book to Song: Texts Accompanying the Man of Sorrows in the Fourteenth and Fifteenth Centuries." In New Perspectives on the Man of Sorrows, edited by Catherine R. Puglisi and William L. Barcham, 117-146. Kalamazoo: Medieval Institute Publications, 2013.

Brown, Howard Mayer. "The Mirror of Man’s Salvation: Music in Devotional Life about 1500." Renaissance Quarterly 43, no. 4 (1990): 744-773.

Busse-Berger, Anna Maria, and Jesse Rodin. The Cambridge History of Fifteenth-Century Music. Cambridge UK; New York: Cambridge University Press, 2015.

Casola, Pietro. Rationale caerimoniarum missae. Milan: Ambrogio da Caponago presso Alessandro Minuziano, 1499.

Cattin, Giulio, and Patrizia Dalla Vecchia, eds. Venezia 1501: Petrucci e la stampa musicale = Venice 1501: Petrucci, Music, Print and Publishing: Atti del Convegno internazionale di studi, Venezia, Palazzo Giustinian Lolin, 10-13 ottobre 2001. Venice: Fondazione Levi, 2005.

Crawford, David E. "Review of: Thomas Lee Noblitt - The Motetti Missales of the Late 15th Century." Current Musicology 10 (1970): 102-108.

Croll, Gerhard. "Gaspar van Weerbeke. An Outline of His Life and Works." Musica Disciplina: A Yearbook of the History of Music 6 (1952): 67-81.

Croll, Gerhard. "Das Motettenwerk Gaspars van Weerbeke." Ph.D. diss, Georg-August Universität Göttingen, 1954.

Cumming, Julie E. The Motet in the Age of Du Fay. Cambridge: Cambridge University Press, 1999.

de Goede, N. The Utrecht prosarium: Liber sequentiarum ecclesiae capitularis Sanctae Mariae Ultraiectensis saeculi XIII, Codex Ultraiectensis, Universitatis Bibliotheca 417. Monumenta Musica Neerlandica 6. Amsterdam: Vereniging voor Nederlandse Muziekgeschiedenis, 1965.

Diergarten, Felix. ""Aut propter devotionem, aut propter sonorositatem": Compositional Design of Late Fifteenth-Century Elevation Motets in Perspective." Journal of the Alamire Foundation 9, no. 1 (2017): 61-86.

Diergarten, Felix. "'Gaude flore virginali' – Message from the "Black Hole"?" In Motet Cycles between Devotion and Liturgy, edited by Agnese Pavanello and Daniele V. Filippi, 429-455. Basel: Schwabe, 2019.

Drake, Warren. "A New Source for the Text of Josquin's Passion Motet Cycle 'O Domine Jesu Christe'." Context: Journal of Music Research 13 (1997): 35-46.

Drake, Warren. Ottaviano Petrucci: Motetti de Passione, de Cruce, de Sacramento, de Beata Virgine et huiusmodi B: Venice, 1503. Chicago; London: The University of Chicago Press, 2002.

Drake, George Warren Jam. "The First Printed Books of Motets: Petrucci's Motetti a Numero Trentatre A (Venice, 1502) and Motetti de Passione, de Cruce, de Sacramento, de Beata Virgine et Huiusmodi B." Ph.D. diss., University of Illinois, 1972.

Drake, Warren. "Motetti B and Its Relation to the Lauda Repertory Circa 1500." In Venezia 1501: Petrucci e la stampa musicale = Venice 1501: Petrucci, Music, Print and Publishing: Atti del Convegno internazionale di studi, Venezia, Palazzo Giustinian Lolin, 10-13 ottobre 2001, edited by Giulio Cattin and Patrizia Dalla Vecchia, 441-454. Venice: Fondazione Levi, 2005.

Duffy, Eamon. The Stripping of the Altars: Traditional Religion in England, c.1400-c.1580. 2nd edition. New Haven, CT; London: Yale University Press, 2005.

Eitner, Robert. Biographisch-Bibliographisches Quellen-Lexikon der Musiker und Musikgelehrten der christlichen Zeitrechnung bis zur Mitte des neunzehnten Jahrhunderts. Leipzig: Breitkopf & Haertel, 1900-1904.

Elders, Willem, ed. Motets on non-Biblical Texts : De Beata Maria Virgine 3. Utrecht: Koninklijke Vereniging voor Nederlandse Muziekgeschiedenis, 2009.

Elders, Willem. Motets on non-Biblical Texts : De beata Maria virgine 3 : Critical Commentary. Koninklijke Vereniging voor Nederlandse Muziekgeschiedenis ed. Utrecht, 2009.

Evans, Mark. The Sforza Hours. New York: New Amsterdam, 1992.

Filippi, Daniele V. "Where Devotion and Liturgy Meet: Re-assessing the Milanese Roots of the Motetti missales." In Motet Cycles between Devotion and Liturgy, edited by Agnese Pavanello and Daniele V. Filippi, 53-91. Basel: Schwabe, 2019.

Filippi, Daniele V. "Text, Form, and Style in Franchino Gaffurio’s Motets." In The Motet around 1500: On the Relationship between Imitation and Text Treatment?, edited by Thomas Schmidt-Beste, 383-410. Turnhout: Brepols, 2012.

Filippi, Daniele V. ""Audire missam non est verba missae intelligere...": The Low Mass and the Motetti missales in Sforza Milan." Journal of the Alamire Foundation 9, no. 1 (2017): 11-32.

Filippi, Daniele V. "Breve guida ai motetti missales (e dintorni)." In Codici per cantare: I Libroni del Duomo nella Milano sforzesca, edited by Daniele V. Filippi and Agnese Pavanello, 139-169. Lucca: Libreria Musicale Italiana (LIM), 2019.

Finscher, Ludwig. "Die Messen und Motetten Loyset Compères." Ph.D. diss., Georg-August Universität Göttingen, 1955.

Finscher, Ludwig. Loyset Compère (c.1450-1518): Life and Works. Musicological Studies and Documents 12. Rome: American Institute of Musicology, 1964.

Fitch, Fabrice. "Loyset Compère and the Motetti missales Cycle "Ave Domine Jesu Christe"." Journal of the Alamire Foundation 10, no. 2 (2018): 293-304.

Franz, Adolph. Die Messe im Deutschen Mittelalter. Beiträge zur Geschichte der Liturgie und des religiösen Volkslebens. Freiburg im Breisgau: Herdersche Verlagshandlung, 1902.

Fritsch-Staar, Susanne. "Uterus virgineus thronus est eburneus: Zur Ästhetisierung, Dämonisierung und Metaphorisierung des Uterus in mhd. Lyrik." In Manlîchiu wîp, wîplîch man: Zur Konstruktion der Kategorien “Körper” und “Geschlecht, edited by Ingrid Bennewitz and Helmut Tervooren, 182-203. Berlin: E. Schmidt, 1999.

Gaffori, Franchino. Mottetti. Edited by Luciano Migliavacca. Archivium Musices Metropolitanum Mediolanense 5. Milan: Veneranda Fabbrica del Duomo di Milano, 1959.

Gasser, Nolan Ira. "The Marian Motet Cycles of the Gaffurius Codices: A Musical and Liturgico-Devotional Study." Ph.D. diss., Stanford University, 2001.